Alicia I love this movie so much

BoardChiri Bad Acting and worse Bad Screenplay

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

christopher-underwood Bearing in mind this is an early Ferrara, coming after Driller Killer and Ms.45 I should perhaps not have been so surprised at its failings. It is far better than the former but some way less good than Ms.45 and there is the problem of censorship. There are cut and uncut versions of this available but all versions lack chunks of material originally cut and now presumably lost. This accounts for some glaring jump cuts and a freeze frame on a sex scene that had me thinking my disc had stuck. Splendid camera-work as usual and worth seeing just for the glorious night shots of 42nd Street and Times Square, now nicely tidied up, I understand. Here the neon sizzles almost as much as the strippers in the clubs. Melanie Griffith seems to do all her own sex dance near nude scenes and probably gives the best acting performance. Most of the cast overact like crazy and much of the dialogue seems very stilted making it difficult to take much very seriously. Not least the karate crazed series killer who although he doesn't speak (nor even have a name) manages to look ridiculous all the same. The kills are grim, even in their trimmed form, especially intercut with the 'dancers' and the nightclub scenes are suitable sleazy. Its just all a bit predictable and with the edge maybe taken off with those cuts not quite as terrifying as I'm sure the director intended.

Woodyanders A vicious martial artist psycho stalks and kills strippers in New York City. Hard-nosed detective Al Wheeler (smoothly essayed by Billy Dee Williams) investigates the case while moody former boxer turned booking agent Matt Rossi (well played with rugged conviction by Tom Berenger) makes it his mission to take care of the sicko himself. Director Abel Ferrara, working from a neatly seamy script by Nicholas St. John, relates the compellingly sordid story at a steady pace, maintains a tough lurid tone throughout, makes excellent use of the gritty Big Apple locations (it's a treat to see Times Square in all of its supremely seedy 80's glory), and pours on the sizzling sleaze with oodles of ferocious violence and tasty female nudity. Melanie Griffith positively burns up the screen as forlorn ex-junkie stripper Loretta (and, yes, Melanie does indeed bare her delectable body a few times). The sound acting by the bang-up cast helps a whole lot: Jack Scalia as Rossi's easygoing partner Nicky Parzeno, Rossano Brazzi as fearsome mob capo Carmine, Rae Dawn Chong as sweet lesbian Leila, Joe Santos as the short-tempered Frank, Michael Gazzo as irascible strip club owner Mike, and Jan Murray as Rossi's shrewd rival Goldstein. The big confrontation between Rossi and the killer delivers a handy heap of bloody brutality. James Lemmo's glossy cinematography provides a glittery neon sheen. But it's the vivid evocation of a dirty and dangerous New York City which sadly no longer exists that in turn gives this picture an extra raw edge and exciting vitality. While not one of Ferrara's best movies, it's nonetheless still worth seeing for fans of 80's grindhouse fare.

valis1949 Although FEAR CITY is provocatively titillating, and sex drenched, it really never manages to seduce. However, the film does a remarkable job of capturing the essence of early 80's tawdry 42nd St. Midtown Manhattan (Pre-Disneyfication). And, the film boasts a cavalcade of 80's talent; Tom Berenger, Billy Dee Williams, Melanie Griffith, and Rae Dawn Chong. Although director Able Ferrara was throttled by too many producers, he has still managed to craft a fairly interesting picture. What makes FEAR CITY slightly unusual is the treatment of the killer. In most films of this nature, the primary aim is to identify and demonstrate the Evil Doer's, Means, Motive, and Opportunity. However, in FEAR CITY Ferrara only shows the manifestation of the killer's violence, and nearly nothing is divulged of his character or motivation. The killer is shown as a mere cipher, and such a depiction is more in keeping with the Horror Genre rather than Detective Fiction. FEAR CITY is certainly not a great film, or even one of Able Ferrar's better efforts, but it is still worthy of a look.

The_Void Abel Ferrara is one of the kings of gritty, urban cinema, and he's made some good stuff with flicks like Ms 45, King of New York and Bad Lieutenant; but when he gets it wrong, it's often disastrous; shown by boring films such as Cat Chaser and The Funeral, and unfortunately; Fear City is another not completely successful film from the cult director. I went into this one hoping for something like a Giallo-styled urban thriller set in New York, but it's more like a hodgepodge of cool and dodgy characters, with a bunch of murders that feel more like an afterthought than a well thought out plot line. The plot focuses on a strip club in New York. Matt Rossi, an ex-boxer who was forced to quit the ring after killing a man is working for a talent agency with links to the strip club, along with his friend Nicky. Strippers start being murdered, and cop Al Wheeler starts to exert pressure on Matt and Nicky in the hope that he'll be able to bring them down. This leads Matt to try and track down the murderer himself...The main problem with the film is the plot. Ferrara doesn't seem to want to just focus on one thing, and the result is a film that tries to do too much and ends up being a confusing mess. Furthermore, it's often completely predictable where the film is going and it's not even all that fun getting there. The murders are the biggest disappointment as despite the fact that the director has something of a flair for violence - these ones are very tame and some of them even happen off-screen! Very disappointing. The scenes inside the central strip club are nice and sleazy and, actually, my favourite thing about the film. The characters aren't particularly interesting, nor are the performances. The only notable actors in the film are Billy Dee Williams (better known for his role in the latter two Star Wars films) and a young Melanie Griffith. The most notable part comes at the end of the film in the form of a fight between the boxer and the murderer. Overall, Fear City has a good atmosphere and looks nice; but this isn't backed up by a decent plot, so the film isn't all that good.