Unlimitedia
Sick Product of a Sick System
SpuffyWeb
Sadly Over-hyped
ShangLuda
Admirable film.
Benedito Dias Rodrigues
Suddenly is quite odd to watch a movie made in England in an italian language,it's sounds pretty weird but it's Fulci's way,sometimes he did it,the story is fine but somehow didn't make sense nearly to final of it,the black cat hanged and buried comes alives seems a bit contrive,nevertheless the picture was well done by the master of gore and certainly was approved by many of Fulci's counteless admires around the world including myself!!!Resume:First watch: 2018 / How many: 1 / Source: DVD / Rating: 7.25
Scott LeBrun
This is an engaging, interesting Lucio Fulci film that tends to get overlooked a little as it was made during the period where he was mostly making very gory horror films. It's a supernatural thriller made with more restraint on Fulcis' part than usual (not that there isn't any gore; there's still some nice gruesome bits to enjoy). It's full of familiar faces and is filmed on a variety of real English locations and sets.Set in England, it's "freely adapted" from the Edgar Allan Poe tale, as it tells of mysterious deaths occurring in a small country village populated by people such as snooping photographer Jill Trevers (Mimsy Farmer) and Professor Robert Miles (old pro Patrick Magee, in one of his final roles), a crotchety old man attempting to communicate with the dead. As Jill and the intrepid Inspector Gorley (David Warbeck, also of Fulcis' "The Beyond") work the clues, she can't help but notice the cat scratches left on more than one victim. Could a demonic little feline really be the culprit?Beautiful cinematography (by Sergio Salvati), extremely impressive camera-work (by Franco Bruni and Roberto Forges Davanzati), wonderful music by the prolific Pino Donaggio, and a pervasive, weird atmosphere are all assets of this well told, reasonably absorbing mystery. It's certainly fun to watch the cast in this thing. Warbeck is a delight as the cop, Mimsy is very sincere in her performance, Magee is excellent as always, and Fulci regular Al Cliver ("Zombi 2", "The Beyond"), sexy Dagmar Lassander ("The House by the Cemetery"), and the lovely Daniela Doria (recipient of a lot of abuse in Fulci films) round out the cast."The Black Cat" is entertaining stuff that finds its director in fine form, always keeping his audience on edge. He does go for the close-up (of human and feline eyes) an awful lot, but this doesn't distract too much from the various spooky goings on, including one absolutely harrowing scene of a house (and person) catching on fire.Recommended to Fulci fans.Eight out of 10.
Master Cultist
If this was any other director, I would probably have given this a higher rating, but this is Fulci and, frankly, we expect better things.A mad old guy - played by Patrick Magee, the guy in the wheelchair from A Clockwork Orange - owns a cat, which he uses to kill people he isn't too fond of, but gradually the cat develops a mind of its own and is not so easy to control. Those pesky felines and their wily ways.I'll admit, there are some spooky moments, and the effects occasionally border on the gross - though nothing compared with his more famous work - but overall it has the feel of an above average Hammer movie.Not bad, but not great either.
Bezenby
This is one of those rare Italian movies where it doesn't pay to have beers during it's playing time, because if you do, you'll be in a coma by the halfway mark.That's not really a criticism though, because the Black Cat is a nice change of pace from the splatter of early eighties Italian horror. Rather than spend the running time making people vomit up their own guts, Lucio Fulci has sought to bring back the Gothic tone of those late sixties supernatural movies (The Ghost, Blancheville Monster etc).Patrick Magee (love those eyebrows), is a cantankerous medium taken to wandering graveyards at night, recording the voices of the newly dead. There's plenty of newly dead in this sleepy English town too, which has got something to do with Magee's Black Cat. The two of them spend an awful lot of time staring at each other.Meanwhile, Mimsy Farmer, a visiting American (I think) photographer, gets interested in Magee and spends her time annoying him at his house, just as cop David Warbreck arrives in town, to help local bobby Al Cliver search for some missing teenagers.I'm surprised that Fulci managed to create something so coherent during the run of films that included House By The Cemetery and Manhattan Baby. Although not gore-filled, the first half of the film does consist of the cast being stalked and wasted in a variety of ways, and the only time the film falters is when it starts actually following the story of Poe's Black Cat. Plus, you've got great B-movie fodder in the form of Al Cliver (err...great dubbing there), Daniella Doria and the aged, but still lush, Dagmar Lassander.It wouldn't be a Fulci film without some daftness though, eh? Well, apart from people acting terrified of a cat (although a teleporting, hyper-aggressive cat might be a bit scary), you've got Lassander trying to put out an inferno with a cushion, an absolutely awful bat attack, and I'm still not sure whether to be impressed or start laughing every time Magee appears on screen.Good enough for any Fulci collection, just don't expect gore. Great soundtrack too!
