The Big Shakedown

1934 "A New Type of Racket Exposed! In This Thrilling Underworld Drama"
6.2| 1h1m| NR| en| More Info
Released: 06 January 1934 Released
Producted By: Warner Bros. Pictures
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Budget: 0
Revenue: 0
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Synopsis

Former bootlegger Dutch Barnes pressures neighborhood druggist Jimmy Morrell into making cut-rate knockoff toiletry, cosmetic, and pharmaceutical products.

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Reviews

Hellen I like the storyline of this show,it attract me so much
PlatinumRead Just so...so bad
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
utgard14 Pharmacist Charles Farrell goes into business with gangster Ricardo Cortez making counterfeit toothpaste and cosmetics. Soon Cortez wants to branch out into making medication, which Farrell isn't happy about. But Farrell wants to marry fiancée Bette Davis and give her financial security. Early Bette flick before she had really developed her style. She's fine but there's not a lot for her to do through most of the picture but worry about her guy. Charles Farrell is OK. Ricardo Cortez is a great bad guy as usual. Nice supporting cast includes Glenda Farrell, Allen Jenkins, and Henry O'Neill. Fun cat fight between Glenda Farrell and Renee Whitney. Exciting climax you will not be able to predict!
LeonLouisRicci This is an Odd one to say the Least. Now that Prohibition has been Repealed Bootleggers get into the Fake Cosmetic and Drug Business. Making Generic and Ineffective Products and Slapping Brand Names on the Labels.There are Scenes that are Downright Bizarre, like a Row of Gangsters Brushing Their Teeth, a Jewish Teenager who keeps a Ledger and Wisecracks about Sales Tax, a Mother Buying Cough Syrup "for her child", "don't wrap it up I'll drink it, I mean carry it that way." A Cat Fight with some Slang Banter that is Priceless, a Miscarriage, a Brutal Torture Scene, and some Moralizing in the End that is so Over the Top it Defies Dramatic License, and there are Others.Bette Davis Fans can Check this out to see why She was so Disgusted with Light Weight Roles like this that She Fled to England. She Looks Beautiful here but doesn't have much to do. The Film is Worth a Watch for its Strangeness but not much Else. There is a lot of Drug Talk and Pre-Code References to Coke (the drug not the drink) but Nothing Racy or Raunchy.
jjnxn-1 B-movie without an original thought in its script. Naive protagonist used by some crooked hood. Check. Pretty ingénue who stands steadfastly by her man while hoping for domesticity. Check again. Wised up, gum chewing doll who gets double crossed, turns informant and pays a price. You bet. And on and on it goes. You can practically see the conventions of the genre click by as the picture unfolds.It's not that the movie isn't entertaining if you like the formula but it holds zero surprises. The actors all do their jobs professionally. Charles Farrell, one of the better looking men to ever appear on screen, is earnest and callow in the lead but not very memorable. Ricardo Cortez, Allen Jenkins and many other familiar character actors whose livelihood during these years was playing hoods fill their roles expertly but again their roles are standard stuff. Also nobody could play the flashy moll like Glenda Farrell.The only thing that makes this different than the hundreds of other programmers churned out by Hollywood during the thirties is the presence of a very young Bette Davis as the ingénue. She looks great in her extreme blondness and exudes her customary confidence on screen but her part is a nothing. It's no wonder she ultimately rebelled against Warners since they continued to stick her in junk like this even after she had attained star billing and an Oscar.
overseer-3 I am sure it was not just Miss Bette Davis who was appalled at having to try and breathe life into poor screenplays like this, for the appropriately titled "The Big Shakedown" (1934). Here with her were two major stars of the silent era, Charles Farrell and Ricardo Cortez, who had some of the most successful silent film credits to their names, and they were forced by the studio to endure mediocre, uninspiring roles in talkies like these, with implausible plots which border on the ludicrous. Perhaps this film might have had more bite to it if it had been a precode, perhaps not. However it isn't fair to blame the actors for a bad script. It's just horrible, folks. If Einstein were an actor even he couldn't have figured out how to breathe life into this one.They all try to do the best they can under the circumstances. Bette brings some sympathy to her good girl role; Charles Farrell is still unbelievably handsome, but his character makes some bad decisions out of greed for quick wealth, therefore his position is tenuous at best, and Ricardo Cortez tries to bring some taut dimension to a thankless role of yet another gangster type. I'm used to seeing him die at the end of talkies, however this ending takes the cake: he's shot AND falls into a tub of acid. Sizzle, sizzle, sizzle! Watch Ricardo fry! Creepy!Silent film fans and Bette fans should give it a wink, just don't be surprised if your winks turn into a complete shut-eye. Snore...........5 out of 10.