The Atomic City

1952 "HELD FOR RANSOM! Kidnappers demand atomic secrets!"
6.1| 1h25m| en| More Info
Released: 01 May 1952 Released
Producted By: Paramount
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Budget: 0
Revenue: 0
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Synopsis

Spies hold the son of a nuclear physicist (Gene Barry) hostage in exchange for the Los Alamos bomb formula.

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Reviews

Scanialara You won't be disappointed!
Evengyny Thanks for the memories!
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
TanakaK I found "The Atomic CIty" somewhat disappointing after two viewings. It starts from an interesting platform; young son of big-shot post-war nuke scientist bottled-up in New Mexican middle-of-nowhere research base is kidnapped and held for intelligence ransom. But after 30 minutes it descends straight down to a very mediocre, run-of-the-mill kidnapped kid story complete with all cliché trimmings (hysterical mother, overwrought macho dad). The film drifts between styles. The lead-in sets up a documentary-style narrative. But then the early family scenes present a more dramatic style. Scenes where the cops are tracking down the kidnappers slide back into documentary. It's a goofy stew with uneven pacing.To make matters worse none of the characters are well developed and by the end you'll probably find that you just don't care what happens very much any more.
Robert J. Maxwell A gang of Soviet hoods kidnap the young son of a nuclear physicist with the intention of blackmailing the father into handing over the nuclear farm. They do not succeed.There is some nice location shooting at a reasonably well-preserved Indian community. Aside from that, the film's virtues are negligible. The direction by Jerry Hopper is clumsy and overstated, the performances routine, the musical score out of the suspense-movie library.It isn't that the movie is insulting or offensive in any way. It's just that there's not much of substance there. Even the title, "Atomic City," is misleading. The city is Los Alamos, which was not much of a city, and it happens to be where the scientist, Gene Barry, and his indistinctive family live. The nuclear secrets are hardly touched upon, serving mostly as the engine behind the thriller plot. The MacGuffin could just as easily have been money or the world's largest diamond, except that the Soviet Union was the generic enemy during this period -- Korea being in full bloom at the time.Gene Barry seems fatigued throughout. Millburn Stone as the FBI's chief mahoff is clipped and definitive. Bert Fried as one of the goons rolls around being bad. He does have a good scene, in which he sits in a dark Indian kiva with the kidnapped boy and chats with him, not unkindly. The various FBI agents and all of the women are only blurry characters.One can see the influence, though, of the docudramas of the late 1940s and early 1950s. These were generally narrated by the stentorian Reed Hadley. Here, there is no narration but the movie does illustrate the care taken by the FBI in keeping its secrets carefully hidden. There is also a curious scene in which a Soviet agent is being interrogated. He knows where the boy is hidden but refuses to tell. Gene Barry wants to beat the guy up until he squeals but the FBI prevent him, telling him that physical punishment of a prisoner is forbidden by the rules. It sounds rather quaint in today's interrogation climate.I was kind of looking forward to seeing this. The plot synopsis was attractive. But, alas, there isn't anything that lifts this generic film out of its cradle of mediocrity.
bkoganbing The Atomic City refers to the community of Los Alamos in New Mexico where nuclear scientists live and work. It's a self contained private community with right security as tight as when it began during World War II. But on a school trip, Lee Aaker son of atomic scientist Gene Barry, is kidnapped and held for ransom for the secret of the newly developed hydrogen bomb.This film was made in 1952 at the time when Julius and Ethel Rosenberg's case was on appeal and front page headlines. So it was a timely film back during the McCarthy era.It's a tightly edited little noir thriller. I recommend it highly as an antique of bygone days.What was amusing to me is the way the FBI is portrayed. In this day and age I'm not sure too many people really care other than for political posturing as to how terrorists are treated. Back then though the FBI had this all American image. They don't do things like torture prisoners. When Leonard Strong one of the kidnappers is nabbed, he laughingly flings the Bill of Rights and the FBI's code of conduct in their faces and won't divulge anything. Then Milburn Stone, the FBI agent takes a break and father Gene Barry goes in with the prisoner alone. Needless to say, Strong coughs up what they need but quick.J.Edgar Hoover was most concerned about the image of his bureau and his agents, so the third degree for the FBI couldn't be shown. Kind of laughable today.
colin-69 Just watched this movie and it's not bad; there are a few tense moments and not a lot of long dialog strings. Comes off as fairly intelligent; fastpaced almost like 'documentary style'. This movie will evoke some nostalgia and a bit of cold war paranoia with cars,street scenes,and life in the 50's. The acting is fairly solid and at 85 minutes run time it goes by at a good pace. An atomic era film buff shouldn't miss this one.