Terribly Happy

2008
6.8| 1h30m| en| More Info
Released: 05 February 2010 Released
Producted By: Fine & Mellow Productions
Country: Denmark
Budget: 0
Revenue: 0
Official Website:
Synopsis

Robert Hansen, 34, a young police officer from Copenhagen, is transferred against his will to the small town of Skarrild in Southern Jutland as a substitute Marshall. The transfer is Robert’s chance to start over. Whether he is allowed to return to his job in Copenhagen, all depends on how well he performs in this frontier town.

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Reviews

Cubussoli Very very predictable, including the post credit scene !!!
VeteranLight I don't have all the words right now but this film is a work of art.
Moustroll Good movie but grossly overrated
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
Robyn Nesbitt (nesfilmreviews) Its as if David Lynch has directed a unique, psychological thriller/western that oddly develops on the soggy plains of Copenhagen. "Terribly Happy" is a relentless and expressionless film noir, and may be the best pseudo-western that Denmark has ever sent our way. The plot nudges us to laugh at things that aren't funny, except they are, because we're not that hapless schmuck doing precisely the thing he shouldn't do in the exactly the wrong town.The setting is a remote Danish burg that's as bleak and crummy as most of its residents. Robert (Jakob Cedergren) is a Copenhagen police officer who transfers to a small provincial town to fill the position of the mysteriously vacated Marshall. He wants to be the good guy, but the citizens have their own ways of dispensing justice, and besides, there's a skeleton in Robert's closet - he's been in trouble, and his new assignment is a kind of banishment. The townspeople are a gallery of surly grotesques living in fear of the town bully, Jørgen (Kim Bodnia), who habitually beats his wife, Ingelise (Lene Maria Christensen). She shows Robert her bruises and scars, and comes on to him. She wants his help and then doesn't want it - she's one confused woman. We don't know who's telling the truth, and neither does Robert, who is advised to look the other way. Of course, he doesn't. Opportunities for compromise abound. Robert's big city temperament makes it impossible for him to fit in, or what to make of the bizarre behavior displayed by the town's people. As the storyline unfolds, it grows increasingly desperate and darkly comedic. The unease is undisguised, and you, like Robert, will fight it at first, but eventually be forced to accept it and just give in. Director Genz is perfectly paired with cinematographer Jørgen Johansson who captures the essence of trepidation and misery. To call this a dark comedy may be misleading because you won't be laughing out loud, but the humor keeps an unnerving undercurrent. An offbeat modern noir, and an unusually compelling portrait of a town that has its own sense of justice.
elivbg1 This movie definitely has some intrigue in the beginning; a policeman is relocated to a small village because of a serious misdemeanor. There is an intriguing story in the background as he makes it into the village- a metaphoric story, which hints at the modus operandi of the village people. There is a missing person, an intriguing woman with an abusive husband, and several other characters that each has its own peculiar secret. So far, so good.I stopped watching the movie when the weakness of the characters and bad luck took over the movie plot-line or rather- was it the plot that took over the "empty" characters? The characters started feeling/looking like puppets in the hands of their bad luck. I lost connection with the characters at this point and that left me feeling like an outsider.At this point, I did not think that the movie would be intriguing but rather thought it is just trying to make a point for which the characters are only a vehicle. The message to me was that in the end weakness transcends all other values, that the social collective reinforces each person's individual weakness. True? Unfortunately, it is perhaps a brilliantly realistic point. Inspiring for a movie? Uplifting in any way? Not really. The movie had a point and made it.
Ruby Liang (ruby_fff) Did I say comedy? You certainly wouldn't feel that it is until you walk out of the theater and just might break into a smile, realizing how funny 'Terribly Happy' it all is. That's rather brilliant of the screenplay and direction. It's 'Fine & Mellow' productions, ha, indeed. This Danish dark comedy may not be everyone's cup of tea - there are terrible things happening throughout the movie that are not pleasing by normal social standards: mysterious disappearance of persons, deaths (or murders?), battered wife, neglected child, child striker and wife beater, imposing town bully, neighbors who are in the know and do nothing to help (so it seems). It's an uncomfortable community of a small rural town to find oneself in. Well, that's where Robert got dropped off at the beginning of the story.The plot thickens as you watch our central character, Robert Hanson (played by Jakob Cedergren, convincingly deadpan), a city cop from Copenhagen 'banished for atonement' to Skarrild, a small provincial town with an ill-fated cow with two-heads legend as we, the viewers, are informed at the very onset of the film. "The following is based on a true story" flashed on screen in passing. We're introduced to our town flirt furtively disturbed, Mrs. Ingelise Buhl (played by Lene Maria Christensen, appealingly oversexed). The town bully and constant drunk in his cowboy hat, Jørgen Buhl (played by Kim Bodnia, menacingly ill-natured). And the cast of the key townsfolk: the doctor - Dr. Zerlang (played by Lars Brygmann, calculatingly all-knowing), the card game players including the general store owner, and the bar regulars, the lady bartender, not forgetting the lady hairdresser, and little Dorthe, Ingelise's daughter (played by Mathilde Maack in silent plight), who often pushes her pram with squeaky foreboding noise on the streets of Skarrild. Yes, all sorts of predicament and dilemma Robert very soon discovers, yet half-truth, never fully revealed by the townsfolk or party involved, let alone the doctor, who may very well be the town mayor discreet, holding all the cards (a literal pun). Secrets, more back-story continuously unraveling.Writer-director Henrik Ruben Genz, based on the novel by his childhood friend, Erling Jepsen (a best-selling Danish author), delivered a noir thriller in dark comedy form all at once. Sheer talent! The film title is unquestionably befitting. It could be: How to deal with a town bully? Or: How to get your ideal town marshal? 'Terribly Happy' - the two choice words together simply take the cake. (A climatic sequence definitely did justice to the 'happy' and the 'terrifyingly tense' moments simultaneously experienced). "Terribly Happy" indisputably worth your while. Hopelessly helplessly with quiet glee. After all, it's a fine and mellow Skarrild community, why wouldn't Robert want to hang around and be their perfect marshal? Note: Director Genz's statement and interview, author Jepsen's statement, can be viewed from the Press Kit accessible online at "oscilloscope.net/shop/view_film.php?ID=18&r=gallery"
johno-21 I recently saw this at the 2009 Palm Springs International Film Festival. from writer/director Henrik Ruben Genze based on the novel by Erling Jepsen is a dark and quirky crime story set in a small rural Danish village where everybody knows everything about everyone and they live and die by their own unique code of justice. Robert (Jakob Cedergren) is a cop from the city who has been reassigned as the town marshall because of a mental breakdown he suffered and he has to stay in the demotion until he can work his way back onto the force back in the the city. He immediately discovers the odd and unwelcome clannish ways of border town community and meets Ingerlise (Lena Maria Christiansen), the abused wife of the town bully Jorgen (Kim Bodnia). This is a psychological thriller with suspense and dark comedy woven together in a story that is almost Stephen King-like. The moody cinematography from Jorgen Johansson is excellent and the film moves at a slow pace but never drags down and keeps your interest throughout. I would give this an 8.5 out of 10 and recommend it.