Terminal Error

2002
4| 1h34m| PG-13| en| More Info
Released: 14 August 2002 Released
Producted By: PorchLight Entertainment
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Budget: 0
Revenue: 0
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Synopsis

Michael Nouri stars in this high-tech thriller as Brad Weston, a digital tycoon who must fend off attacks from his former partner, who's unleashed a computer virus onto the entire system at his firm Autocom. But the virus appears to be a true menace that's determined to destroy anyone -- or anything -- that comes its way. Now, Weston must rely on his son (Matthew Ewald), a teenager with a penchant for hacking, to stop the menace in its tracks.

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Reviews

SnoReptilePlenty Memorable, crazy movie
MamaGravity good back-story, and good acting
Stephan Hammond It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
uds3 Irredeemably amateurish as this is, it is more entertaining than many big-name flicks...maybe on account of its very trashiness.Nouri, something less than an A-list actor even in his prime, plays Brad Weston, head of the crappiest looking software company you ever saw. After Busfield (employee reject of the year) throws a spaz and uses Weston's son to download a smart virus into the company computer (in a song no less)which manages among other things to blow a Ukraine nuclear facility to the hereafter - this has to be the WORST special effect ever foisted on to the viewing public at large - things just get dopier.One must pay homage admittedly to the plastic plane sequences, not to mention the hand-drawn silo launching fx. Salaries aside (assuming anyone was PAID for this) the film obviously had a budget of less than $500....refreshments included! Defying plausibility from the word go, the conceptual brilliance of wiping out an entrenched super-virus, capable of speech and thought incidentally, with a hand-held "Game-Boy" is nothing short of awesome in its originality.A classic of low-rent sci-fi.
lottatitles We're supposed to believe a computer goofball gives a 'virus' to a kid in a song which gets on the kid's dad's computer and infects multiple city facilities...killing people and blowing up phone booths. Yeah, and the virus is a 'smart virus' which makes judgement calls. No thrills, no monsters to watch (unless you count Timothy Busfield (goofball); or Michael Nouri looking very old, and not even remotely giving a performance. Marina Sirtis is very ill-used here. I hope she smacked the screen writer and the director after she saw this drivel.
F1ame The art of tension is creating high stakes, and then dancing on the edge of disaster until the climax.When the audience is cringing at the plethora of ridiculous scenarios spewed onto the screen in front of them, tension is not achieved.The basic premiss is not too bad. We've seen these virus films before, and the potential is there for a couple of programmer spods to do effective battle with a virus. But you have to truly research the subject, and you might realize computers can't fire guns, sign cheques, take showers... any of which would have not seemed out of place in this dross.There is little grace in the action. They pull over to have domestic conversations. Insert irregular and obtrusive dialogue. We might as well put a colour coded bar on to denote main and subplots.All that said, if you are the kind of person who doesn't know how to wind up your sundial, then you'll probably love this film.
JohnBeatty ***WARNING: SPOILERS AHEAD***I'm not sure which is more ridiculous, the idea that almost every piece of electronic equipment, whether or not it is hooked up to the internet, can be controlled by a malicious intelligent computer virus, or that the anti-virus was programmed on a Game Boy.This is quite possibly the worst film I have ever seen. I knew it was going to be awful in the first five minutes when a virus inside an MP3 file caused a nuclear power plant in the Ukraine to explode. The explosion itself was brought to "life" by some of the worst computer graphics I have ever seen outside 1980s video games. I only watched the rest of the film out of morbid curiosity and hope of a bit of a laugh.The basic plot is an old partner of a computer automation mogul wants revenge, and also to destroy technology, so he creates a virus to bring the company down. But the virus is intelligent and decides to kill all life on the planet. Somehow, the virus manages to get access to all electronics and tries to hunt down the head of the company, Brad. The virus manages to track Brad all through the city on security cameras and webcams, which are everywhere. Or rather two different security cameras, shots of which are shown repeatedly. Every computer in the film has a webcam, so the virus can see anyone using it. In fact, every computer in the film looks exactly the same.Not only that, but through some kind of hidden speakers and microphones, the virus is able to talk and listen to people. It is also able to move things which are not motorized. It is also able to spike power in exactly the place it wishes to cause sparks and fires. It controlled a gas pump to make it dump gasoline on the ground, then blew up a sign and shot sparks right into the gas puddle. Good aim, virus!This would be perfect fodder for MST3K were it still on the air. I'm sure all of Marina Sirtis' fellow Star Trek cast members laugh at her behind her back for ever agreeing to be in this travesty.