Temptress Moon

1996 "What the heart hides, the moon reveals."
6.7| 2h10m| en| More Info
Released: 05 October 1996 Released
Producted By: Shanghai Film Studios
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Budget: 0
Revenue: 0
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Synopsis

Set in the decadent 1920s, Temptress Moon tells the very complicated story of a wealthy family living on the outskirts of Shanghai. Their youngest daughter, Ruyi, is brought up as a servant to her opium-addicted father and brother. Meanwhile, her brother-in-law Zhongliang has a successful, if illegal, career seducing and blackmailing married women in the city. When he comes to Ruyi's home the two fall in love, and trouble ensues.

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Reviews

NekoHomey Purely Joyful Movie!
SunnyHello Nice effects though.
BallWubba Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.
Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.
jotix100 Opium is at the center of this story. It shows what it does to the Pang family when the elder son of the clan immerses himself in it. Pang An, a snobbish man, brings Zhongliang, the young brother of Yu Xiuye to the compound to tend to his vice. Ruyi, who is first seen as a young girl, playing with her cousin Duanwu, likes him until Zhongliang falls out of favor and flees to Shanghai.Zhongliang's life in Shanghai goes through a transformation as he becomes part of a gang that extort money from wealthy women who fall in love with members of the gang, who then proceed to extort money from them to keep things quiet.When the old man of the Pang family dies, Pang An is too far gone into his opium to rule. In a surprise movement, Ruyi is made head of the family and she has Duangwu serve as her adviser. The boss of the gang in Shanghai learning about it decides to send Zhongliang to lure Ruyi to their turf. Fate intervenes as Zhongliang falls madly in love with the ravishing Ruyi, who in turn, will discover what the young man was really after and who is instrumental for Ruyi's fall at the end.The film relies on the visual aspects Chen Kaige has brought to the story. This is one of the most daring Chinese films as far as the sexual context that is seen on the screen. Never before has the Chinese cinema shown scenes that burn the screen as when Zhongliang and Ruyi make love.Chen Kaige is a director with a style of his own. He co-wrote the screen play in which this film is based. The action takes place during the first part of the 20th Century in China before the period that changed that country into what it is today.The best asset in the film is the way Chen Kaige sets his story in motion. He surrounds his tale with some of the most dazzling sets in recent memory and the reconstruction of the night life and the criminal around Shanghai in that period is effectively captured in the excellent cinematography by Christopher Doyle. The atmospheric music heard in the background is by Jiping Zhao.The gorgeous Gong Li plays the adult Ruyi and the late Leslie Cheung is Zhonliang. Kevin Liu is seen as Duanwu and Caifei He is Xiuye. The supporting cast add a note of authenticity to the film.This is one of Chen Kaige best achievements as a director.
cerasea I decided to purchase Temptress Moon after viewing the breathtaking, and devastating, Farewell My Concubine. Both movies feature the amazing talents of Gong Li and Leslie Cheung. So total is their transformation between the two films, it's difficult to believe that these are the same actors. While Concubine served as a historical epic, Temptress Moon seemed more along the lines of Shakespearean tragedy. Like Kaige's previous work, the characters' frustrations signify larger themes: domestic turmoil; gender repression; class conflict; etc. Although these themes concern the private sphere of life and are not as overtly political as those addressed in Concubine, they are just as much about power, its abuse and the resulting disfigurement of the human spirit.Temptress Moon is by no means a romance. The movie succeeds in being lyrical and melancholy - more engrossing than entertaining. Despite the requisite tragic ending, I found the plot to be oddly satisfying! The waxing and waning fates of Zhongliang, Ruyi, and Duanwu intertwined to create a luminous study of the heart and its insatiable hunger.Overall, Temptress Moon was a clear reflection of the obsessions that ruthlessly dictate interpersonal affairs. Leslie Cheung, Gong Li and Kevin Lin give mesmerizing performances while supporting portrayals like that of Caifei He as Zhongliang's sister and Yin Tse as Zhongliang's Boss are equally flawless. (Among the movie's many moral messages: "Don't Do Drugs!" :)
graycat-1 This film reassembles the director and stars of Farewell My Concubine. Unfortunately, Kaige Chen over estimates his abilities as a screen writer. Farewell was base on a novel by Lillian Lee; Kaige Chen, Kei Shu, and Anyi Wang provide little of the historical sweep of the earlier film for Temptress. BTW, the Temptress of the title is not played by Li Gong, but Leslie Cheung, which should give some idea of how wrong-headed this production is.
Ben Calmes Another exorcism by Chinese master Chen Kaige (who directed "Farewell My Concubine" three years earlier), of China's disastrous meltdown in the early 20th Century. An old landed family sinks into decadence as the Qing dynasty collapses and the chaotic early years of a Chinese republic swirl around their ghostly ancestral hall and mansion gardens.Into this scene returns an extended-family member, Zhongliang (played by Hong Kong star Leslie Cheung), ostensibly to position himself for his Shanghai gang's takeover of the estates. But Zhongliang's return home awakens old wounds and rips open all new ones in a family reeling from generations of drug use and the collapse of an ancient civilization.Cousins, brothers-in-law, sisters, then become embroiled in a sick game of love, lust, and revenge. This is a very sobering film yet hauntingly beautiful at times. All performances, from a radiant Gong Li, down to the smallest roles, are superb. The character development is profound, the story compelling, and the production values are stunning. A first rate movie.