Summer Holiday

1963 "From the First Kiss to the Last Blush It's the Craziest Riot On Wheels!"
6.1| 1h43m| en| More Info
Released: 12 March 1964 Released
Producted By: Associated British Picture Corporation
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Budget: 0
Revenue: 0
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Synopsis

1960s musical showcasing Cliff Richard. Four bus mechanics working for London Transport strike up a deal with the company: they do up a one of the company's legendary red double decker buses and take it to southern Europe as a mobile hotel. If it succeeds, they will be put in charge of a whole fleet. While on the road in France they pick up three young British ladies whose car breaks down and offer to take them to their next singing job in Athens. They also pick up a stowaway, who hides the fact that she's a famous American pop star on the run, chased by the media and her parents.

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Reviews

SpuffyWeb Sadly Over-hyped
BoardChiri Bad Acting and worse Bad Screenplay
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Red-Barracuda Summer Holiday is an early example of the pop musical. It was a vehicle for Cliff Richard, who was at this stage a British rock 'n' roll superstar. He also had a squeaky clean image and Summer Holiday certainly does nothing to alter this view. It's about four friends who go on a continental European trip in a London double-decker bus they have converted into a mobile home. They pick up some girls along the way and a series of japes follows soon after.The story-line is pretty negligible and is a distant second to the scenic locations and songs. Of the latter, there are a few memorable ones but they're mostly not very good really, although the tune played by The Shadows in the nightclub was actually pretty great. Aside from this the movie is primarily made up of light-hearted comedy, with a little bit of romance thrown in for good measure. I guess you could describe it all as charming but I personally thought it to be a little too excessively twee for my tastes and found the comedy a bit wearing after a bit. But it's sort of hard to truly dislike and is kind of okay for what it is.
Samuel Cohen Lovely Songs of 1960's ending in Greece where my Father was Born. I was in Greece in 1979 when Greece and the Islands where Inexpensive BackPacker's and Leonard Cohens Write Song Books. In contrast to "Guns of Navarone" which is about ww2. Pre Vietnam Protest Period. At that time the Young People Revolted against and mistrusted anybody Over 40 who took part in WW2. Lovely Color Photography in Colorfull Greece, Some of those period films were Black and White. like to have DVD. Plot from Wikipedia : The story concerns Don (Cliff Richard) and his friends (Hayes, Green and Bulloch) who are bus mechanics at the huge London Transport bus overhaul works in Aldenham, Hertfordshire. During a miserably wet British summer lunch break, Don arrives, having persuaded London Transport to lend him and his friends an AEC Regent "RT" double-decker bus (and not a later Routemaster as often quoted). This they convert into a holiday caravan, which they drive across continental Europe, intending to reach the South of France. However, their eventual destination is Athens. On the way, they are joined by a girl trio (Stubbs, Hart and Daryl) and a runaway singer (Lauri Peters), pursued by her mother (Ryan) and agent (Murton). The movie was a huge box-office hit, thus repeating the success of Cliff Richard's earlier film The Young Ones (1961). There are 16 song and musical numbers in the film: "Seven Days to a Holiday", "Let Us Take You for a Ride", "Stranger in Town", "Swinging Affair", "Really Waltzing", "Yugoslavian Wedding", "All At Once", "Summer Holiday", "Bachelor Boy", "Dancing Shoes", "Foot Tapper", "Big News", "The Next Time", "Les Girls", "Round and Round" and "Orlando's Mime".
writers_reign For 1963 this musical seems dated. Rock and Roll arrived in the mid fifties but a musical with actual melodic melody and literate lyrics in 1963 was definitely a throw-back. To be fair it probably aspired to nothing more than giving the audience a painless dose of escapism so long as they didn't ask any awkward questions; for example in about the second reel the boys are in the bus on a road in France which is about three times as wide as any road in France that I've ever driven on, clearly shot on the back-lot at Elstree. When they meet the girls who are in a clapped-out car there is a sequence lasting a good ten minutes in which they try to persuade the girls to ride with them which includes a song/dance. During ALL THIS TIME the road is completely EMPTY: No pedestrians, no bicycles, no cars, no vans, no trucks, no lorries, no buses, no coaches. Nothing. In the middle of the day yet. If you can live with this and don't object to the central plot point - a wealthy girl on the run from a controlling parent - being lifted straight out of It Happened One Night, then you may well enjoy this.
loza-1 Sir Cliff Richard has been called Britain's Elvis, so the impresarios decided to follow Elvis's footsteps by playing Cliff in a series of nondescript films. The difference is that Elvis had some acting talent that a good director could work with. This does not seem to be the case with Sir Cliff. He comes over as someone who is naive and bossy. As a musician, he is superb, as an actor...no.The plot is ridiculous. A Routemaster bus is requisitioned and converted into a double decker dormobile to pioneer magic-bus style tours to Mediterranean Europe. Of course, the film makers overlooked the fact that with the speeds these Routemasters travel at, the intrepid teenagers would be eligible for their pensioners' bus passes by the time they reached Athens, and the bus would be a hearse by the time it got back to London.With Cliff's last two films, The Young Ones and Expresso Bongo, they are worth watching just to see Cliff's backing group, The Shadows (formerly The Drifters) steal the show. In this film, however, with their new drummer and bassist, their visual and musical dynamism are gone, and The Shadows are pancake flat.There is also a young lady who dresses as a boy. She seems to have everybody fooled...except me.The theme song is the best part of the film. It would be easier and cheaper just to buy the record.