VeteranLight I don't have all the words right now but this film is a work of art.

Platicsco Good story, Not enough for a whole film

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Dana An old-fashioned movie made with new-fashioned finesse.

NateWatchesCoolMovies Brian Jun's Steel City is a fantastic, little heard of indie rust belt drama that deals in choices, consequences, regrets and what it takes to heal, if possible. In the heartlands, a young working class man (Tom Guiry) struggles with pretty much every aspect of his life. His father (an understated John Heard) has been recently incarcerated, and it's tearing him apart, as well as his family. His older brother (Clayne Crawford) is a hotheaded mess. He finds solace when his uncle Vic (Raymond J. Barry, superb) offers him work and sobering life advice in equal doses. He meets a wonderful girl played by America Ferrera, and gradually, bit by bit, his story hits an upswing. This is a small story, revolving around a minuscule faction of the big picture, but that's all it is anyways, thousands of lives unfolding on personal scale, adding up to this mosaic we call humanity. Life goes on for him, and the film is but a small window into one transitionary chapter of his life. Guiry is great, but Ferrera is magic as the kind of girl anyone could only hope to end up with. Barry gives one of the most soulful turns of his storied career as the kind of no nonsense mentor who cares a lot more than is visible behind all that gruff. The kind of life affirming story that finds hope in the oddest of places.

Roland E. Zwick Superior performances are the hallmark of "Steel City," a moody, gritty, low-keyed drama set in the economically depressed area of the Upper Midwest. P.J. Lee (Tom Guiry) is a fitfully employed young man with an assortment of obstacles to overcome: his father's in jail on a vehicular manslaughter charge; his mom's re-married to a cop; his older brother's a philandering jerk whose wife walks out on him; and his girlfriend has a weight problem which makes P.J. reluctant to fully commit to her. He's also coping with the guilt of having been at least partially responsible for the fatal accident that his dad is claiming was all his fault.Though most of the screen time is taken up with the travails that P.J. is facing and the growing up he is forced to do as a result, the movie's true emotional focus is on the lengths a largely absent father will go to in an effort to redeem himself in the eyes of his son - even if that means having to sacrifice his own freedom to bring that redemption about. As the film's writer and director, Brian Jun demonstrates a nice feel for the look and flavor of the movie's wintry locale and for the tempo and rhythm of the characters' lives."Steel City" is sure to get lost in the shuffle of bigger and grander independent and not-so-independent films out there, but the authentic performances - by Guiry, John Heard, Raymond J. Barry, Clayne Crawford, Laurie Metcalf ("Roseanne") and America Ferreira (virtually unrecognizable out of her Ugly Betty get-up) - and sturdy film-making make it a movie well worth checking out.

rddj05 Well, the critics loved it, and yes, it's got that certain verisimilitude that the hundreds of gritty, bleak, docudramas have had before it. And yet, there's not a single thing about this film that makes you want to keep watching. It's got the traditional aspects; the gray/blue washed out color palette, the going-nowhere, stuck in a dead end job lead character, the "I knew a guy just like that in my home town" older brother, that these films always seem to have. The film focuses on endlessly bleak subject matter that it just can't seem to rise above. The cast of characters are fairly stock, and not particularly interesting, and are the usual denizens of working-class middle America. However, America Ferrera does stand out in a relatively small and somewhat thankless role. Screenwriters write monologues to attract name-talent to their projects, but after awhile the endless sloppy exposition just becomes too painful to listen to (Note: if your characters are launching into "Remember whens.." in every other scene, your in dangerous territory.) The lead actor does a decent job, but isn't a particularly interesting to watch, and the setting created certainly isn't much more interesting to look at. In the end, you just feel as if the actors have nowhere to go with this script, but they will surely all have a few scenes for their personal reels. There's nothing here that couldn't have been handled just as well in a documentary. There isn't much of a story here, but the events are more or less predictable, with the exception of an especially improbable "plot" twist two-thirds through the film. No one really seems to want anything, except maybe to get through another day. And as the viewer, you find yourself just trying to get to the end of the film.

Claudio Carvalho After a tragic accident caused by the truck of the middle-aged Carl Lee (John Heard) where a woman dies with a crushed stern, he is arrested and sent to the county jail. His son PJ (Thomas Guiry), who works washing dishes and cleaning tables in a restaurant, feels lost, without financial support to keep his father's house, and is fired from his job and evicted from his house. His older brother Ben (Clayne Crawford) is a harder worker in a mill with a little daughter and cheats his wife with a bartender. Ben has open wounds in his relationship with his father and does not visit him in the jail. Carl's brother Vic Lee (Raymond J. Barry) helps PJ bringing him home but demanding discipline and respect. PJ's mother has just left her husband and is living with a policeman. On Christmas, the remorseful Carl forces PJ to keep an overwhelming secret that bonds them."Steel City" is a low-budget movie that seems to be a very personal family drama, supported by magnificent performances and solid, simple and credible screenplay about people not well succeeded – losers indeed. A father with remorse for leaving his family has a second chance to redeem himself in behalf of his young son and he sacrifices his freedom to compensate his absence in his childhood and adolescence. Therefore this is a beautiful tale of redemption but never being corny or commercial. On the contrary, most of the characters are not nice, and I dare to say that they are unpleasant with their rude behaviors. Nevertheless "Steel City" is a worthy movie. My vote is seven.Title (Brazil): "Atrás das Grades" ("Behind Bars")