Cubussoli Very very predictable, including the post credit scene !!!

Lawbolisted Powerful

Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

MovieGuy01 I did not think much of the film SS Experiment Camp This is a sleazy WW2 Nazi horror film which is more like a comedy in parts In this horror film the poor female POW's get raped and groped by The prison guards at the camp. In an amusing part of the film the commandant decides he wants a new pair of testicles and so removes them from one of the hunky guards. The guard doesn't seem to realise he's been castrated until he goes to have sex one of the French prisoners. SS Experiment Camp was banned in th UK from 1976-2005 because it was thought to controversial. it was eventually passed uncut in 2006 because there was not anything in the film that was thought unsuitable.

Chris Barry If you like the worst of the worst (Or is it the best of the best?) you simply have to check out the Nazisploitation genre. They will NEVER make movies like this again. Thank God.If you want to imagine what these films are like, just drop your jaw and keep it there for two hours.SS Experiment, aka SS Experiment Camp, was, like many of the more notorious Nazisploitationers, made in Italy. The explosion of this type of material was the result of the success(?) of other films like "Ilsa She Wolf of the SS", the ultra-crap "Night Porter" and Pasolini's "Salo", three films that couldn't have been further apart in intent if they tried. Ilsa is noteworthy because it is the ONLY film legendary soft-core producer David F. Friedman took his name OFF (Though he also made a strangely nascent precursor to the genre with Love Camp 7 where he actually played an SS officer. (Isn't he Jewish?)) Regardless, everyone involved with these films, be they producers or consumers, (including this viewer), should be ashamed of themselves.Of all the Italian Nazisploitationers, this one isn't the best, nor is it the worst. (Others include SS Girls, Gestopo's Last Orgy, SS Hell Camp and Tinto Brass's super-stupid Salon Kitty, which like his pathetic Caligula, has a weird soft-core sheen that makes it extra-unbelievable.) How these actors and actresses performed these roles without running straight out of the studio is beyond me. I guess money talks. But isn't there a point where you look at a script and go, "Sheesh, 100 million people died in WW2. Isn't this slightly insulting to their memory? Let alone the memory of those who died in the death camps of Auschwitz, Ravensbruck and Belson?" I guess not. After all, once you've signed on to do a movie called SS Experiment Camp all bets are off.Interestingly, these films very rarely acknowledge the Holocaust or the "Jewish" angle at all, and few of them are blatantly racist, which I suppose redeems them a little. But isn't it uncomfortable to think they were made in a nation that actually sided with the Nazis? Isn't this a connection you WOULDN'T want to emphasis? These movies, by the way, would NEVER have been made in Germany. (Could you imagine?!?) By the way, for those of you who didn't go to film school, Pasolini's Salo was NOT AN EXPLOITATION FILM!!! I cannot stress this enough. It was an appendix to his Trilogy of Life which also included his adaptations of The Decameron, Arabian Nights and Canterbury Tales. Salo is closer to its original text, (Sade's 120 Days of Sodom) than anything else. Actually, most of Salo is verbatim from De Sade's book, with only minor alterations. Please, for the love of God, don't confuse that film with this one! Though I find it somewhat funny that so many people make this connection, I forgive them, because they obviously haven't seen SS Experiment Camp. Believe me, it's not coming to a Cinematheque near you anytime soon!

Moshing Hoods Sergio Garrone's grindhouse Nazi sex flick, shot back to back with the similarly dire SS WOMENS CAMP, is one of the most often cited "video nasties". In actuality it is totally ridiculous on every level, even relative to other genre entries. Owing more to SALON KITTY than ILSA, SHE WOLF OF THE SS yet made with zero flair and a poor grasp of English, this movie would have been forgotten forever had it not been singled out for prosecution at the hands of the DPP. The "experiments" are simply ridiculous and are no more than an intangible excuse for embarrassed soft-core writhing between very Latin looking "SS soldiers" and the well-fed inmates (who throughout the film are treated more as if they are in a holiday camp rather than Auschwitz!).As with all similar films, the only offensive thing about this movie is its total trivialisation of the Holocaust. It is pretty interesting to watch, however... if only to see just how far exploitation can sink.

handodk Yet another nazi-prison movie, that followed after Ilses success. This one has the usual stuff;lesbian warden, sadistic guards, forced co-workers and lotsa young women in shower/softcore sex scenes. The only highlight in this movie, is when the hero has his testicles removed, so the Kommandant can have them implanted (he lost them on the front, to a russian girl). Rather predictable and the torture scenes are kindda boring - for anyone who have seen this type of movie before.