Slash Dance

1989 "SAVE THE LAST DANCE...FOR HELL!"
3| 1h23m| en| More Info
Released: 12 September 1989 Released
Producted By: Double Helix Films
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Budget: 0
Revenue: 0
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Synopsis

A female cop goes undercover as a dancer at an old theater to catch a serial killer who has been murdering women auditioning for a musical.

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Reviews

Evengyny Thanks for the memories!
CrawlerChunky In truth, there is barely enough story here to make a film.
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
glowwrestling I watched this film as a child originally. It was one of many films that created my interest in bad horror/comedy movies. I recently re-watched it because I realized that several of the ladies from GLOW (Gorgeous Ladies of Wrestling) starred and were featured. America from GLOW is in the lead role with supporting roles by GLOW Characters Matilda The Hun and Beastie. Do not expect a regular cheap horror movie with this one. It was made to be a combination horror/comedy film and is purposely campy. Website Admin The Official GLOW Fan Blog http://glowwrestling.tumblr.com/
BA_Harrison Slashdance is one of a handful of 80s horror movies to use the then popular aerobics/dance/workout craze to try and wring a few last drops of blood from the dying slasher sub-genre (others include Aerobicide, Death Spa, Murder Rock, and Stage Fright). It seems like an obvious ploy, the inevitable bevy of beautiful women shaking their booty providing both gratuitous T&A and plenty of potential victims ripe for slaughter, but somehow Slashdance manages to make a complete mess of matters, its prolonged dance scenes only serving to make what is already a very boring horror film even more tedious.Cindy Maranne stars as attractive but tough cop Tori Raines, who works undercover as a dancer in an old theatre in order catch the maniac responsible bumping off girls auditioning for a musical. What we get here is a couple of virtually gore-free death scenes, but tons of embarrassingly bad dance routines from the attractive but untalented hoofers, most of whom would make a drunken granny at a wedding look like Ginger Rogers. To make matters worse, writer/director James Shyman opts for a semi-comedic approach that is truly cringe-worthy, with comical characters including two fat female steroid pushers (played by wrestler Queen Kong and Kelle Favara), perverted stage manager Rupert (John Bluto), and retarded prime suspect Amos (Joel Von Ornsteiner).As if the whole film wasn't padded out enough with interminable scenes of the dancers practising their pathetic moves ("1, 2, 3, and kick, 5, 6, 7, and knee" ad nauseum), Shyman also adds numerous shots of Los Angeles hot-spots, making parts of his film feel like they were made for the L.A. tourist board. All that time wasted watching random people walking and driving up and down Hollywood streets and there's not even one gratuitous shower scene from the sexy showgirls. For shame!
Young Camerican This movie was nothing like I expected from what I read in a horror movie guide before watching, which stated the movie consisted of alternating dance routines and brutal murders, but this description is simply wrong. The first twenty minutes or so is really fast moving and entertaining, when the lead actress fights with the two thugs, I was utterly mesmerized by her wrestling moves, and in general the fight scenes are fairly well choreographed. The initial tone of the movie is surprisingly cheerful and upbeat, with loads of comic overtones, notably Queen Kong and her compatriot are an absolute riot as a couple of bumbling small-time crooks, I couldn't stop laughing while they were on screen, they were just so ridiculous. Classic. The movie grinds down a bit in the middle, which I attribute to the director blowing all the rest of the budget on the CG dagger that spins on the films' title, yes you read right, there is CG in this movie, take that Jim Cameron's Abyss! Things gather steam again towards the end and there is even a tease at a sequel we will never know about. Overall, Slash Dance is streets ahead of most Troma movies, granted there are some competitive lulls, though if you watch it after midnight with someone close who also loves B movies, you will remember the experience forever, even if the memory of the film may fade away.PeaceNichole
Jack Girls auditioning for a dance company start disappearing. A cop from the LAPD goes undercover to investigate. What she finds is, well, the murders seem forgotten for much of the movie. She mostly just dances (like some remedial aerobics class), turns down propositions from one of her fellow cops, and endures a lot of conversations with the chief of police, who wants to run for political office. She also has flashbacks about her sister who died of a drug overdose and her mother who committed suicide because of her daughter's death. This has absolutely nothing to do with the plot.The good: Well, we do get some hot babes in really sexy '80s leotards. Unfortunately the video quality on the DVD is very poor, obviously this was made from an old and somewhat worn-out video tape, so it's hard to appreciate them too much.The bad: Everything else. Like I said, the plot is pretty much forgotten for the entire middle part of the movie. There's absolutely no tension or suspense. There are no killings in this part of the movie, and no police investigation. It's completely boring except for the hot babes in their leotards. Acting is pretty bad, and half the characters seem to be attempting some sort of comedy, none of which works. The production is very amateurish; I especially got a kick out of the way they use scenes of downtown Hollywood as transitions between other scenes, and these transition scenes have no soundtrack - just complete silence.Overall, this movie comes in a ten-movie set, and so it's very, very inexpensive. I would be pretty mad if I paid full price for this DVD alone, but as part of this set, I can hardly complain. It's too boring to be so-bad-it's-good, but it is a nice glimpse at some of the micro-budget junk that was turned out in the straight-to-video market in the late '80s. I'd choose it over some of the micro-budget junk turned out today. It's just a cryin' shame that nobody bothered to track down the original film of this movie to use for the DVD transfer, I would have really liked to see those babes with better video quality.