Skyscraper

1996 "Eighty-six floors of action-packed terror!"
3| 1h36m| R| en| More Info
Released: 29 February 1996 Released
Producted By: PM Entertainment Group
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A helicopter charter turns deadly when the pilot finds that she is on a building held by terrorists. It is up to her and her husband to save the hostages.

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Reviews

Phonearl Good start, but then it gets ruined
Melanie Bouvet The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Jenni Devyn Worth seeing just to witness how winsome it is.
Richard Hawes Imagine Die Hard (1988) starring full-figured Texan centrefold Anna Nicole Smith instead of Bruce Willis but filmed on a fraction of the budget. It's a concept that captures the imagination, but is it worth seeing?The second collaboration between Smith and director Raymond Martino, following To The Limit (1995), a thriller co-starring Joey Travolta (brother of John), Skyscraper is one of a string of bland but bombastic action movies produced in Los Angeles by the now defunct PM Entertainment. Smith plays Carrie, a pilot for private helicopter travel operator Heliscort, used by businessmen to get through the city from one meeting to another in the quickest way possible. Our first glimpse of Smith comes during the opening aeriel sequence in which we see her inappropriately long red nails as she guides the helicopter. There is then a brief interlude for a little exposition in which we learn a) her husband is a cop, and b) she wants a child and he does not. Obviously, both these attempts at characterisation come into play as the narrative unfolds.Carrie is unwittingly involved in a villain's activities, transporting him from one death scene to another, just as Jamie Foxx would do later in Collateral (2004). Her husband is, coincidentally, investigating the deaths and when his partner is killed it becomes personal. When she becomes aware of her unwitting role in the day's events, Carrie fights back. Doing all she can to keep a valuable briefcase out of the villain's hands, protect a small child and rescue the hostages.Following in the footprints of soft porn action filmmakers such as Andy Sidaris, Skyscraper is a more competent action film than one might expect. Against the odds, this is a production of some quality. A satisfying action film that just happens to have a sexploitation gimmick as its unique selling point. An early shower scene becomes a typical softcore scene and another sex scene follows later. When the action plot is in full swing, Smith pauses to reflect on better days and a ludicrous exploitation of the flashback device. As the situation becomes more serious, Smith loses some of her clothing in an attempted rape scene that sat uncomfortably with the light tone of the film. Aside from all this PM's action formula is pretty much the same as in films starring the likes of Sam Jones, Gary Daniels and Jeff Wincott etc.Smith handles the action material as well as can be expected. She has a brief gun-fight and gives the villain a pounding with a couple of slight martial arts moves. Her character is not an elitely trained soldier or a cop, as in most films of this type so we don't expect a great deal from her. As this is a rehash of Die Hard it seems only appropriate that she get to do a take on Bruce Willis' famous fire-hose-jump sequence; her character swings around for a few minutes before busting through the window. This minimal amount of Smith-led action is simply not enough for a PM audience to be satisfied, so we have the actions of the villains, as well as the cop husband, to fill out the standard PM action quotient. There is a small amount of martial arts – including a detachable sequence involving two bit players, of the kind you would only get in a B-movie.One of PM's trademarks is the rocket launcher, and so these are used a half dozen times, another is the man-falling-from-building stunt. There are three of these. With a couple of man-on-fire sequences round out the mix. There's plenty here to keep genre fans amused.
udar55 "It's like DIE HARD in a skyscraper!" So the legend goes about how this was described by lead Anna Nicole Smith. The creative forces behind TO THE LIMIT (PM Entertainment, director Raymond Martino, Smith, and her breasts) reunite to deliver this completely brainless, yet surprisingly mesmerizing action picture.Carrie Wink (Smith) is a helicopter pilot with her head high in the clouds. She just happens to to land on a skyscraper that is under terrorist control. Coming into contact with a top secret super weapon, Carrie becomes the target of a ruthless but well dressed group of baddies led by a Pele look-a-like. With her cop beau aiding and abetting, she sets out to spoil the terrorists plans and, hopefully, take another long shower before the end credits.This is really a bad movie fan's wet dream. Action scenes rip off the greats of the time period (CLEAR AND PRESENT DANGER, DIE HARD WITH A VENGEANCE) and, as always, PM packs the explosions with all the punch of a gas tanker full of nitroglycerin being driven by an angry William Friedkin. Couple these explosions with Smith's frequent nudity and terrible acting to make an intoxicating mix appear. Let's not forget this priceless dialog exchange as Smith thwarts a rapist's attempts:Villain: "You f%#king whore!"Smith: "You wanna f%#k me? Villain: "F%#k you!" Smith: "F%#k this!"She then shoots him and he falls out a window to the ground 10 floors below. Rob Zombie can only dream of writing such an exchange. Smith proved she had the acting talent of, well, a Playboy Playmate. Her son Daniel even appears as a hostage who becomes Carrie's surrogate son. *cringe* PM producer Joseph Merhi ended up exploiting Smith even more when he was a producer on the THE ANNA NICOLE SMITH STORY (2007), a cheapie whipped up quickly after her untimely death.
its-okay-to-stare So i bought the movie for like 50 cents and only to watch it due to the curiosity of Anna Nicole's acting. I love her, simply because she is incredibly outrageous.So instead of watching the COMPLETE movie, i skimmed through it and watching maybe a half hours worth, and those 30 minutes were basically Anna Nicole naked, *beep* her husband, or almost getting raped by someone.I was rather disappointed that this movie was horrible, I've followed some rather infamous actresses doing their share of horrible B movies but they did what they needed to do and acted pretty damn well considering horrible scripts and direction, but i feel from the start of this movie, it was a failure. I expected her to "act", not act like she does in every day life. I feel like cheated, it seems more like a completely fake and bogus reality show than a movie.and the fact that basically all the bad guys looked like ChippenDales Dancers and couldn't act for *beep* not that anyone could in the movie but oh well. This movie was basically eye candy, porn and cheap gun shooting and explosives.I guess I'm just mad at the fact that they only put Anna in this movie due to her enormous boobs and the fact that she wouldn't mind being naked in EVERY single scene in the movie. And that it was 100% more of a softcore porn than and Action Movie.I hope "To The Limit" and at least 10% interesting unlike this crap.
Scott_Mercer If you turn the number sideways, you'll see why I gave this movie an 8. Check the gratuitous shower scene about 10 minutes into the movie if you don't get me.Friends, this movie is HOWLINGLY BAD. You'll laugh until tears flow from your eyes, not believing the sights and sounds assaulting your being from the screen. From Anna's non-existent acting, to the bad scenery-chewing performance of the actor playing the lead terrorist (just what country is he supposed to be from, Badaccentia?), this is prime Badfilm. There are a ton of explosions on offer, which are nicely photographed, but are so (I'll risk using the word again) gratuitous that the plot (most obvious Die Hard rip-off ever) can't be taken seriously for more than a nanosecond. Everything about this film screams: "Don't take me seriously!" On that level, the discriminating fan of bad action films will enjoy this heartily. Anyone familiar with the work of Andy Sidaris will be in familiar territory here.I feel that this movie is best enjoyed under the influence of several adult beverages. I would suggest a double feature for a night of viewing, this film and David Heavener's KILL CRAZY(see my review of that film as well). Now that's some red-blooded American entertainment. Lots of stuff gets blowed up real good! Get the pony keg and the nachos, dude!