Solemplex To me, this movie is perfection.

Luecarou What begins as a feel-good-human-interest story turns into a mystery, then a tragedy, and ultimately an outrage.

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Yvonne Jodi Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Armand a film about family. values, secrets, members' links, fight for survive, fears, miracles. a film about the levels of life for a boy. and, sure, about oaks. impressive in that case is not only the high performances or the atmosphere, the story or the testimony of the lead character about his universe but the splendid strange feeling. it seems be one of stories who are parts of viewer life. in a special manner. Bill Skarsgard as Simon is brilliant but its art has a great frame. the landscapes, the flavor of the old world behind the war, the nuances of acting from his partners. a film like a web of emotions. a good source of reflection. about the life and about its truth. and about the price of each human age.

talltchr World War II experienced from an oblique angle. The characters are just far enough from the vortex that their lives are spared, but not so far as to avoid its terror or the antisemitism that changes the course of their lives, Jew and gentile alike, by pervasive fear. Special mention should be made of the character Isa played by Katharina Schüttler. She's a young woman who emerged from Auschwitz traumatized and reckless. From the actress's first moment on screen, we see that this is someone we have never encountered before. Perhaps in another generation she might have become Stieg Larsson's Lisbeth (Girl with the Dragon Tattoo, et al) but in this film, she's a well of anger and fatalism. She's the wild card that makes Simon realize there are limits to his rebelliousness. Indeed, all the characters test their limits: Karin to have an affair, Erik to maintain his anger and jealousy, Inga to keep either the love of her life or her son, Isak to enter the world, Reuben to satisfy his desires. The film is unfailingly absorbing and, despite a few fanciful scenes with the tree and the clouds, utterly genuine.

woutervandersluis I always wonder what exactly kitsch is. This movie makes it more clear to me. All the drama and tragedy in life is in it but it is only the outside of it while avoiding the real pain of life. It is worse than being sentimental to have such a pretense. Its making a feel good movie out of stories of life which are in reality each in itself a feel bad event. And because it avoids the real tragedy it needs so many stories to fill up this pretense of really having to tell us something worthwhile about human life. Of course the movie needs the blackest story of the European history to hide the emptiness: the holocaust. And then it does not show or even tell anything true about that genocide, the dark abyss of human nature. The Jew who barely survived the camp to die shortly after that, leaving a violin to his bastard son which he begot with a Nordic nymph in the woods of Sweden at a brook. A nymph who growing up turns out to be a schizophrenic woman living alone with pigs in that same wood. That's two cliché's with the strange twist of the pigs.I mean how much do you need Mrs Fredriksson (the author of the novel) to make a story? A lot more, a lot more.

Saad Khan Simon och ekarna – Simon & the Oaks – CATCH IT (A-) Swedish movie about two families, their friendship and common destiny in Sweden's Gothenburg in the 1940s and 1950s during World War II. The movie is told from young Simon Larsson perspective, who learns that he's an adopted child who has a Jewish father from Germany. The story in the backdrop of World War II in Sweden is really simple but what makes this interesting is the heart hitting performance by all the actors. It's just so uplifting to see how a poor father found the son he always wanted in the rich father's son and the rich father found the son he ever wanted at this poor family. Even though I loved the movie, I have to admit that the movie is much more fascinated when the kids were young. When they grow up, the relationship becomes more complicated and some of the things I didn't like e.g Simon disrespecting his mother. Though Simon was shown self centered from childhood but his leaving his mother behind led to her heart break and ultimate consequences. The performances by young Simon Jonatan S. Wächter and young Isak Karl Martin Eriksson are tremendous. Bill Skarsgård as adult Simon is great, and how he turned in to the obnoxious ungrateful person is interesting. Helen Sjöholm as Simon's mother and Isak's caretaker is such superb. I loved her portrayal. Stefan Gödicke as father of a poor family and Jan Josef Liefers Karl Linnertorp as father of the rich family are good. Overall, with stunning performance and cinematography the movie is a treat to watch.