WasAnnon Slow pace in the most part of the movie.

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

moonspinner55 Mental shenanigans involving an actor (Stuart Whitman), apparently so desperate for money he'll accept any insane proposition lobbied his way, who masquerades as a mental patient in an asylum. He's hoping to get crucial information out of another patient (Roddy McDowall) on the whereabouts of some hidden loot--but unfortunately, he runs afoul of doctor Lauren Bacall (doing a Nurse Ratched years before her time). Delirious, over-the-top melodrama that's actually a hoot if watched in the requisite silly spirit. Whitman keeps a straight face throughout and actually wins the viewer over, but McDowall is just awful and Carol Lynley is hilariously mercurial as a patient with glossy, shampooed hair. This show rightfully belongs to Bacall, pulling off an extreme role with her usual rigid-jaw aplomb. ** from ****

blanche-2 Stuart Whitman is a money-hungry actor who is hired to fake insanity in order to find $1 million in "Shock Treatment." The film also stars Lauren Bacall, Roddy McDowell, Carol Lynley, and Ossie Davis. When asked about this film, Lauren Bacall commented, "You have no idea what Roddy and I went through making that movie." I don't, and frankly, it's a little hard to tell what the problems were from the filming. It seemed pretty straightforward. She plays a doctor who would have found a good home on Josef Mengele's staff. McDowell is a patient in the asylum who killed his wealthy boss and then supposedly burned her money. No one believes that, and Whitman is hired to find out where he hid it.It turns out, he's not the only one interested, and things become pretty dangerous for him. The movie seems to meander along, and then becomes rather exciting toward the end. It was directed and filmed in an uninteresting way, so it's not as good as it could have been.

Poseidon-3 A sort of cousin to Samuel Fuller's "Shock Corridor" (a slightly earlier and far more inventive film), this mental ward drama concerns an actor who feigns illness in order to enter a state asylum and discover the whereabouts of one million dollars. McDowall plays a rose-obsessed gardener who snips the head off of his employer and is committed to the state mental hospital (hilariously, he gets 90 days for his crime and then is to be released!) When it is discovered that McDowall may have hidden away a million bucks of his employer's money, Laire hires Whitman to play nutty and enter the same hospital as McDowall in order to find out where it is. Bacall plays a doctor who helped get McDowall off on an insanity plea in the first place and who may be after the money herself. Lynley is a manic-depressive girl who catches Whitman's eye. Before long Whitman finds that it's easier to get into a mental hospital than it is to get out (though getting out doesn't present TOO great a challenge to him either!) The film has a nice assortment of familiar actors in it and a decent score by Jerry Goldsmith, but it's never as interesting or surprising as one might like it to be. Whitman was rarely a deep or particularly detailed actor and his work here is adequate, but unexceptional. McDowall is properly off-center and does a fine job, but isn't really used much. Faring worse is Lynley, whose character is sketchy at best and whose screen time is both limited and mostly unimportant. (Sadly, these two future "The Poseidon Adventure" co-stars share no screen time here.) Bacall does fine as the haughty, embittered doctor overseeing all the cuckoos, but by the end her character and the film's plot line have gone way off the deep end. The ending is preposterous in the extreme. The whole movie suffers from unbelievability, though. It doesn't help matters that the hospital seems more like a retreat or a club than a medical facility. The patients (even newly admitted murderers and other troublemakers) have free reign to do as they please with little supervision and get to smoke anytime they wish, go to dances and just generally hang out and have a good time! To say that the attention paid to mental illness and its cures is superficial is an understatement. This makes "The Caretakers" look like a deep exposé on the subject. Still, it's a fairly brief, occasionally intriguing movie with an interesting enough hook to warrant a look.

Rovin This film had some intense moments. Stuart Whitman is sent into a mental institution to pretend he is insane in order to spy on inmate Roddy Macdowell and find out where he might have hidden $1 million. Lauren Bacall plays the doctor/research scientist who is very much interested in the money as well.With her own animal torture lab(in California and Africa!), and grumbling that she cant perform dangerous experiments the way she'd like to...we get a picture early on that she isnt Florence Nightingale! There are a couple of scenes that were as disturbing as comparable moments from One Flew Over the Cuckoo's Nest, and the Marathon Man.Although i found the film decent enough--with fine performances from the leads, and a good ending, it did seem a bit rushed in places, and some supporting characters either had unwarranted emphasis(Carol Lynley) or too little(Ossie Davis, Bert Freed). The rest of the patients seemed to be borrowed from "the Snake Pit."As a 1960's suspense flick it wasnt bad, but this would be a great contender for a remake.