Alicia I love this movie so much

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

mark.waltz This sick themed war drama has a psychotic doctor exploiting the situation with Nazis by killing refugee wannabees and potential prisoners of war by having them convert all their money into gold with the promise of getting them out of France. James Robertson Justice (the sweets factory owner from "Chitty Chitty Bang Bang") is the nasty "Beast of Marseilles" who tells one Jewish undertaker desperate to meet his family over in England that he is saving him from the tortures of a concentration camp. While all of this is going on, the Nazis introduce much terror to the residents, including a lecherous fat soldier who after twice trying to rape the young heroine ends up having a date with the concrete below when he falls off a roof after having a fight with her lover.Generally unpleasant and slow-moving, this seems an odd story to be telling more than a decade after the end of the war. Stephen Boyd is the young hero fighting both the Germans and the evil Justice who enjoys his murderous ways as a painter would be uncovering his new artwork. This is an "A" version of the type of film that Tod Slaughter would have menaced in a decade before. The only thing that is of interest in this really is the manner in which the villain is exposed and ultimately dealt with.

SimonJack What a pleasant find this movie was in a 10-movie set, called British War Cinema. It's not a combat film, nor an espionage or resistance film. At its core, it's a film about the hiding and freeing of two escaped British soldiers who wind up in Marseilles in 1943. Around that core story are four or five more stories, and the writers and director weave these nicely into a taught film with intrigue, betrayal, evil and romance. I won't divulge the plot here, but say that it includes French underground people and others who risk their lives to help people fleeing the Nazis. It also shows the dark side of those who took advantage of the plight of war. The romance is one of the more believable ones I've seen in war movies. And, this film shows something of the life in the seedy area of the Old Port, under Nazi control. The directing, acting, cinematography and music are all excellent. The destruction of the Old Port is shown with very good film footage from some source. I'm not aware of any other film that covered this war-time incident. The movie is based on a novel by Rupert Croft-Cooke. I didn't read the book and don't know if it's still available anywhere. So, I don't know how much the movie follows the book. But, based on the incidents in the film, the movie comes very close to some things that actually happened during that time. It thus has some historical value as well.The film opens in the Old Port area of Marseilles in 1943. The so-called Battle of Marseilles, or Marseilles Roundup in the Old Port took place on January 22 – 24, 1943. It was under the Vichy government at the time, and more than 12,000 French police were involved with the Nazis. We see very few policemen in this film – could it be because of sensitivities in 1957 when this movie came out? Surely, there would have been many thousands of people living in France then who had collaborated with Nazi Germany but were never prosecuted for it. Anyway, the roundup that took place was to arrest Jews. It resulted in more than 2,000 people being sent to death camps. The Old Port neighborhood was also considered a terrorist nest and seedy area, as depicted in the film. So, after the roundup, the authorities razed the entire Old Port, displacing some 30,000 people. The author and/or screenwriters added the character of Dr. Martout to the events in Marseilles, based on a real-life person who "operated" in and near Paris before and during the war. Dr. Marcel Petiot (1897- 1946), known as the "Butcher of Paris," was executed in 1946 for the killing of 26 people. He was suspected to have murdered more than 60 people. He supposedly had an escape underground operation for those fleeing the Nazis. In reality, it ended in the death of those who put their trust in him, as shown in the film. "Seven Thunders," had a more apt title, I think, with its first release in England – "The Beasts of Marseilles." I highly recommend this film for any war film aficionados and for any historical film library.

LCShackley It's 1943, and the Germans are in control of the French port of Marseilles. Although the Nazis seem to be having plenty of fun at the local bordellos, they're upset by the amount of crime in the poor part of town, and suspicious that anti-Nazi plots are hatching there. They're absolutely right. At the beginning of the film, we meet two British soldiers who escaped from a POW camp, and are hunkering down in a tiny apartment, waiting for a chance to sail to England. But they can't possibly obey orders and stay in that apartment, so they venture out, and through them we gradually meet the rest of the people in the building and the local area. There's the charming girl next door who's also a petty thief (Anna Gaylor, looking a lot like a young Jessica Lange), an ex-pat Cockney lady with a knack for self-preservation (Kathleen Harrison), a fat and vicious Nazi with an eye for the ladies, and a sinister gentleman named Dr. Martout (James Robertson Justice) who claims to be helping refugees flee the country, but may in fact be in a completely different line of work.The script skillfully weaves all these story lines together, and keeps the tension turned up throughout. Although the opening credits label this "A British FILM" shot at Pinewood, much of it is shot on location, so the city of Marseilles plays a key role. Why is this fine- looking film, with a very competent cast and arresting visuals, so little known? This is an excellent, off-beat addition to the canon of WW2 movies.

Neil-117 Not a stiff upper lip to be seen. Instead, French bordellos, bread sticks, wine, lust and seething emotions are on the menu as two British escapees from a German POW camp try to hide out in the occupied port city of Marseilles while waiting for a boat back to England.I say `try' to hide out, because their presence soon becomes an open secret - the Germans seem to be the only ones not in on it. And with all those friendly locals around, that's where the lust and other emotions come in – after all what's a chap to do while sitting around in a lively French city?As well as the highly original story line, other very striking features of this movie include the superb black & white filming which lovingly captures the teeming bohemian district of Marseilles. Also one can't help being struck by the astonishingly handsome cast of relatively obscure leading actors. The two British escapees in particular could have stepped straight out of a Mr Universe competition. The better known James Robertson Justice plays only a minor but memorable role.Just for sheer imagination, style and novelty, this movie stands out as a welcome variation on the wartime escape theme. By the way, don't switch off early because the Nazis provide a spectacular surprise ending.