Diagonaldi Very well executed

Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

Leofwine_draca The DVD box labels this film as 'the nuclear warhead of Japanese action cinema' and for once I don't think they're far wrong. It's a balls-to-the-wall gangster flick, riffing on dozens of movies that have come previously, that carves a niche for itself thanks to the high fluidity of the filming and the sheer energy present in every frame, all of the time. Those familiar with director Atsushi Muroga's zombie film JUNK will immediately recognise his style here, and indeed the factory setting that acts as the backdrop to much of the film.First things first: this film is intensely derivative. The film most recognisable is RESERVOIR DOGS, but there are also elements of HARD TARGET, NATURAL BORN KILLERS, and many other movies along the way. As such, not many of the plot twists, including the big one at the climax, will come as a surprise, but that doesn't matter: just because a film is derivative doesn't mean it has to be poor. I like many films which closely resemble those that have come before, most notably the DIE HARD clones, and often half the fun comes from spotting which film they're trying to emulate now.Anyway, back to SCORE: this has a blisteringly fast pace, right from the word go. There are more shoot-outs, car chases, fights, and tense stand-offs than in a dozen Hollywood action B-movies, and the furious pacing lasts right up until the end. It's the usual stuff: a bunch of thugs commit a hold up and then arrange to meet in an isolated factory, only to find themselves at the mercy of a double crossing boss, the police force, and even a couple of murderous hitchhikers straight out of an Oliver Stone film. This is gruesome stuff: nobody dies from a single bullet hit, and most people are riddled with gore and holes before they bit the big one. Many of the characters spend the movie plastered in blood and all of the shoot-outs are handled in an intensely stylish way. The highlight – if you can call it that – comes when one thug is shotgunned, the blood spray captured in exquisite slow motion as his body pirouettes through the air.The unknown-to-me cast members all give over the top performances, milking every second of their screen time. The top bad guys are the usual slick types, while lead Hitoshi Ozawa has that Japanese 'stone face' look well mastered. I loved the fight atop the moving truck, as well as the action at the climax which goes way above and beyond. To be honest, I expected this type of film when I sat down to watch a 'Beat' Takeshi box set, only to be slightly disappointed by the mostly tranquil nature of his early films. I like Takeshi, but this is far more entertaining: a riveting B-movie action film that takes cinema to the next level and proves that a low budget can sometimes be a blessing rather than a curse.

BA_Harrison An extremely derivative gangster/heist movie, Score succeeds by being so deliriously OTT that one can forgive any obvious plagiarism. Stealing liberally from Reservoir Dogs, Natural Born Killers and umpteen John Woo and Yakuza films, director Atsushi Muroga constructs a wild and bloody tale about a jewellery heist that goes seriously wrong when a couple of lowlife drifters attempt to relieve the robbers of their ill-gotten gains.With wall-to-wall gun battles and some genuinely hyper-kinetic action scenes, this film certainly delivers the goods expected of the genre; everyone gets shot at least a few times and all 'hits' result in a gallon of blood spurting from the wound.The story may not be anything new, and the acting nothing special, but Score still manages to be extremely entertaining. Hitoshi Ozawa, as lead crim 'Chance', is perfect as a hard-bitten con who is forced into committing one final crime. Sporting a prize-winning mullet, he throws himself whole-heartedly into his role and comes out all guns blazing.If a slab of mindless violence is what you're after, this film is well worth checking out.

squelcho A cheap and cheerless heist movie with poor characterisation, lots of underbite style stoic emoting (think Chow Yun Fat in A Better Tomorrow) and some cheesy clichés thrown into an abandoned factory ready for a few poorly executed flying judo rolls a la John Woo. Even the squibs look awful. At no point in the proceedings does it look remotely like America. Three wonky old cars do not a country make.The Mustang even has a wobbly right front wheel. The plot, such as it is, is so derivative and predictable that the ending is like a mercy killing. It couldn't come soon enough. Even the jewellery from the robbery looks like the cheapest junk costume jewellery available. The awful dialogue and hopeless overacting by everyone who gets shot top off a real waste of space and time. Worth watching if you want to know how not to make a cliché-ridden low budget movie.

Joseph P. Ulibas Score (1995) is a low budget gem from Japan. A film that aims for a certain crowd and it doesn't disappoint it's audience. A group of lowlife thugs are gathered together by a low level Yakuza boss so they can get their hands on some precious gems. This picture has more turns and twist than and old school crime novel.Caution this movie is very violent. The director showcases some of the biggest blood squibs I have ever seen in a movie. It's tightly edited and moves at a nice pace. The only draw backs are the budget ( at least it was shot on film) and the locations (the movie was filmed in the Phillipines even though it's suppose to take place in the U.S. I highly recommend this film (for the total carnage)