Save the Green Planet!

2003 "I caught a dirty rotten alien."
7.2| 1h58m| en| More Info
Released: 04 April 2003 Released
Producted By: Sidus
Country: South Korea
Budget: 0
Revenue: 0
Official Website:
Synopsis

A young man believes that his country's leaders are actually toxic reptilian aliens sent down to launch a takeover of his beloved Earth. So he decides to abduct them and force the truth out on camera in his basement that doubles as a film studio and torture chamber.

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Reviews

Scanialara You won't be disappointed!
Stellead Don't listen to the Hype. It's awful
CommentsXp Best movie ever!
Teringer An Exercise In Nonsense
davidbello777 Jang Joon-hwan's Save the Green Planet is a jet black comedy with a serious message. Through the veil of farce, scenes containing high-intensity drama can easily be upstaged if not careful about their comedic approach in this 2003 South Korean film. Although Joon- hwan's portrayal of a descent into madness keeps us guessing and excited over which side to support, Save the Green Planet is really a story with a moral call-to-arms about saving the earth. The main character is falsely convinced that the end is coming from aliens, when it is really from us humans.Lee Byeong-gu is a man who's lost a lot and replaced it with insanity and conspiracy. Dressed in a makeshift Ghostbusters-meets-Back-to-the-Future type of gadget suit, complete with accessory belt and makeshift body bag poncho, we can easily recognize that a screw or two is loose in his brain. After convincing his dimly-lit bulb of a girlfriend that aliens are planning to destroy the earth in a week's time, he informs her of his plan to kidnap the CEO of a large chemicals company, who is believed to be an impostor in human skin; a high- ranking alien official from Andromeda who communicates with "The Prince" of his race concerning the destruction of the Earth. This is where we begin our drama. Through scenes of abundant energy and boundless ambition, the interrogation of, and police search for, CEO Kang begins. But we discover that Kang is not Lee's first victim. In our era of modernity we find many innovations in cinema. As the plot progresses, Korean genre-bending takes full hold to balance scenes of emotional genuinity contrasting farce, futility and madness. Of course Kang is just a prickish CEO and underneath the quest to save the Earth by killing aliens, Lee also has a bone to pick with the president of the company his mother worked for until an accident comatized her, but what really makes this film memorable is its intertwining of dramatic pull for both sides. We want to sympathize with the wounded Lee, whom society has wronged all his life, but we want to see justice brought to the victims of his murders and Kang released. There is a touching scene in which the second police officer is thwarted and Kang admits to being an alien and tells the story of their presence on the planet. He explains that humans are dangerous, destructive, just as violent as they are powerful and have carefully been given another chance. As the decision approaches to keep or destroy humanity, Kang reveals that Lee's comatose mother is one of their many experiments. Whether or not this is a ploy to buy time or remains to be seen. There is a nostalgic musical motif that follows the images of the destructive humanity which has been seen in many flashbacks of Lee's life and how it made him a psychotic killer.There is a visually stunning scene of a detective being attacked by bees kept by Lee, in which he tries to shoot the swarm of bees with his revolver, only killing one or two. in the midst of this futility and comic outcome, there is a stark parallel to Lee's attempts to save the earth by killing alien suspects, most of whom he has ultimately determined were in fact human. The aim of the criticism Lee unleashes is very anti-capitalistic, as Kang has no sympathy for idiots like him that try to come on top. After the death of his mother, Lee leaves all of his books of research and information on the aliens to a tied-up detective and says that if he fails in defeating them the responsibility lies in detective's hands. Lee's tenacity shows itself in the several times he is seemingly killed during the climax of the film, but always gets another hit out on Kang. The police ultimately catch up with them and finish Lee off.Upon Kang's narrow escape and multiple wounds, he is once again treated as royalty by the police who escort him to the car and all is well. Or is it? Unexpectedly, but not all unpredictably, Kang is whisked off to an alien spaceship, the details of which corroborate with his story perfectly. Disgusted by the torture and corruption of the humans which have even sickened the planet's core, he then sentences the earth to destruction as he says it is a "failed experiment." After its brief destruction, the credits roll alongside a television projecting the happy memories of Lee's childhood, once more with the nostalgic motif playing.Lee's last words are "Now who will save the Earth?" As they appear to be the stubbornness of his madness unto death, we are left to peer past the words of the madman and ask ourselves the same question. The detective, representing the archetypal every man, is left with the responsibility of being the catalyst to the change which may yet be barely enough to save the earth.
JoeB131 This is about the fourth Korean film I've watched. No, fifth. We really need to take away all Korea's move cameras until they knock it off.The movie details a complete whackjob who cobbles together a bizarre conspiracy theory, which just happens to rely on him kidnapping his ex-boss and torturing him for days...Meanwhile, there is a sub-plot where the police try to find him....Except maybe the guy really was an alien... and the Earth is blown up in the end... or maybe it's all surrealistic and who cares, really. Okay, not quite bizarre enough compared to Japanese cinema, but kind of pointless....
hoggaglust-1 Save The Green Planet was one of those films that kept 'looking' at me from the shelves whilst DVD shopping. Usually, I only collect Asian horror movies, but (as with the equally bizarre Happiness of the Katikuris) I couldn't resist taking a look at this one. I'm so glad I did.I know that you should never judge a book by its cover, but looking at the Green Planet's sleeve notes, you'd be forgiven for assuming this was a lighthearted, screwball comedy with the trademark 'bonkers' story line and characterisations. How wrong you would be. Whilst many of the elements in Green Planet are about as bonkers as bonkers gets, the film is intrinsically a touching, sad and fulfilling piece of cinema. There are some truly horrifying moments too, and it's only when we realise the truth behind the protagonist's irrational and violent behaviour that we can feel heartfelt sympathy for his empty, one man crusade against 'alien' invaders. The tension in the scenes where the protagonist's hostage tries; (and almost succeeds) to escape from his underground dungeon is about as effective as anything you will witness in a movie.At once funny, tense, horrifying, and inevitably tragic, Save The Green Planet is a strange, sad but uplifting film well worth a place in your DVD collection.
James Alex Neve I love Korean cinema. Even when it makes as little coherent sense as this, you still come out of it really refreshed and humbled by the sheer weirdness of it all. When you think you know what is coming you are driven right back to the park of the unknown. This bizarre story of a nobody who deems it a good idea to kidnap a successful businessman he believes to be an alien, incorporating torturous sanity, vigilante gumshoes and lots and lots of nastiness will stretch your basic emotions beyond their thresholds, making a mockery out of them in the latter acts. Usually when a film is as blatantly silly as this it would be easy to dismiss it as nonsensical whiff that was probably made up on the spot as the film went on. And believe me, you won't get much of an argument from me about that. Yet despite the obvious obscenity of the screenplay 'Save The Green Planet' never seems like a movie that wants to satisfy your expectations. It wants to throw them in the river and have them chewed up by sharks. The ride, itself, is a fantastically demented one, so if you can stomach the nastiness of it all, you shouldn't be hateful towards its blatant weirdness. You may even embrace it. Having you guessing right up until the final head-scratching scenes, the movie will leave you bewildered as whether to cry, laugh, shout or scream. Trying all four at once will probably give you the most satisfaction.