Scanialara You won't be disappointed!

Moustroll Good movie but grossly overrated

Matialth Good concept, poorly executed.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

shp22 I'll start by saying I'm a fan of Mr. Giuliani and read his book, Leadership. So I was very disappointed by this movie for several reasons.The script is extremely flat. Yes, it does show that Giuliani had a temper, liked opera and loved the law. But in a way that made me think the writer had a checklist to work from. And one that did not include Giuliani's lighter side. The script barely allows him to smile or laugh or enjoy the people around him. For example, it could have included his appearances on Saturday Night Live, his second Mayoral race and the image problem he had to overcome or his friendship with Joe Torre and the Yankees. Indeed, SHOWING his relationship to the team, rather than just SAYING he loved them, would have done wonders for showing him as the proudest New Yorker. And making an effort to portray has relationship with his children would have been nice, too.The people around Giuliani rarely react to him. For example, on becoming the lead Federal Prosecutor in Manhattan, he tells a roomful of Federal Prosecutors that they have gotten fat and lazy and no one reacts in any way. He explains to a roomful of prosecutors how he will take down the Mafia on conspiracy to violate RICO laws (which he reminds them he wrote) and again, no one reacts. The most frequent reaction is silent bustling in response to the scripted tirades. He's often "right", but he's not even allowed to enjoy outsmarting the other guy (a la Jack McCoy of Law & Order).I've seen the movie twice now (hoping it would be better) and still don't know why the 9/11 events are done in flashback throughout the movie. My only guess is they couldn't figure out how to end it otherwise.Overall, I think that Rudy Giuliani deserved a much better biography. Hopefully someone will do it someday.

DCB73 It's too bad the talented Penelope Ann Miller was cast in this garbage! Her talent and acting ability should be used for much better roles than this. As usual, Penelope is always outstanding, no matter what she is in but this role was sickening. Hope to see her in better stuff than this in the future.

SuperheroNAS I was at first worried that this movie would both capitalize on September 11th and Rudy Guiliani, but after watching it I was surprised greatly. This is probably the best biographical movie I've ever seen, which is saying a lot for most biographical movies, especial original TV movies. I believe there was a lot of respect in presenting September 11th and Rudy Guiliani, which also does not frequently occur in TV movies. Even my level of respect for the man has increased since I watched the movie. I highly recommend this movie to anyone who wants to hear a tale about an unlikely hero who wanted to change the world.

kadar A superficial puff-piece about a fascinating political character that stays so much on the surface that it verges on soft-core propaganda. Neither James Woods nor the script really bears a particularly close resemblance to Guiliani, both making him look better than he really was.One example that can symbolize many others: Guiliani is shown as a devoted Yankee fan, but there is no mention of his various overt and covert efforts to funnel millions of public dollars to George Steinbrenner and his baseball team.The director's and writer's point of view is not only essentially pro-Guiliani, but the narrative framework is also centered within his political cadre, rather than being informed by the insights of detached and balanced observers.I would have liked to have seen more about where Rudy came from -- geographically, socially, and psychologically -- to help understand how he became such a capable yet massively flawed figure on the New York political stage. This movie trivializes its subject matter, focussing on a two-dimensional cutout rather than a three-dimensional character within a complex context.