Pacionsbo Absolutely Fantastic

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Loui Blair It's a feast for the eyes. But what really makes this dramedy work is the acting.

sgcim I can't get enough of these Korean cop movies. Maybe it's because they don't depend on CGI, over-production, electronic music scores and unending technology like most US films. Maybe it's because they don't try to appeal to the largest demographics like US films do nowadays. Maybe it's because they can can make 140 minutes seem like five minutes, unlike today's Hollywood films. Maybe it's because contain genuine human emotion instead of endless spectacle like most US movies. Maybe it's because their main characters battle their way through moral dilemmas instead of the over-written plots US films. I could go on, but I think you get the picture...

Coolestmovies Director Kang Woo-suk dresses up his diatribes about the social ills of modern Korea in the well- worn finery of the cop-vs-serial-killer thriller so beloved by Hollywood. Disheveled cop Sol Kyung-gu, unrepentantly violent and perpetually on the take--because, let's face it, that's just how thing's get done in Korea--relentlessly pursues a dapper, smarmy financial whiz (Lee Sung- jae, who he believes killed his parents over his father's decision to remove a large chunk of money from a big investment deal in order to save an orphanage from the bulldozers. There's no doubt Lee is guilty of the crime--we see the act in all it's squishy glory, and he further confounds the investigators by randomly killing a hapless stranger to make all the murders appear to be the work of a serial killer, but Sol knows better, and will use every dirty trick at his disposal to put this doggy down. The real target of director Kang's venomous social criticism is quite obviously the soulless corporate culture he seems convinced has poisoned Korean society and subverted traditional family values far more than corrupt law enforcement ever could, and which he views as a wellspring of self-obsessed Armani-clad sociopaths who would slit their own mothers' throats to score a big ROI, only here the metaphor isn't actually a metaphor, it's the central plot device! (I'm guessing he read "American Psycho" or at least saw the movie; certainly Lee's icy villain would make an ideal overseas pen-pal for Bret Easton Ellis' Patrick Bateman). As in TWO COPS 1 and 2, the director sides squarely with the overworked, underpaid cops, and he lovingly (and humorously) illustrates the complex, even necessary web of corruption and deception they must weave in order to maintain the status quo.

puscus The good thing is about the bad guy in the movie... the text on the DVD box told about a corrupt cop vs. a psychopath... Well, I feared the psychopath was a serial killer with all the nauseating, fetishist rituals stuff "a la" Seven or other movies alike. But the killer is almost a normal guy (as much as a killer can be a "normal guy"!), killing with a purpose... Well, the guy is seriously crazy anyway, killing for very trivial motives, such as a man spilling his drink on him. The bad thing in the movie is a kind of a scatological scene. It may seem trivial for some people, but for me, it wasted my enjoyment. Apart from that and 2 or 3 bloody sequences this is a very good movies.

schism101 There is no denying that it is good to see this film released in the uk around the summer blockbuster season (i saw this film in a ugc multiplex which was playing as part of a season of asian films released across the summer), but this film in particular suffers from flaws, mainly a plot that is unoriginal and scenes and situations that dont seem to stick together, the change in mood for instance, from almost slapstick comic to dark murder thriller, but that is not to say that the film is not good, there are many scenes and themes that work well, such as the contrast between the tough maverick cop and the arrogant and psychotic fund manager who has shades of AMERICAN PSYCHO'S Patrick Bateman, and the use of dark humour which seems to be present in many of the recent asian cinema releases. Overall a film worth checking out but not one to keep your hopes up high for.