Acensbart Excellent but underrated film

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

Lee Eisenberg I have no doubt that "Protocol" is intended as a silly comedy, with Goldie Hawn playing her usual role as the ditzy blonde. However, this is one of those movies intended as a silly comedy that now looks more serious. After Hawn's loopy waitress saves a Middle Eastern emir from an assassination, she becomes the national sweetheart. Her relatable, charismatic demeanor endears her to almost everyone, and she gets a job in the State Department, despite having barely any idea what the job entails. This reflects the tendency to turn any "likable" person into a celebrity, regardless of qualification or intelligence. Elia Kazan's 1957 movie "A Face in the Crowd" (starring Andy Griffith as an "average Joe" who becomes a demagogue) also looked at this. The mess that we've made of the Middle East only adds to the movie's newfound seriousness.Or maybe that's just my interpretation. On its own, the movie is pretty silly, with lines like "Washington, DC, is the best place to get shot in the ass". Among the more toe-curling aspects of the movie is the casting of pasty white Andre Gregory (of "My Dinner with Andre" fame) as a functionary from the Middle Eastern country.Other than that, the movie's OK. The party in the restaurant looked fun. The rest of the cast includes Chris Sarandon (Prince Humperdinck in "The Princess Bride"), Ed Begley Jr, and Kenneth Mars (the police chief in "Young Frankenstein").As for Hawn's character's speech to congress, it poses one question: can we the people act as guardians of democracy?

atlasmb If you like Goldie Hawn, you might like this story about a wide-eyed girl who happens to foil an assassination, then--because of her folksy charm--is hired by the Dept. of Protocol."Protocol" is a comedy with a moral. It's nearly impossible to miss the parallels with "Mr. Smith Goes to Washington" and, even more "Born Yesterday", (in which Judy Holliday plays the Washington neophyte who finds that civic duty requires her to educate herself in the basics of politics). Goldie plays the part of Sunny with her usual plucky charm. She is surrounded by a sharp cast, but she carries the film as she does most of her films. The writing, by Buck Henry, takes shots at the media, the government, foreign affairs, and the office of the Vice President. Its style is somewhat reminiscent of Elaine May.Overall, this film is lightweight, even with its serious call for self-education in government affairs. It is not Ms. Hawn's best, but amusing nonetheless.

James Hitchcock When an attempt is made to assassinate the Emir of Ohtar, an Arab potentate visiting Washington, D.C., his life is saved by a cocktail waitress named Sunny Davis. Sunny becomes a national heroine and media celebrity and as a reward is offered a job working for the Protocol Section of the United States Department of State. Unknown to her however, the State Department officials who offer her the job have a hidden agenda.A map we see shows Ohtar lying on the borders of Saudi Arabia and South Yemen, in an area of barren desert known as the Rub al-Khali, or Empty Quarter. In real life a state in this location would have a population of virtually zero, and virtually zero strategic value, but for the purposes of the film we have to accept that Ohtar is of immense strategic importance in the Cold War and that the American government, who are keen to build a military base there, need to do all that they can in order to keep on the good side of its ruler. It transpires that the Emir has taken a fancy to the attractive young woman who saved him and he has reached a deal with the State Department; they can have their base provided that he can have Sunny as the latest addition to his harem. Sunny's new job is just a ruse to ensure that the Emir has further opportunities to meet her.A plot like this could have been the occasion for some hilarious satire, but in fact the film's satirical content is rather toned down. Possibly in 1984 the American public were not in the mood for trenchant satire on their country's foreign policy; this was, after all, the year in which Ronald Reagan carried forty-nine out of fifty states in the Presidential election and his hard line with the Soviet Union was clearly going down well with the voters. (If the film had been made a couple of years later, in the wake of the Iran/Contra affair, its tone might have been different).The film is not so much a satire as a vehicle for Goldie Hawn to show off her brand of cuteness and charm. Sunny is a typical Goldie character- pretty, sweet-natured, naive and not too bright. There is, however, a limit to how far you can go with cuteness and charm alone, and you cannot automatically make a bad film a good one just by making the leading character a dumb blonde. (Actually, that sounds more like a recipe for making a good film a bad one). Goldie tries her best to save this one, but never succeeds. Part of the reason is the inconsistent way in which her character is portrayed. On the one hand Sunny is a sweet, innocent country girl from Oregon. On the other hand she is a 35-year-old woman who works in a sleazy bar and wears a revealing costume. The effect is rather like imagining Rebecca of Sunnybrook Farm grown up and working as a Bunny Girl.The more important reason why Goldie is unable to rescue this film is even the best comedian or comedienne is no better than his/her material, and "Protocol" is simply unfunny. Whatever humour exists is tired and strained, relying on offensive stereotypes about Arab men who, apparently, all lust after Western women, particularly if they are blonde and blue-eyed. There was a lot of this sort of thing about in the mid-eighties, as this was the period which also saw the awful Ben Kingsley/ Nastassia Kinski film "Harem", about a lascivious Middle Eastern ruler who kidnaps a young American woman, and the mini-series of the same name which told a virtually identical story with a period setting. The film-makers seem to have realised that their film would not work as a pure comedy, because towards the end it turns into a sort of latter-day "Mr Smith Goes to Washington". Sunny turns from a blonde bimbo into a fount of political wisdom and starts uttering all sorts of platitudes about Democracy and the Constitution and the Citizen's Duty to Vote and We The People and how the Price of Liberty is Eternal Vigilance blah blah blah……, but in truth the film is no more successful as a political parable than it is as a comedy.Goldie Hawn has made a number of good comedies, such as "Cactus Flower", "Overboard" and ""Housesitter", but "Protocol" is not one of them. I have not seen all of her films, but of those I have seen this dire comedy is by far the worst. 3/10

Keno27 I like Goldie Hawn and wanted another one of her films, so when I saw Protocol for $5.50 at Walmart I purchased it. Although mildly amusing, the film never really hits it a stride. Some scenes such as a party scene in a bar just goes on for too long and really has no purpose.Then, of course, there is the preachy scene at the end of the film which gives the whole film a bad taste as far as I'm concerned. I don't think this scene added to the movie at all. I don't like stupid comedies trying to teach me a lesson, written by some '60's burn out especially!In the end, although I'm glad to possess another Hawn movie, I'm not sure it was really worth the money I paid for it!