Piggy

2014 ""It's a Terrible Thing That Happened""
5.5| 1h46m| R| en| More Info
Released: 13 May 2014 Released
Producted By: Fulwell 73 Productions
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

London, modern day: Joe, a mild mannered young man is bored by his life. When his beloved brother is murdered Joe finds solace in Piggy, one of his brother's old friends. Piggy helps Joe to cope with grief, intent on saving him and helping him get justice for his brother's killing. As their friendship grows Joe finds himself in an increasing dangerous and murky world of violence and revenge. As Joe life collapses around him he starts to question who Piggy really is, and how honest he's really been with him. When Joe confronts Piggy a series of events are put in place that lead to a disastrous climax.

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Reviews

Mjeteconer Just perfect...
ThrillMessage There are better movies of two hours length. I loved the actress'performance.
Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
bazt-93964 Superb raw slice of urban banality. Great to see Martin Compton in an obscure little number like this - of course he has recently been in the spotlight as part of the popular BBC series Line of Duty. It's uncompromising but very watchable. Someone here was complaining about the soundtrack. Don't listen it's superb - by Bill Ryder Jones from just down the road here in Wirral.
Spikeopath Piggy is written and directed by Kieron Hawkes. It stars Martin Compston, Josh Herdman, Neil Maskell, Louise Dylan and Paul Anderson. Music is by Bill Ryder-Jones and cinematography by James Friend When his brother is killed by thugs, Joe (Compston) is persuaded to mete out vengeance by his brother's friend, Piggy (Anderson).Piggy, not exactly a great title really, is a good film, it really is. That is if one can skip back nearly 20 years and embrace the idea at its core all over again. We see it a lot these days, good films from the independent side of cinema shot down in flames by critics, both professional and amateur, because there is no originality on show. And even when a new twist is added to a staple genre, it stands no chance of gaining a weighty amount of critical support.Piggy is far from flawless, I would be surprised if writer and director Kieron Hawkes was on record as saying that is the case. It's a film that will always suffer by comparison to a couple of huge critical darling movies that came out of America and the UK previously. I will not mention them, because that pretty much spoils the core of Piggy, something so many amateur reviewers and message board posters fail to grasp. But I grumpily digress...Piggy is a violent picture, much like its lead protagonist in fact, but in amongst the blood and bone crunching, there's smart narrative splinters about alienation, fear of society, fear of violence and yes! Fear of finding the dark half of yourself taking over. So nothing new there of course, especially in British cinema during the gritty realism wave that has become something of a forte in my lifetime. But they are there and shows the film to have more to offer than merely being yet another London based stabathon.Cast are good, with Compston once again proving to be a very under rated actor capable of really tuning into the art of under playing a role with confusion and sincerity of conflicting emotions. Anderson is scary as the title character, if a touch too cartoonish, while Maskell shows no signs of wanting to break free of the hard-man typecasting that now defines his career. Friend's cinematography is sometimes guilty of being too murky, and the "metallic" colour lenses favoured on occasions are a mistake since it's not a sci-fi or neo-noir movie.Yet for all its inherent flaws and rawness, and the fact it owes its very being to other more lauded productions, Piggy should not be discounted as being a viable British slice of grit. The blood hounds are catered for, and those with a bent for the tints of emotionally damaged characters should definitely consider viewing this. It deserves better than its current internet rating and Kieron Hawkes, clearly a work in progress, might just be someone for British film fans to keep an eye on. 7/10
Andy Steel I found this very dark with extreme levels of violence, For the most part the acts of violence are not actually shown on the screen, they are alluded to enough to make you cringe though. Great performances all round, particularly from Paul Anderson; he played the part superbly! Martin Compston wasn't all that bad either! As revenge thrillers go, this may not be the best, but it's certainly one of the darkest I've seen in a long time. Maybe it's just too dark and that's the trouble with it; I found myself looking at my watch in places which is never a good sign. Certainly worth seeing for Paul Anderson's performance but definitely not one for the squeamish.SteelMonster's verdict: RECOMMENDED (Just)My score: 5.9/10You can find an expanded version of this review on my blog: Thoughts of a SteelMonster.
smirnofred Contains spoiler.Piggy is nothing more than your typical run of the mill revenge film. It's predictable as hell, to the point it becomes plain boring. If you make it half way through this film you'll be clock watching to see how long is left.There's no amazing twist either, which is the only reason I sat through the whole film (I was hoping to go 'oh so that's why that happened; only to be sorely let down), and to make things even less believable the characters that get murdered just vanish! Decapitated bodies tend not to be ignored you know. The highly brutal murder scenes are comical in the sense they had next to no blood in them regarding the injuries inflicted, or any kind of blood transfer to the murderers! It's the small details which really matter, and this film overlooked every single one.Seriously, don't waste your time with this one.