CrawlerChunky In truth, there is barely enough story here to make a film.

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Cem Lamb This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

gftbiloxi Brigid Berlin was the child every parent fears having. Born in 1939 to media mogul Richard Berlin and his socialite wife Honey, Brigid seemed to be on the fast track to a world of wealth and social registers--but she had a weight problem, and when mother Honey focused upon this Brigid rebelled. It was a rebellion that would ultimately lead her reject her parents, their way of life, and their values as absurdly superficial.In 1964 Brigid met rising artist Andy Warhol, who had a knack for picking up extreme personalities and using them to fuel both his ambitions and inspiration. For once, however, he gave almost as much as he took: Brigid not only developed an arts reputation in her own right, she also managed to remain friends with Warhol until his 1987 death--something that very few people, and particularly those of Warhol's 1960s circle, ever managed.PIE IN THE SKY might best be described as a collage of Brigid Berlin then and now. Released in 2000, the film finds her living in New York, where she has considerable cache in the avant guarde arts world--and obsessing about her weight, her smoking habit, her past, her present, her future--and indeed virtually everything. In fact, the word "obsessing" might be the keynote in her life, which she documents as it unfolds with a degree of relentlessness that is quite astonishing.Yesterday--be it literally yesterday or fifty years ago--is just as intense in Berlin's mind as today, and a good portion of the film is given over to her reflections on her parents, the way of life that she rejected, and the pleasure she took in horrifying the social world throughout her life. She talks about art. She demonstrates her technique, which might be generously described as body painting. Now slim, she breaks her eternal diet to binge on Key Lime pies. She is incredibly compulsive, it is difficult to know whether she is as mad as she is insane, and it is impossible to know how much of the madness or sanity is calculated.What she most certainly is is interesting, and directors Shelly and Vincent Freemont keep the focus unerringly upon their subject throughout. A fascinating look into the life of a woman who was, and in many ways remains, on the cutting edge of both art and life.GFT, Amazon Reviewer

CarPort1 One of the best things about this film is that, unlike many of the Warhol-superstar documentaries, the subject is still alive and participates by actually being interviewed (instead of just archival footage). It is a fascinating, funny, educational, and even touching portrait of one of the lesser known but most fabulous personalities to emerge from the New York scene. In addition to the interviews with Brigid herself, there are some other great current interviews plus the requisite archival footage. I have added this to my collection along with the better known documentaries on Edie, Nico, and of course Warhol himself, plus some of the original films (such as Chelsea Girls).

nekanderson881 This interesting documentary of Warhol superstar Berlin (aka Brigid Polk) traces her life from the beginnings as the wealthy daughter of a Hearst employer and his socialite wife Honey. Berlin's life-long struggles with dieting and with her parents and siblings are detailed here. Clips from 'Bike Boy', 'The Chelsea Girls', and 'Imitation of Christ' are shown. Berlin's daily telephone conversations with Andy Warhol were taped by her and we're treated to several bits of these here. It is also interesting that she claims to have been filmed for three hours talking about vacuuming her George Washington apartment. We see her walk into the Chelsea Hotel's lobby. The weight issue with Berlin is monumental. Her cravings of key lime pie is sated only after two whole pies are consumed. She also has a 'c**k book' that is composed of her famous friends' renderings of the male organ. She talks about the impact of the Manson murders, Warhol's death, Max's Kansas City, and her annual chest x-rays. She is also renown for her 'tit paintings', which are created by smearing paint on her chest and pressing down on paper. Now 60 years of age, Berlin is in many ways the same rebellious person she was in her teens.

patrickf One of the many amazing documentaries charting the rise & fall of the satellites in the Warhol constellation ("Edie", "Nico Icon" etc.)This creepily voyeuristic - yet fascinating - film charts Berlin from overweight, unhappy, heiress to spaced-out Warhol "superstar" to aged, compulsive dieter. Blessed (or cursed) with a photographic memory, she relishes the compulsively non-stop retelling of her life as a kind of sordid cleansing (her monologues were used verbatim for the Warhol book "A to B & Back Again" -but really written by Bob Colacello. Be amazed as this elegant New York lady displays her famous "Cock Book" , relives her "tit paintings", opens her cupboards & drawers (where EVERYTHING is labelled !!) & watch her descend into sin by eating Key Lime Pie! (her dream food - her pie in the sky)Food has now replaced drugs as her ultimate taboo. The emotional roller-coaster she goes through is devastating to watch. Warhol often made "friends" with these wounded heiresses, while shamelessly exploiting their eccentricities and vanities for his films and personal entertainment. In the end this is a strangely triumphant story, as she struggles to maintain her personal equilibrium. A must-see.