Rijndri Load of rubbish!!

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Jenni Devyn Worth seeing just to witness how winsome it is.

Foreverisacastironmess I love this short, it's so gripping to me that the seventeen minute run time really zips by. It's very atmospheric and very British, and has a nice slow buildup of tension that starts at the beginning as it shows the girl's lighted face as she drives alone on the road at night, and then when she encounters the aggressive punks, and of course when she finally encounters what appears to be a harmless old woman who she picks up out of the kindness of her heart. What the brief story builds up to isn't spectacular or anything but I'm quite satisfied, I like the subtlety of that ending, and how exactly just what happens isn't said out loud to the viewer. It's foreboding how the car just sits there as the lights change and the old woman gets out and hobbles away into the rain. I thought it was very moody and effective. And despite the pretty terrible quality of the print that's on Youtube, not that I'm complaining, the atmosphere still comes through really well. A very unsettling little performance from Avis Bunnage as a murderous old lady, especially when she balefully glares over at the nervous Judy Neesam. There's something so threatening about her eyes, it gave me a real chill, you could imagine what being in that kind of situation would feel like. when dealing with strangers you just never know what you could be in for. I love the colour scheme, it's very bold and gives things a distinctive eerie tone, there's lots of spooky blue and yellow hues, almost comic book-like to me.. I like it a lot, it's very old fashioned and kind of plain I guess, but it's still a very effective short that is genuinely unsettling, and it's well worth watching. It should really be included on a horror collection or something, it deserves to be seen, because it's a real creeper... So long folks, watch who you pick up!

Bonehead-XL Another urban legend inspired short film from the glory days of USA's Saturday Nightmares. Like James Dearden's previous short "The Contraption," "Panic" is all about slow pacing gently building tension. The story revolves around a model going out for a drive to her next job. The night is rainy and, as she drives through the city, she is accosted by rube punks. Despite the nasty vibes the city puts off, she still decides to stop and pick up an old hitchhiking lady. This turns out to be a mistake.Not much happens over "Panic's" 17-minute run time. There are long scene of Mandy just driving around, the synth score droning away. However, the short slowly builds a sense of unease. From the beginning, it feels like the entire world is against our protagonist. The rain beats repetitively at her windows. Nothing happens at first when she picks up the old lady. Still, the driver and the audience feels like there's definitely something wrong with the elderly woman. The sting in the scorpion's tail doesn't come until the very end, the film dragging the tension out as tortuously long as possible. The ending goes for quiet chills instead of abject thrills. The silent eeriness of that final image is destined to stick with you a lot longer then any jump scare would have. James Dearden would later become better known as the screenwriter of "Fatal Attraction" and would, disappointingly, never direct a feature horror film. What a shame, as the guy obviously had the talent for it.

Leofwine_draca PANIC (1978) is a 17-minute short horror film made in Britain. All but forgotten these days - until some kind soul uploaded it to Youtube in the form of a fuzzy, taken-from-VHS transfer - this turns out to be a chilling and highly effective piece of scaremongering.The short-short running time excludes the necessity for boring set-up and characterisation, and instead we're thrown straight into one of those predictable but effective 'dark and stormy night' type narratives. This is in essence a phantom hitchhiker story, with the female lead driving down a lonely country road at night in a downpour and coming across an old lady who may be more than she seems.PANIC boasts some excellent, subdued lighting and a neat twist ending which is guaranteed to provoke plenty of summers. The acting is understated and the cast includes later EASTENDERS star Leonard Fenton (who played Dr Legg) as a policeman. Julie Neesam is fine as the woman-in-peril and James Dearden proves adept as both writer and director. This is fine stuff indeed that has much in common with the classic BBC Ghost Stories for Christmas series of the 1970s.

Schwenkstar James Dearden, the Oscar-nominated writer for FATAL ATTRACTION and son of directing legend Basil Dearden, crafted this very effective and slick short thriller - his second after 1977's CONTRAPTION.The film is drenched in atmosphere due to the splashes of saturated, vibrant colors Dearden lights upon the screen, the rainy streets which reflect these vivid and lush illuminations, and the eerie music that is unsettling without being overpowering.The plot is short and to the point with small twists and turns to keep you interested from beginning to end... it's not a plot that is startling original - it's all based on the fear of hitch-hikers that seems to plague many horror and suspense films - but it's told with style and gusto.However, the most interesting aspect is that this short film would later be re-made in 2001 as LEFT TURN by Sean Ellis, the Oscar-nominated writer-director of the short film CASHBACK (2004).The similarities are startlingly - not only is the plot meticulously reconstructed in LEFT TURN scene for scene, but the atmosphere of the film itself is reconstructed - the Mario Bava-inspired lighting, the rainy atmosphere, the British locale, the yellow rain coat of the hitchhiker, and so on.Which one is better? The remake is certainly more stylish and more horrific - simply because it went more shock and terror - but the original is more restrained and disquieting. It most likely will come down to the taste of the individual viewer.It would be nice, however, if Sean Ellis gave at least *some* credit (he gave none) to this film for which his remake is based upon...