Alicia I love this movie so much

Greenes Please don't spend money on this.

Matialth Good concept, poorly executed.

Micransix Crappy film

cpu-4 Orfeu mixes elements of Greek mythology and classical theatre with Brazilian telenovelas. That may sound like a recipe for disaster, but to me the director actually pulled it off.It was fascinating to me as someone from Western Europe to see how different life in the favelas is (both in good and bad ways), and to see the ancient Greek story set in such a different context. The cinematography is also great.I can see how some would be disappointed if they were expecting to get immersed into a convincing story set in the midst of a full blown carnival extravaganza though.The main characters Orfeu and Euridice didn't really come to life to me as genuine likable individuals that I could identify with, but more as the original Greek personas. However most other members of the cast did not have this "problem" and provided plenty of convincing drama.Also although we are treated to some scenes of the amazing Rio carnival, the director doesn't really seem to immerse us in that world of extravagance. We are almost looking at it from a distance, as if to say it's not that important to the actual story.To sum it all up: what makes Brazil interesting is that it is such a melting pot, and melting very different elements into a lively stew is exactly what happens in Orfeu. It may not always be that easy to digest, but boring it is not!

excalibur1308 This is one of the worst films I have seen in a long time. The acting was so bad, a better job would have been done by employing a queue of people waiting for a bus ! The script is execrable, dreadful. The direction dire, don't allow the director to control traffic anywhere, there would be a pile up ! What illegal substance was the man on ? Perhaps he got next door's cat to do the work. It would have proved a better result.This film shows just how good the original, Black Orpheus, is. There is no need to refer to that masterpiece in case the mere mention of Orfeu might tarnish a great work.I play in a Samba Bateria in Europe and have never been to Brasil so I was interested in the shots of Carnaval. The director seemed to have even taken away some of the magic of that event, so flat was his direction.The drug dealer 'Lucinho' had the acting talent of a mannequin. He had obviously seen John Travolta in Pulp Fiction and tried to model his distinct lack of ability on Travolta. Well he couldn't even mimic Travolta. Orfeu was like a kid they had just pulled off the street who had been kicking a football about ten minutes earlier. They would have got a better cast if they had enrolled first year drama students in their first week of college; where their tutor was off sick and they had spent the first week in the canteen drinking coffee.The dialogue and plot line was a joke. In fact this would be one of those films that is so bad while meant to be serious the audience end up falling about laughing. The director wanted to give the story – or lack of it, a feeling of the film City of God; not guns and roses but guns and favelas.A very attractive girl played 'Mira' – perhaps the one redeeming feature of the film. Euridice acted like a Portuguese au-pair from up-country lost in Manchester.The ending of the film was so dreadful I can't even bring myself to think about it. It should have been the director who was thrown off the side of a hill.I noticed that some people from Los Angeles liked the film, perhaps they don't have any quality to measure the film against? Before I watched the film I looked on IMDb and saw that someone from the UK who has had a long interest in Brasil, complained about the film. Perhaps with this accurate appreciation, I should have avoided it; but as they say, you learn more from taking one really bad photograph than from twelve good ones.

octaviaslady The cinematography of this film is beautiful. The symbolic use of light to indicate mood (and abrupt changes in it) is very well done. Also the colors are vibrant, beautiful affairs with vibrant, samba music to go with it.The part of the movie that fails is the acting. It is hard to follow simply because the characters' emotions are hard to read. I have watched many subtitled or silent films, take Chaplin's "The Kid" for example, that are easy to follow simply because of the good acting. In this film I had a hard time keeping up with the plot because I didn't have a clue what was going on without reading the subtitles. Even then I had a hard time following the motives on occasion. For example, the drug dealer Lucinho seems to have no motivation for his violence late in the film, yet his actions are a crucial plot point.The real shame about this being a foreign language film, at least for me, is that reading all the subtitles to keep up kept my eyes away from the beautifully composed shots. Any one of those stills could be taken as a photograph and be a work of art on their own. Sadly, they would probably be better artwork than the film itself.

Jeezy Beezy This movie captivated me from the very beginning. This sparkling, contemporary portrayal of Black Orpheus recaptures the myth of Orpheus and Eurydice and again sets it in a favela in the hills above urban Rio de Janeiro. The lives, loves and losses of 3 generations of shanty town dwellers are vibrantly documented over the course of a Carnival holiday. Dreadlocked, handsome Orfeu, who has achieved local fame through the success of his shows at the Sambadrome faces the usual pressures of a celebrity who comes from poor beginnings. He chooses to remain living in the favela, he claims, to show the youth that there is more than one way to success, the other way being that of his 'almost brother', Lucinho, a psychotic gang leader who reigns over the 'hood with drugs and terror. When beautiful, otherworldly Eurydice arrives in the rough-hewn streets to visit a distant aunt she captures Orfeu's heart, much to the disdain of the local women, most of whom have some claim on him, whether real or imagined. The two find true love against a pulsating backdrop of Carnival performances, jealousy, police violence, interfering relatives, and flimsy homes held together by not much more than romantic and colorful scarves. The acting in Orfeu is raw and energetic and the passion that interweaves the mythical tale is ethereal by design, and enchanting by its very nature.