Onmyoji: The Yin Yang Master

2001
6.2| 1h56m| en| More Info
Released: 06 October 2001 Released
Producted By: TOHO
Country: Japan
Budget: 0
Revenue: 0
Official Website:
Synopsis

During a dark time in the Heian period, when evil forces threaten the kingdom, the emperor relies on the Onmyoji to keep the supernatural forces in line. But as political events become highly charged, friction within the order leads to betrayal. Now, Seimei (Mansai Nomura), a talented member of the clan, must face down his master, Doson (Hiroyuki Sanada), in the hopes of restoring peace to the kingdom.

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Reviews

Stometer Save your money for something good and enjoyable
VeteranLight I don't have all the words right now but this film is a work of art.
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
sourceoftheend A fantasy martial arts film set in feudal Japan, Onmyoji uses a good cast of characters and a mystical setting to keep the audiences entertained.When I caught this film on TV (Showtime, I believe), I was immediately drawn in. There are demons, Shinto-like priests, curses, spells, and impressive costume designs to entertain.The story is basic-- a young well-to-do member of the court finds himself relying on help from an half-demon Onmyoji priest to protect the kingdom-- but the world of Onmyoji is fascinating and fun to watch. It's not everyday you get to watch people battle it out with chants and prayers, evil demons, and people can fly.Despite a previous bad review, I recommend this film to anyone who has the opportunity to see it. It's a fantasy film, but the world of Onmyoji is compelling and will draw you in.
bosscain When I was watching this movie,I felt as though I was drawn In and actually was there,In the period of 18th century Japan.The director of this film did an excellent job.His stylized direction reminded me of the early works of Akira Kurosawa,which by all counts was the best and most famed director to ever come out of Japan.The special effects in this movie were spectacular and very well done.I highly recommend this film to anybody. 10+
InzyWimzy This one definitely had me from start to finish. It introduces the Onmyoji and definitely draws you into their world. The costumes and setting are stunning with vibrant colors and makes the time period look authentic. Mitsumishi is my favorite with her chirpy, fluttering nature while Lady Aone really shines as a woman with deep sorrow. Seimei and Hiromaki have this friendly rapport which shows the bond of friendship the two share; almost brotherlike. Hideaki Ito does well here and didn't recognize him as same actor in Blister and the Princess Blade. Overall, Seimei's carefree, yet enigmatic nature and brave (yet naive) Lord Hiromaki form this chemistry which provides for funny moments. Plus, relationships enfold as the story progresses. The CG effects amplify this eerie magical world, but are not overdone which is a credit to the film as well.Overall, Onmyoji is surprisingly a great example of modern japanese cinema. Great story, characters, I definitely want to see the sequel.
kidwltm In the tradition of countries getting pigeonheld for certain style of film (ex: American and it's Hollywood action films), Japan and it's surrounding nations have became too well known for bad wuxia fiction (and the occasional John Woo knock off, though not as common as they used to be). Wuxia fiction is a style of story telling rooted in the wealth of Asian Mythology, generally more concerned with fantastical elements and not emotional (Like say Greek Myth). This is not an ailment to film's when shown in their homeland, where the audience is cultured to know certain things about their mythology. Problem is, if you are a foreign viewer, there are quite a few things that seem muddled and unexplained. It is up to the writers to create the story in an accessible manner to all audiences. Some films have done so, and others like this one have not. It does not help when you are already trying to follow a story containing a bevy of underdeveloped characters and subplots. On to that issue; The film, like most wuxia, is too concerned with grandiose things to focus on it's characters. Not to say no attention is payed, but it is not in a beneficiary amount. It sets up tenuous relationships that evoke no emotional response from the viewer and thus nullifies any moving moments between the characters. Too many scenes loses any chance of impact because of this and in turn become boring and annoying to watch. Along with a jumbled story and poor characters, the film lacks in the technical aspect as well. Costumes are nothing we have not seen in other film's from the culture, and the make up and special effects are so horrible in quality it is almost regressive to the film industry. As with most Asian films, you have to expect the acting to be over the top. It's the lingual patterns and dialect that make it this way, but it no less enjoyable watching people scream and shout during moments that should be emotionally overwhelming. There are no redeeming elements in this movie. It is too indulgent in it's own culture to be enthralling without a doctorate in Mythology (and even then the story is still too cartoonish to be enjoyable), the action is a mix of trashy f/x and sloppy swordplay, and the acting only elevates it to new melodramatic heights. There are a few shots that are quite gorgeous, but these are but a few, and the rest are just as bland as the rest of the film. Unless you are a die hard Asian cinema freak, or you get off watching cheap and unstructured fantasy, avoid this abomination at all costs.1/100 Stars