Exoticalot People are voting emotionally.

Ceticultsot Beautiful, moving film.

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

caspian1978 By the end of the movie, you stop questioning what is real and what is dream. You forget that everything up to the truth has been gentle. Even the disappearance and the conflict with the neighbors take a back seat to the overall gentle telling of the story. When the audience is then faced with what may be true to the people in the movie, it all ends and the movie becomes reality. Even the last shot of the movie questions who is living in the gentle fiction that makes up their lives. Having to face the truth by the end of the movie, the family chooses to live the gentle lie that has brought them all together. The sexual tension between husband and wife / sister and brother explodes before your eyes. Not out of lust but out of love. Very few movies have captures this, Olivier Olivier has.

ckmercuri Of all the French films I have seen so far, this one succeeds the most in creating a mood the French are known for doing so well: a sense of melancholy. After watching this film at the young age of 16, I was immediately taken in and mystified. After watching many other films, I can still say that this is one of my favorite films.

samuel.coburn "... Holland is 'one of the great film makers in telling a story, unlike so many Europeans who emphasize character. The American public takes to a film where a story is told well'" (Film Quarterly: Vol.52, No.2, Winter 1998-9, pg3).This comment, made by Orion's Michael Barker, is not far off the mark--at least with respect to Holland's film: "Olivier, Olivier" (1992). Despite the plot's non-fictional premise--the idea for the film, in fact, is based on a French newspaper item from the early 1980s--Agniezca Holland's ability in fully capturing the truly bizarre nature of this story leaves viewers wondering if she, in making the film, could actually have been working from real-life experiences. Holland lays the storyline out in a traditional, chronological manner but makes sure to jump ahead several years at a time, where necessary, to retain her audience's attention. I am American and I did 'take to' this film. In this sense, Michael Barker is absolutely correct. However, I imagine anyone would enjoy a story as well told as Holland tells this one.Highly recommended.

fleagles Interesting and slightly odd film about a son who disappears from his French family. He has a somewhat Oedipal relationship with his mother, and the family is very dysfunctional. Years later, he returns, but questions are raised if he is the real young man. The family drama is good and well-acted, but contains some truly bizarre subplots, such as the daughter's ability to levitate objects. The film also leaves some major perplexing questions regarding the boy, which I will not reveal. Nevertheless, an interesting and different film.