ThiefHott Too much of everything

VeteranLight I don't have all the words right now but this film is a work of art.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Loui Blair It's a feast for the eyes. But what really makes this dramedy work is the acting.

MissSimonetta Old San Francisco (1927) had to have been made with only its special effects and Vitaphone soundtrack as the major attractions, because the story is extremely old-fashioned by 1927 standards. It feels like the sort of plot one would see in a movie from the 1910s.The characters are flat as can be, especially the ingenue played by Dolores Costello. Warner Oland plays the yellow peril villain, who indulges in every crime: stealing the property of others, imprisoning his dwarf brother, oppressing Chinese Americans, and sneaking into Costello's house at night in an attempt to sully her virtue. It's just terrible.One reviewer scolded the other user reviews for projecting contemporary attitudes onto an old film. While this gives the film a little leeway and I think we should put more energy into the still prevalent racism of current Hollywood cinema, that does not make the overt racism against Asian-Americans in this film okay or any less uncomfortable to watch.The effects are unimpressive compared to other special effects-heavy films of the decade and the acting is barely competent. Skip it.

wes-connors Through 1906, the proud Vasquez family has prospered in San Francisco; it is the land the Spanish family helped conquer, and settle. The sweetest rose in the Vasquez Rancho's fair garden is dreamy Dolores Costello (as Dolores Vasquez). Senorita Costello catches the eye, and heart, of Irish gentleman Charles Emmett Mack (as Terrence O'Shaughnessy), a business acquaintance distrusted by patriarch Josef Swickard (as Don Hernandez de Vasquez). Mr. Swickard wants his grand-daughter to marry another Spaniard, preferably a rich one. Then, cruel and crafty Warner Oland (as Chris Buckwell) and his Chinese "Mongol" gang threaten Dolores' life, liberty, and pursuit of happiness.A relatively well-produced Darryl F. Zanuck silent. The time and place of "Old San Francisco" gives away the ending; of course, it's the great 1906 earthquake. Photographer Hal Mohr and director Alan Crosland collaborate for some nice images; for example, the shadowy Oland/Mack fight, and Chinatown's underground labyrinth. Supporting player Anna May Wong barely appears; but, Angelo Rossita is cute as a caged dwarf related to the villainous Mr. Oland.Unfortunately, the story wavers between ludicrous and despicable. If it weren't all so silly, it might have been even more offensive. *** Old San Francisco (6/21/27) Alan Crosland ~ Dolores Costello, Charles Emmett Mack, Warner Oland

mcgintyjerry Geez! People who try to project 21st century political correctness on those who were living their lives decades (sometimes centuries) ago give me a pain. Are they saying we've now achieved some level of perfection, or at least that now everything has been figured out? They have the advantage of being sure that years in the future when present-day man is criticized for events and attitudes that even those enlightened ones can't foresee, they'll not be around to hear it.These attempts to ensure that anyone not holding some particular viewpoint must necessarily be dismissed as irrelevant and evil despite the level of talent of the offender (occasionally a genius) by the critics (usually possessing no talent).

Ron Oliver A dastardly Chinese criminal in OLD SAN FRANCISCO schemes to possess a lovely señorita and her Spanish land-grant rancho.Although replete with racial stereotyping, it must be admitted that this vintage Silent film is an awful lot of fun. Produced just before the onset of Talkies, the movie represents the high degree of expertise the Studios had attained in telling a story through the medium of filmed pantomime. Excellent production values, an exciting story and very good acting are all part of the mix in the film's success, while the climaxing special effects depicting the great 1906 San Francisco earthquake & fire are satisfying both visually and as plot development.Beautiful Dolores Costello is exceptional as the privileged young lady who must survive a terrible adventure into San Francisco's criminal depths, her lovely face & eyes conveying every emotion her character experiences. Joseph Swickard gives a noble performance as her proud, patrician grandfather. High-spirited Charles Emmett Mack ably fills the requisite hero's role as the courageous young Irish lawyer who loves Miss Costello. Looking like evil incarnate, Swedish actor Warner Oland steals a few scenes as the malicious malefactor who plots Miss Costello's undoing.Exotic Anna May Wong appears briefly as an Underworld minx. Tiny Angelo Rossitto is memorable as Oland's dwarf brother.Movie mavens will recognize Sojin as a Chinatown elder, John Miljan as a slightly craven Spanish-Californian, and Willie Fung as a smiling servant, all uncredited.