GurlyIamBeach Instant Favorite.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Steve Pulaski It's a little unsurprising why Jeff Anderson' (of Clerks- fame) directorial debut was released theatrically in 2002 but sat on the shelf for four years before receiving a DVD release until 2006. The same year this film was released on DVD, Clerks II, the sequel to the film that put both Anderson and director Kevin Smith on the map was released theatrically. As a writing and directorial debut, Anderson's film plays very similar instruments to that of a Smith film, with long takes involving extensive dialog between characters and random conversations concerning a wide array of topics taking place. To say it matches the quality of what it is inspired by is quite the stretch but to say it adequately works as an intriguing little comedy- drama is an efficient summation.The film concerns Jeremy (Jeremy Sisto), your typical everyman whose fiancée Kerri (Rashida Jones) has just called off the wedding for undisclosed reasons. Returning home to their homestate of New Jersey, Jeremy and Kerri spend sometime apart, with Jeremy hanging out with his slacker-buds Gil (Jeff Anderson) and Biscuit (Trevor Fehrman) while Kerri hopes to hear rational advice from her newly- expecting friend Marty (Heather Paige Kent). Gil and Biscuit only pretend to feel for Jeremy's circumstance before too long. They're ecstatic to have their old, untied buddy back who can come with them to pull off cheap "heists" on an poor, innocent neighbor. The two have made a hobby out of breaking and entering into an older man's home at night, rearranging his furniture, family photos, and tables so that, hopefully, he will invest in a home security system manufactured by Gil's good friend. The whole subplot is so asinine and completely out there that it surprisingly warrants quite a few laughs.The relationship Kerri and Marty share is a more dignified one, predicated off of trust and honor with a dash of silliness. However, the two find themselves in a wacky misunderstanding when Marty decides to take Kerri out to a lesbian bar to take her mind off Jeremy and the opposite sex, which only leads to confusion on Jeremy's behalf when he learns from a friend his ex-fiancée was seen at a lesbian bar with another woman.Anderson's slowburn technique of giving every scene a moderate amount of dialog is a writing-strategy I never tire of. We spend, on average, anywhere from 80 to 150 with movie characters and, as I've said before, some writers don't even have the interest to give the characters last names let alone personalities. Anderson cares in the regard that he infuses his characters with smartly-written dialog that works thanks to a lack of dependence on senseless ranch and more of a clear emphasis on how the three male friends interact with one another.Sisto, in particular, is your average leading man, often funny, believable enough to take seriously in his current life- predicament and common enough as an everyman character to relate to in a simplistic sense. Anderson and Fehrman often lend a hand in creating a more lax, much less uptight environment thanks to their natural acting talents of saying something completely ridiculous and finding ways without smiling while doing it. And with two equally strong female leads and a great cameo by Kevin Smith and his wife Jennifer Schwalbach- Smith there's little to complain in regards of the actors.I suppose the only thing I can really fault Now You Know for is how it drifts and occasionally meanders, sometimes too far past the line of not being funny or sometimes too far past the line of being redundant. With Anderson being a new writer/director and already seemingly pioneering himself after the soul who put him on the map, perhaps that's something to kind of expect. But let it be known that even when Now You Know hits dry patches, it still manages to be more entertaining than many other independent comedy films that either try too hard or are dead-on arrival.The final thing to note about with Now You Know is its absence of raunchy humor. A large element of many of these kinds of films is the raunch-factor and Anderson employs it conservatively, with great restraint allowing other filmmaking tactics such as writing and character- acting to surface. With Anderson's roots, this is an admirable feat that is one of the many defining reasons why Now You Know succeeds.Starring: Jeremy Sisto, Jeff Anderson, Trevor Fehrman, Rashida Jones, Heather Paige Kent, Kevin Smith, and Jennifer Schwalbach-Smith.

MBunge Boy, I hate to rip on this movie. Clerks was a masterful film, one of the landmarks of independent cinema, and Jeff Anderson's performance as Randall was a big reason for that. If Kevin Smith's name wasn't also on this thing, as in "Kevin Smith presents Now You Know" on the DVD cover, I'd be sorely tempted to let this one go and move on to the next piece of crap. But people who love Smith's work are going to rent this thing. People who loved Anderson in Clerks as much as I do are going to rent this thing. Somebody has to warn them they're better off watching Mallrats or Cop Out again.Before I get into the story, let me make this clear. Kevin Smith has a well deserved, and self acknowledged, reputation as an excellent writer who isn't all that wonderful a director. His movies are great because of what people say, not what they do or how they're shown doing it. Well, take all the criticisms of Smith as a filmmaker, multiply them by 5 and then subtract all the clever dialog and interesting characters. The product of that equation is Jeff Anderson writing and directing in this motion picture.Now You Know is about Jeremy (Jeremy Sisto) and Kerri (Rashida Jones), two New Jersey kids who grew up together, fell in love and moved to Las Vegas where they and everyone else expected them to eventually get married. But then Kerri called off the wedding and refused to tell Jeremy why. Now they're both stuck taking a trip back to Jersey for what would have been their marriage and instead they have to hang around with their old friends and try and explain what happened. That doesn't seem terribly promising but Anderson has genuinely come up with an interesting premise. As it's set up, it appears that Kerri is the bad guy in this situation. She's the one who broke up with Jeremy. But what Anderson tries to get to in his story is that while Kerri is the one who acted, it's really Jeremy's doubts about holy matrimony and their relationship which passive-aggressively pushed Kerri into calling things off. That's an interesting and somewhat sophisticated foundation on which to build a raunchy romantic comedy.After putting down that foundation, however, it's like Anderson hired a bunch of blind and deaf quadruple amputees to build his house. Scenes are staged and shot in the most boring and rudimentary manner. Instead of conversations between characters sounding like smarter versions of what you say to your own friends, the dialog hear is like dumber versions of what you say to people at work you barely know. The sets do look like they were made by professionals, but pros who barely had enough money to pay for coffee in the morning, let alone props and furniture. One of the characters only exists because Anderson wanted to begin and end with the same lame joke. Jeremy Sisto and Rashida Jones walk around with atrocious hairstyles that don't match up with the way any other character looks. Three extraneous characters are tossed in toward the end as though Anderson lost a bet with his agent and had to find work for the agent's other clients. And the head-shakingly worst bit is how Anderson repeatedly subjects the viewer to extended scenes that revolve around Trevor Fehrman, playing one of Jeremy's Jersey buddies, as though Fehrman is supposed to be this movie's Jason Mewes. The difference is that Mewes has undeniable on screen presence and Fehrman has all the charisma of a sea anemone.Now You Know is too long, too slack, too slow and too subdued. It has all the energy of an octogenarian with two broken hips and as much edge as a bag of tapioca pudding. I can respect Kevin Smith's loyalty in helping a friend make his own movie and get it out to the public, but sometimes supporting a friend has to take a back seat to not letting them embarrass themselves in public.

inturnaround For his directorial and screenwriting debut, Jeff Anderson picks probably the most difficult of genres: the romantic comedy. I'm happy to say he has succeeded on almost all levels. The main cast is strong, but the real talent is to be found in the supporting cast. Jeff Anderson, Heather Paige Kent (how can anyone not love her after this movie?) are strong in support, but the real find is Trevor Fehrman as Biscuit. You laugh whenever he is on the screen. I hope to see him in more.I promised that I would write this review after seeing it earlier this year in a rougher form. I understand the music may have changed, but you really can't toy with the humor of the film. I would not be surprised to see more of Anderson and Fehrman's characters in further adventures. They are that funny.Well done, Jeff. I'm glad that it looks like this film will finally get a release. Good luck.

FreeAgi Jeff Anderson shows that he is not only one of the funniest unknown actors, but also a talented director and writer with this movie about a man trying to figure out why he's been left at the altar. I saw an early screening of the movie and must say that it was funny, heartfelt, and innovative. Not just a Kevin Smith knock-off, Jeff has taken his own direction making a romantic comedy for people sick of romantic comedies with simple solutions.