Solemplex To me, this movie is perfection.

Jeanskynebu the audience applauded

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

weezeralfalfa One of Joan Leslie's hobbies was horse riding. She makes use of that skill in this horse-dominated cowless oater. Cleary, she's having a marvelous time, often at James Craig's(Dan) expense. Fortunately, it was filmed in Cinecolor, which had it's disadvantages, but the reds and blues, especially were as vivid as any Technicolor print, and at a far less cost. Joan's flaming orange hair was made for color cinemotography. The majority of shoots were done in the spectacular scenery of Banff National Park...The remainder of shoots were at the Calgary Stampede....In several parts, the main focus of attention is on a pure white stallion named White Outlaw or alternatively Blizzard. Blizzard was notoriously difficult to capture and tame. Blizzard favored a particular wild mare, thus providing an analogy to a man and woman, which Joan used to suggest a possible romance between herself and Dan. From what I have read, horse societies actually consist of a stallion and a harem, rather than this idealized pair. ...In the central portion of the film, Dan and Joan are competing for prizes in the Calgary Stampede. Both win some events, but Dan was the overall winner, thanks largely to an errant wheel on Joan's chuck wagon. Somehow, Joan gets ahold of Dan's winnings and buys 4 horses with it. Now, he can't fire her, as threatened, because he can't pay her back wages, over a year or so, for acting as foreman at his ranch....Dan wants to sell the ranch so he can continue to spent his time on the rodeo circuit, while Joan wants to stay on the ranch and raise or capture horses. Not clear how their budding romance can deal with this conflict. Joan is often impish in her competition with Dan, which much adds to the interest of the film....See it on YouTube.

aimless-46 Filmed in Alberta, "Northwest Stampede" has the full-color glory of the Canadian Rockies as a backdrop, and the gorgeous Joan Leslie in an unprecedented (for 1948) number of nice close-ups. Despite a below average story, the visual elements of the film make it worth viewing. The story concerns a rodeo star named Dan Bennett (James Craig), who inherits his father's ranch but does not want to be tied down and distracted from his efforts on the rodeo circuit. The female ranch foreman Christine Johnson (Joan Leslie) wants him to continue his father's dream of building up the ranch. Dan is only hanging around the ranch because a horse he once owned has turned wild and he wants to capture and tame it. Much of the film is simply an excuse to exhibit footage shot at the 1947 Calgary Stampede, into which they cut close shots of Craig and Leslie whose characters are entered into the various competitions. Jack Oakie and a remarkably thin Chill Wills play supporting parts and provide most of the comic relief. The Wills character is named "Mileaway" James because when there is work to do he is always a mile away. There is some comedy in the Dan-Christine dynamic; a bit like the Rock Hudson - Paula Prentiss stuff in "Man's Favorite Sport".Dan and Christine eventually fall in love. Like the wild stallion, Dan cannot be forcibly domesticated but when the horse voluntary enters the corral to be with a mare you know that Dan likewise will choose to stay on the ranch with Christine. Christine Johnson (called Chris) is a pivotal character in film history and "Northwest Stampede" is a significant film for this reason. She not only runs the ranch efficiently, she rides, ropes, and breaks horses as well as any of the men. She comes within an equipment malfunction of beating Dan for the total points prize at the rodeo. Yet she maintains her feminine identity. Dan learns to respect her professionally long before falling in love with her. This character could only have appeared in a post World War Two Hollywood movie. The extensive mobilization required to win the war had let the genie out of the bottle of women's occupational choices. Women had served in the military, become military and civilian pilots, and replaced men in most factory jobs. When the men returned home they reclaimed most of their jobs but the myth of a woman's inability to work productively outside the home had been exploded. "Northwest Stampede" put a very positive spin on these developments, showing that a modern couple with mutual respect could have as good (maybe even better) romantic relationship than had been possible in the pre-war years. Then again, what do I know? I'm only a child.

phadrs This could almost become a cult classic, sort of a Plan 9 From The Calgary Stampede. The plot is pleasant, however unbelievable. The scenery is quite nice and the color is lush. And then there are those moments like when Chris outruns the herd of horses escaping from the corral. Like the previous commentator, I was unsure of the period setting, until I saw Chris with an electric lamp on while telephoning. There are no cars as I recall, though, so it might be a mixed-time thing? Jack Oakie and Chill Wills are in good form.

Wilbur-10 Completely meritless Western concerning a top rodeo rider who takes over a ranch. The foreman of the ranch is a woman, who just happens to be a top female rodeo rider. The two have an immediate dislike for each other, but this animosity hides mutual respect which blossoms into romance.This is one of those films which really is terrible and dull to watch. The story and script are contrived and laboured, with nothing ever really happening. The film meanders painfully along for its short running time, scratching around for scenes to pad everything out.Film is in colour, which is surprising for a Western released in 1948, although there is some really bad back projection and stock rodeo footage. I also remember some dire animal effects in a scene where some wild horses are attacked by wolvesI was unsure as to the period setting of this turkey - it seemed to be the West of around the 1880's, but later had more of a mid- 20th Century feel about it. This may have been due to my lack of concentration but 'Northwest Stampede' is incredibly tiresome with nothing for the eye or mind to lock on to for more than a couple of minutes.As a low-budget Western of the 1940's with no names of any note, the film never promised much - despite these low expectations the film fails in every department and has no entertainment value whatsoever. Westerns with rodeo themes are always rubbish - you need cowboys, indians, the cavalry, the drunken sheriff, the saloon gal, the baddie in the black hat etc. - this was more like a Lassie film.