Hellen I like the storyline of this show,it attract me so much

Jeanskynebu the audience applauded

Mjeteconer Just perfect...

Caryl It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

RavenDarkholm I certainly let the title of this film mislead me for quite some time. Even after viewing the trailer, I still had absolutely no desire to watch this flick, that was my first mistake. My second mistake was Mili Avital. Based on some of her past films - many of which I could not sit through, I just didn't think she had the acting chops to pull off an interesting character. How wrong I was on both accounts. First of all, the trailer (as the case with many Israeli films) just does not do justice to this movie. From beginning to end, this movie is excellent. I commend the director Ayelet Menahemi for this quality production - from the direction to the pace of the movie and excellent all around cast.But the real compliment belongs to Ayelet Menahemi for bringing out the realistic and raw talent of the films leading lady. In Ms Avital's prior films, she was always cast as the pretty girl. Many or rather most of those films were horrendous along with her performances. But not here, her performance was believable, honest, raw and pitch perfect. She was rightfully nominated for an Israeli Oscar (Ophir) but lost out to the highly dramatic Ronit Elkabetz. This one film changed my entire perception of Ms Avital and now I highly anticipate her next Israeli project.

dromasca Kid melodramas can have very different destinies - they can reach (seldom) the sublime, and they can easily fall into cheap melodrama. It is probably the most wide spread mistake of people doing such movies to rely too much on the kid actors. These are usually good and catch the attention as long as they are on screen, but unless they have the talent and personality of a Shirley Temple or Dakota Fanning they quickly fade into forgetting.To their credit the makers of 'Noodle' did not make this mistake. Their Chinese kid-actor does his work, but is not made to be overwhelmingly cued, nor is this immigration light mode comedy completely based on him. On the contrary, the other principal characters in the story are quite interesting, especially the two sisters played by the Hollywood-stricken (but not very successful there) Miri Avital and by Anat Waxman, one of the best actress on Israeli screens and scenes nowadays.Neither does the film completely avoid the flaws of the commercial Israeli cinema, and the story line although intriguing as a premise lacks somehow credibility, and cannot avoid a deus-ex-machina solution to the final climax. Overall however the film works even better than some of the recent light-hearted comedies I have seen coming from Hollywood or other established cinema imperia.

Seamus2829 Isreal, which has certainly had it's share of quirky comedy's, now has yet another film to add to it's ever growing list of contenders for world cinema. Noodle is a cute,low key comedy about an woman in her late 30's, working for El Al airlines as an in flight attendant,who's life is thrown into a tizzy by a five year old Chinese boy,who has been left by his mother in her flat, while she promised to be back in an hour, only to disappear. What follows is the woman,trying to establish contact with the boy's mother, and realizing that she is going to be the unwilling babysitter of a young boy who speaks only Mandarin, and not a word of Hebrew. The boy is given the nick name Noodle, as they're not sure what his real name is. What I admired about this little film is that, although it does dwell in sappy sentimentality, it never lowers or cheapens itself to the level of a John Hughes film (in other words,it's not a smarmy sitcom,with young children who know seem to know more than adults do). A little bit of searching out may be in order to see this little gem.

johno-21 I recently saw this at the 2008 Palm Springs International Film Festival where it was among the announced audience favorites at the end of the festival. It's a good story from Israeli director Ayelet Menahemi who co-wrote the screenplay along with Shemi Yarhin. It's a sweet little comedic drama about Miri (Mili Avital) who is a woman who is only in her late 30's but is already twice widowed. Mili works as a El Al flight attendant and lives with her sister Gila (Anat Waxman) who is having marriage problems with her husband Izzy (Alon Aboutboul). One day the apartment's Chinese housekeeper (Vicky Lyn) asks Miri if she can leave her six year old son (BoaQui Chen) for an hour and Miri agrees to watch him but the mother never returns. They can't communicate with the Chinese only speaking boy and they give him the nickname Noodle while they search for his mother and ultimately a way to reunite the mother and child through the help of Mati (Yiftach Klein) who is a family friend and former neighbor of Miri and Gila. The story is sometimes hard to believe but it's a good ride none the less and certainly a charming tale. Director Menahemi has had a very sporadic career in his 20 years as a director making only three documentaries, three narrative features and one short in all that time. With this, his third feature narrative, I would hope he is inspired enough by it's success to create more films. It won the Grand Jury Prize and Best Screenplay at the Montreal World Film Festival and I'm sure it's been a crowd pleaser at other festivals it's played besides Montral and Palm Springs. I would give this an 8.0 out of 10 and recommend it.