Nefertiti, Queen of the Nile

1961
5.2| 1h37m| en| More Info
Released: 20 September 1961 Released
Producted By: Max Film
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Synopsis

Chronicles the rise and fall of the woman who eventually became known as Queen Nefertiti.

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Reviews

Lovesusti The Worst Film Ever
Vashirdfel Simply A Masterpiece
GazerRise Fantastic!
Limerculer A waste of 90 minutes of my life
TheLittleSongbird Nefertiti Queen of the Nile is not without its redeeming qualities. The sets are richly coloured and reasonably lavish, there are a few gems in the script, my favourite being "the Nile itself cannot wash away my sins", and there are three good performances; Jeanne Crain, who is the epitome of radiance; Edmund Perdum while not a great performance still has a likability to it; and Vincent Price who is diabolical personified. On the other hand, the costumes did have a weird and somewhat cheap feel, I never did get the sense that I was being transported to ancient Egypt, and the music has some nice moments but forgettable within minutes after the film ending. Apart from a couple of gems, the dialogue is embarrassingly banal, the story lacks any kind of lustre and bite and was sort of ridiculous too and of the characters only the three main ones were defined well, everyone else was stock and just there for the sake of it. In conclusion, neither good or bad, fairly entertaining if you are in a good mood but at the end of the day little more than that, for me that is. 5/10 Bethany Cox
MARIO GAUCI This one, I guess, constitutes what passes for a star-studded peplum, what with 3 Hollywood names (Jeanne Crain, Vincent Price and Edmund Purdom – though, by this point, the latter was already well into his European phase) and a local one (Amedeo Nazzari, whom I recently-viewed in L'ATLANTIDE from the same year); incidentally, I opted to start my tribute to Price's centennial with his two epic Italian efforts (the other being RAGE OF THE BUCCANEERS, also from 1961) so as to segue from April's month-long marathon of such fare.To be honest, I was not expecting much from it, being more or less a low-brow mix of THE TEN COMMANDMENTS (1956), in which the titular royal had also featured (as did Price himself in a smallish role!), and Purdom's own earlier vehicle THE Egyptian (1954); however, the result is not only eminently watchable but surprisingly decent (so that Price's reputation is none the worse for its being on his resume'!). Crain, of course, is the protagonist – with Price as the High Priest (and, it is later revealed, Nefertite's father!), Purdom a sculptor in love with her when she had not yet ascended the throne and even boasted a different name (later, he is forced to make a statue of the new Queen and chastises her for what he believes to be her opportunism!), while Nazzari is the heir to the realm who intends helping his pal Purdom when Price tries to keep the latter and Crain apart but then, unbeknownst of her true identity, is persuaded by the High Priest to take Nefertite for a wife! Also involved in the proceedings are lovely Liana Orfei (who would have a similar, albeit even more central, role in RAGE OF THE BUCCANEERS itself) as Purdom's devoted assistant/lover (at one point, her sultry dancing in the desert distracts the guards at the hero's prison-tent so as to enable him to escape) and Umberto Raho (complementing Price's position in the temple as well as the film's villainous stakes). Incidentally, Nazzari's character is interestingly developed: he not only befriends a holy man and supports his reverence for one god over Egypt's several (which does not sit well with the tradition-bound Price) but he eventually goes mad and, finding himself besieged by his own soldiers (under the High Priest's command), commits suicide just instances before Purdom (sent by Crain to mobilize the loyal desert troops to their defence) arrives on the scene! In the end, the film's rich look manages to transcend budgetary limitations…even if the audio levels fluctuated intermittently throughout the copy I acquired, at one time even lapsing (very briefly) into Spanish!
ma-cortes A Sword and Sandal epic movie centers about Amenhotep IV (Amadeo Nazzari) son of Amenophis III who reigned Egypt . Amenhotep IV was crowned in Thebes and there he started a building program and a new religion , taking on the traditional priests (Vincent Price in one of his most unknown movies) . He married Nefertiti (Jeanne Crain) who loved Tutmes (Edmund Purdom) , sculptor who made the famous bust from her . Amenhotep IV-Akhenaten tried to bring about a departure from traditional religion, yet in the end it would not be accepted . After his death, traditional religious practice was gradually restored . It's a slice of ancient history set in 1300 B.C. : Amenophis IV is known as Akhenaten or Akhenaton , he was proclaimed maximum priest imposing a sole and , only one , great God : ¨Aton¨ or God Sun , pitting the priests (Vincent Price) followers to ¨Amon Ra¨ . Marriage between Amenophis and Nefertiti would born Tutankhamon . Amenophis created a new city called Ajetaton or Amarna . This is a Peplum style movie with impressive images but including factual errors , as Amenhopis IV changed his name to Akhenaten after converting to the worship of the Aton , and his capital was Akhet-Aton , not Thebes . Jeanne Crain is beautiful , Vincent Price , as always , plays very well a villain person . There are several secondaries and good Italian actors seen in Peplum or Sword and Sandals genre , Musclemen movies and Spaghetti Westerns : Alberto Farnese , Liana Orfei , Umberto Raho, Ralph Baldasarre , among others . Spellbound color cinematography by Massimo Dallamano ensure the glowing spectacle . Set design is breathtaking and Carlo Rustichelli's musical score is excellent . The picture was professionally directed by Fernando Cerchio . The movie gets likeness to 'Sinuhe the Egyptian' but lack luster and budget . Rating: 6 points/10
ccmiller1492 Altough much liberty is taken with history (in all fairness, there is still a great deal that is not known about this period) an interesting story has been concocted about the mysterious queen. It seems the sculptor who made the famous bust was enamored of her before she became the royal wife and was a mere High Priest's daughter who was cruelly forced to marry Amenophis IV unconvincingly played by Amadeo Nazzari, who is not in the least like Ahkenaton. But the costumes and sets are gorgeous, and Miss Crain is lovely. Vincent Price is credible as the nasty priest of Amon-Ra.