Steineded How sad is this?

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Coventry Here we have something totally unique: an Asian ghost story! That's not unique at all, I hear you say? Well, it is if you bear in mind that "Nang Nak" comes from Thailand and hasn't got anything to do with the overrated and rather weak stream of Japanese horror movies, such as "Ringu", "Ju-On The Grudge" and "The Eye". The film is based on a perennial Thai legend that apparently everybody knows over there and finally received a reasonably well-budgeted and international-orientated film version now! The legend revolves on the happily married couple Mak (the man) and Nak (the wife) and is set in the second half of the 19th century. Mak is very reluctant to leave his pregnant wife to go and fight in the war, more particularly because she's expecting their first child. When he returns home, still recovering from the loss of his best friend in battle as well as a near-fatal chest wound, Mak finally hopes to find peace and quiet with his beloved family. But something changed here, too… Friends and neighbors keep telling that Nak died whilst giving birth and that Mak only lives together with the spirits of his wife and child. "Nang Nak" is one of those extremely rare films that successfully blend romance and genuine drama with horror! This film is as moving as it is frightening and, trust me, it's REALLY frightening at times! The story is pretty intense and heartbreaking, mostly thanks to powerful performances, yet the horror elements are definitely not ignored and multiple images are almost too grisly to process. For example: One minute, you observe the romance between two people and the next; you're watching eerie rats eating the corpse of a murdered woman! Near the end, the film becomes even more horrific, with exorcisms and burials all around, and STILL the story remains incredibly poignant. Not only the substance is amazing, mind you. "Nang Nak" might easily be the most stylish and beautifully photographed Asian film ever made! A giant amount of sequences, albeit unrelated to the basic story, are truly mesmerizing to behold and illustrate sunsets, animals, wildlife and agriculture. It's almost like watching an educational National Geographic documentary AND a great movie at the same time! Highly recommended!

awalter1 "Nang Nak" is set in the late 1860s and is based on a Thai legend of the supernatural. When war comes to Thailand, a young husband, Mak, leaves his newly pregnant wife and goes off to fulfill his duty as a soldier. A serious wound leaves Mak convalescing in Bangkok for many months, but eventually he becomes strong enough to return home. There he reunites with his devoted wife, Nak, and finally sees their infant son. However, it soon becomes evident that Nak's labor pains caused a singular transformation in her. The other villagers have come to fear Nak--and for good reason."Nang Nak" set box office records in Thailand when it was released in 1999. It even managed to outsell James Cameron's "Titanic" in that country, and it is easy to see why. Filmed among menacing rivers and lush jungles, "Nang Nak" is a visually stunning film grounded in a solid story line. From the beautiful shots of Thailand's flora and fauna to the chilling supernatural scenes (which occasionally have the slightest--and rather surprising--hint of Sam Raimi's distinctive cinematic style), director Nonzee Nimibutr immerses his audience in an enchanted world. If the film can be criticized for one thing, however, it may be said that the devotion paid to Image is too zealous. The actors chosen for the two lead roles sport close-trimmed modern hairstyles and ideal physiques, and this works against their credibility as village peasants. Also, some of the most evocative nature sequences in the film are edited too aggressively; hence these images are denied some of the power they might have achieved in the hands of, say, Werner Herzog or Terrence Malick. Even so, "Nang Nak" has plenty of power and poetry to spare.(A cultural/historical note: The unusual and rather startling blackened teeth of the villagers in the film are due to the practice of chewing beechnuts. Notice that at a certain point in the film one of these nuts is placed in a corpse's mouth as it is prepared for burial.)

Cliff Sloane There is a lot more to this film than immediately meets the eye. Most Thai historicals or ghost stories are loaded with anachronistic pop culture cliches. This one wasn't; people spoke with their mouths filled with betel (maak), the lead actress didn't have lipstick, the houses were quite realistic, etc. In addition, the rural monks switched between high-level speech and country slang. The point is that this film is a serious attempt to do justice to both the original tale and the time period it is set in. The empathy for Nak far surpassed the scariness. What stood out for me is that Nak's justification for her actions seemed quite defensible, adding to the anguished poignancy of the situation.Asian ghost stories, when done well, have a strongly moral character. This is one of the finest examples I have seen.

winn-2 Nang nak had been made for many times in Thailand both for TV series and films. Therefore, most of them express the scary part of Nak but they don't mention anything about her deep true love to Mak. So I think this version is very touching and great. I love it. Though, there were many versions made but none of them gives good facts like this one. Two thumbs up!!!!!!!!!!!!!!