Nana

1983 "The True Key of Pleasure"
4.4| 1h32m| en| More Info
Released: 13 June 1983 Released
Producted By: Metro-Goldwyn-Mayer
Country:
Budget: 0
Revenue: 0
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Synopsis

In Zola's Paris, an ingenue arrives at a tony bordello: she's Nana, guileless, but quickly learning to use her erotic innocence to get what she wants. She's an actress for a soft-core filmmaker and soon is the most popular courtesan in Paris, parlaying this into a house, bought for her by a wealthy banker. She tosses him and takes up with her neighbor, a count of impeccable rectitude, and with the count's impressionable son. The count is soon fetching sticks like a dog and mortgaging his lands to satisfy her whims.

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Reviews

KnotMissPriceless Why so much hype?
Stevecorp Don't listen to the negative reviews
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
ladybug2535 This is my first time watching a film like this and I'm not sure what I was expecting--both more and less? The film seemed to be at most a sexual farce done in as a series of pretty tame soft porn vignettes loosely held together by a rather clichéd plot line--the greedy Jezebel taking down every man who crosses her path. If this is some kind of take regarding female sexual power I definitely have mixed feelings about the way it is portrayed: On the one hand it plays every man as leering pervs only out for the own sexual satisfaction--yet helpless idiots in the face of her (apparently very young)faux innocence. In that regard they pretty much deserve what they get--but on the other hand she has no care for the consequences of her own greed or the men she uses (as they use her). It is hard to feel much of anything for any of the characters and that is likely the film's biggest failure.There is a strong undertone of pure hostility for both sexes in this film that is hard to miss and rather odd for a film outwardly celebrating sexual freedom. The strongest clue we get as to what is really going on is actually expressed by the main "wife" of the story when she disapprovingly says something along the line that our heroine is "one of those girls who actually enjoys...." you know. Apparently we are being lead to believe that every man falls at Nana's feet because they are totally sex-starved at home. So, ultimately everything that happens is the fault of wives who don't give their husbands what they need?As far as the film itself: I have to say that it can be very hard to judge anyone's acting when viewing a dubbed film; flat voice dubbing can bring down even an excellent character portrayal. As a result I can't fairly rate the acting; the music was very distracting-sometimes seeming to celebrate the unconscionable. I have no idea if that was original or not to the film, so again cannot fairly judge. Dubbed films rarely do justice to the original. I had a problem with the main actress's supposed sexual allure given I didn't feel she was that attractive--those eyebrows! But perhaps they chose that look in order to make her look younger and more innocent--which would fit with the entire theme. Certainly other reviewers disagree with my personal assessment--and in fact some of histories most notorious femme fatales (Cleopatra, Violet Wodehouse of painter Sargent fame, etc) weren't physically beautiful; there was apparently some other intangible allure. Beauty certainly is in the eye of the beholder! I had to laugh at some reviewers criticisms of the "au natural" look. I suspect at least SOME of those were "merkins", nothing natural about those at all--and at least unshaved 'pits were accurate for the time and place (and still are in some cultures!). As far as historical accuracy, France was notorious for it's sexual freedom even at that time and yes, primitive moving pictures did exist. Lots of full frontal female nudity; sorry ladies, no male genitalia-though we do see suggestive silhouettes and otherwise nicely masculine (unshaved) nude males. The sex isn't graphic, despite the nudity and is mostly done to draw in the audience as voyeur, in much the same way as the rest of the cast when they're around. The whole film is voyeuristic. As a story though, pretty tame. It would have helped a great deal if there had been at least ONE character we could have identified with and cared about.
brianmith Katya's gorgeous body is on display in this film, along with a lot of other naked beauties. She also has captivating eyes. The nudity should be enough for any straight male, but it's entertaining and engaging even if it wasn't packed with nudity. Fun story, better than a lot of Cannon films.Nana is an actress who puts on nude shows along with a lot of other women for a crowd, sometime around the turn of the century. Nice costumes, sets and the acting isn't bad. Katya's beauty, however, steals the show. This film should really be on blu-ray.
hiskih Usually I don't review anything I haven't watched in its entirety, but it was 2 at night, half an hour still to go, and I was certain that I would not miss anything of value by going to sleep. (Was anything produced by Golan and Globus ever of value?) There are two major problems in this film. First is the plot: too many scenes are individual sketches that don't connect to anything. Not that this is a surprise in softcore porn... The second, and worse, problem is Katya Berger. She is supposed to bewitch every man in the film but I totally fail to see how. All I saw was a little girl with zero acting abilities, not even that pretty. OK, the green eyes are cute in close-up, but several other women in the film are far better-looking.Nothing else is too convincing either. What seemed interesting at first was the presence of the legendary Georges Méliès as a character. There, too, is a dual problem: the two examples of his films do not look like genuine films of the era, and they have none of the inventiveness that was his trademark.
BlackJack_B There was an interesting aspect of this film: Golan, Globus and Dan Wolman made two versions of this film. One was a PG version that they hoped to sell to T.V. and the R-Rated one that was filled with nudity. 18 year-old Katya Berger bares a lot of skin in this costume drama about a young Parisian lady who finds work at a burlesque club and then takes advantage of the perverts who come here. The film takes place in the 1880's yet one of the stars of the club has created movies. Not very exciting and very tame for today's standards. A turn-off in this film is the women who didn't shave under the arms. Ewww. Mandy Rice-Davies, who helped bring down the British Government years ago, appears in this film. Costume drama for completists or those who want to see a poor man's Brooke Shields.

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