VividSimon Simply Perfect

Fairaher The film makes a home in your brain and the only cure is to see it again.

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Happy_Evil_Dude I basically knew nothing about French pop superstar Claude François before seeing this film, apart what he looked like, a couple of his songs and how he died.A talented filmmaker, Florent-Emilio Siri has surrounded himself with a stellar cast and captures dazzling visuals to deliver what ends up being a rather classic, well-made musical biopic that (re)introduces the singing sensation to the 21st century.On the down side, the film sometimes plays like a highlight reel of sorts, seemingly jumping from one flagship scene to the next without taking the time to explain the significance of events unfolding to the unfamiliar viewer, while at the same time jumping over portions of François' life that look like they might have quite some importance.However on the positive, apart from the aforementioned excellence of the actors and the incredible shots scattered throughout the picture, Cloclo also gives an insight into an aspect of the musical industry that is rarely seen on film, which is the "industrial" production of songs, creation as seen through a committee rather than a single artist. Quite fascinating.

GUENOT PHILIPPE I was surprised when I first heard of the film, only in project. Florient Emilio Siri - the director of NID DE GUEPES, HOSTAGE and L'ENNEMI INTIME, the greatest french action film maker of all times - who planned to tell the biopic of the famous Claude François, the fabulous french singer of the seventies. I thought it was a joke. What connection between him and the other films of Siri?I'll be honest; if it had not been him to direct this, I would never have gone to watch it. I loved Cloclo when I was a kid, when I heard his songs while going to vacation with my parents in our 404 Peugeot, or when I watched his appearances at Mariti and Gilbert Carpentier Saturday evenings shows on TV. But I know his story and especially his tragic and idiot ending. Period.But I was curious to see how the hell the great french director, so gifted in action masterpieces, could perform with such a tale...And I was astonished to see that Siri was not only an exceptional action film film maker, but an awesome director above all. And even if this one is not an action movie, this is probably is best feature till now. Some viewers may find this not complete concerning the actual character, the lead - who is played by the terrific Jeremie Régnier, a sort of dead ringer of Cloclo, nothing less. I won't disagree with them. But the way to present this man, the directing, the film making, all this grabs you from the beginning to the end. Siri is really a great director, probably the best the french movie industry had since a while now.Don't forget Bruce Willis wanted him to direct DIE HARD 4...I am hurry to watch his next film.

JosephAbraham21 Warning, English is not my birth languageDifferent than La mome or Gainsbourg, Cloclo is a great piece of filmmaking, well crafted , extremely well acted by Jeremie Renier and the bigger than life performance of Benoit Magimel in a small but vital role of Paul Ledermann, the Claude Francois's agent. The different periods and steps in the singer's and business man careers are all interesting. It's not a consensual movie, it's a movie of rage depicting a man of passion , rage and flaws.The director florent emilio siri, well known for Hostage, is at his best. This movie deserves public success.A must see !!

tradufrance Just saw the film, that came out today in France. For those who are nostalgic, it is probably a good enough reason to like this biopic. For those who are fans of Claude François, there is nothing that should make them sad or angry. All the ingredients are there: poor young lad becomes rich and famous through music, gets the money and the beautiful girls, and dies in a stupid accident, young enough (39) to not have to witness his decay, like with Johnny Hallday. However, for those who are not nostalgic of the seventies and who are no fans of Claude François: don't even consider satisfying your curiosity, because there is nothing to see.