Murder by the Clock

1931 "Three Murders Done-But Only Two Persons Die!"
6.1| 1h16m| NR| en| More Info
Released: 21 July 1931 Released
Producted By: Paramount
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Budget: 0
Revenue: 0
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Synopsis

A policeman (William Boyd) investigates a woman's (Lilyan Tashman) link to murders that are preceded by a shrilling horn inside a family mausoleum.

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Reviews

Perry Kate Very very predictable, including the post credit scene !!!
TinsHeadline Touches You
BootDigest Such a frustrating disappointment
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
MartinHafer "Murder by the Clock" is an early murder mystery and it has a lot going for it. Unfortunately, it seems to have just about as much going against it and I see it as a movie only worth seeing if you have nothing better to do!When the story begins, you learn that a nasty old lady is trying to figure out which person to leave her fortune to--and one is an obviously psychotic and mentally challenged guy. But leaving the money to a different relative is NOT a good choice either, as the man and his conniving wife, Laura, plan on murdering the old lady. Once this occurs, it's like a bag of potato chips...and Laura manipulates the men around her to keep killing to ensure she'll be rich AND avoid jail.The problems with the film mostly boil down to subtlety....or the lack of it. Laura (Lilyan Tashman) is so obviously manipulative and evil that she's practically a cartoon character (like Snidely Whiplash, perhaps). And, because she's so obvious and transparent, seeing men throwing their lives away for this not super attractive and nasty lady just didn't make any sense. The other problem was that the film went on too long...and relied too much on filler. Cutting a bit of it AND making Laura more believably evil would have improved this one significantly.
kevin olzak 1931's "Murder by the Clock" has remained a forgotten horror from the early 30s, but not by such eminent film historians like William K. Everson, who dutifully included it in his 1974 book CLASSICS OF THE HORROR FILM. Had it been made at Universal, no doubt it would be as well remembered as "Dracula" (which preceded it) or "Frankenstein" (which followed it), but Paramount did their share of terror classics too ("Dr. Jekyll and Mr. Hyde," "Island of Lost Souls," "Murders in the Zoo"). The sultry and seductive Lilyan Tashman (Mrs. Edmund Lowe) epitomizes what the word 'vampire' meant to audiences prior to Lugosi, a huge star going back nearly ten years, whose life would sadly end from cancer just three years after she made this. Irving Pichel, as the halfwit son with the strength of a bull, preferred working behind the camera rather than in front of it; nevertheless, as an actor, only his memorable work opposite Gloria Holden in "Dracula's Daughter" can compare with his macabre characterization here. Comic relief is supplied by Sally O'Neil's maid and Regis Toomey's Oirish cop (she co-starred with young Lon Chaney in 1933's "Sixteen Fathoms Deep," while Toomey's next film would see him co-starring with Boris Karloff in Universal's "Graft"). No, Paramount rarely dabbled in horror during the 30s, yet there wasn't a single dud among them.
calvinnme ... in this thriller that combines the atmosphere of the Universal horror films of the 1930's with the feel of the sophisticated precodes of Paramount. This is a rare chance to see Lilyan Tashman in a leading role, and she is spot on as a woman who wants wealth and comfort by any means possible and sees her ability to manipulate men to do her bidding as key to her plan.Our story opens as does the film Frankenstein from this same year - 1931 - in a foggy graveyard with a group of mourners gathered around a grave. Into the scene strolls old Mrs. Endicott with her maid and son to visit the family crypt. However, honoring the dead is not her purpose, instead she is there to insure that her own crypt is in working order. Mrs. Endicott has a fear of being buried alive and has a creepy sounding horn installed in her own vault so that if she is erroneously interred she can sound the alarm and be rescued. Thus she likes to try it out from time to time to see if it still works.The Endicotts are apparently a family whose tree has deep and wealthy roots but withering leaves. There are only two possible heirs to the Endicott fortune in that tree - Mrs. Endicott's brutish idiot son Philip and her alcoholic weakling of a nephew, Herbert. Philip has made it clear that his highest goal in life is to kill people with his bare hands, so Mrs. Endicott leaves her fortune to her nephew. Philip has enough IQ points to know he's been supplanted and is upset about the situation, and Herbert is happy because now he hopes his wife Laura (Lilyan Tashman) will stop nagging him about money now that she can know her future is secure.The night that the new will is drawn up and signed Mrs. Endicott is strangled to death. Soon after the funeral, Herbert and Laura take up residence in the Endicott ancestral home, Herbert is strangled as well. Shortly after that the alarm from Mrs. Endicott's tomb rings out. What's going on here? Watch and find out. There are secret passages, shadowy figures in the fog, and best of all Ms. Tashman, making Jezebel look like Betty Crocker. William Stage Boyd plays police lieutenant Valcour who is trying to get to the bottom of all of this. Will he succumb to Lilyan's poisonous poise, or will he solve the crime? Remember that this is the precode era and unjust outcomes were allowed and did occur in American film during this time.I highly recommend this one for anybody who likes the old dark house films of the 30's.
Prichards12345 Dracula, Frankenstein, Dr. Jekyll And Mr. Hyde...and Murder By The Clock??? There's a reason this semi-horror thriller hasn't joined the ranks of those famous movies from 1931, and it's that this film is nowhere near the same level. It has some good things, but can't decide if it's a mystery (a shadowy figure commits a murder, and about five minutes later lets the audience know he did it!) horror (some mild Edgar Allan Poe Premature Burial stuff) or Vamp movie - the female kind, not the undead! The plot basically concerns Laura Endicott's (Lilyan Tashman) manipulation of the pathetic males she's lumbered with into each committing a murder in order to get her hands on the family fortune. It's fun to see Irving Pichel - after all he directed An American Tragedy and The Most Dangerous Game! - as the retarded brother constantly going on about killing people with knives and strangling them! And the film raises a few atmospheric moments. One or two of the cast moved on to Paramount's other horror show that year - Dr. Jekyll and Mr. Hyde. Murder By The Clock failed to set the box office bell ringing, probably because it lacks the new supernatural element of the previously mentioned horror flicks. The direction is nothing special and the pace is slightly leaden. But it ain't bad as these things go, and is worth a look.