Chirphymium
It's entirely possible that sending the audience out feeling lousy was intentional
Ella-May O'Brien
Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Paynbob
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
keeblet2609
This film makes me laugh, cry and think every time I watch it. It portrays the 'shut them away' treatment of the elderly that exists in care homes and the profit culture that strips people of their dignity and humanity and creates a so called 'customer' who is walked over and mistreated. A wonderful, escapist story of overcoming the odds and good winning out in the end. I recommend this for anyone who enjoyed Collins in Shirley Valentine as it is another underdog story where you really root for the main character and share in their victory over the odds!Thoroughly recommend this little known film to anyone I know!
Jack Malvern
Pauline Collins, who shone so brightly in Shirley Valentine, fails to rescue this lamely scripted and poorly acted British comedy. The plot concerns Mrs Caldicot, a widow who is tricked out of her house and into a retirement home, where she is sedated and forced to sign over her property to her son.She soon realises that she and her fellow residents, who are also sedated to keep them quiet, are being treated unfairly and foments a rebellion against the home's smarmy manager.But this comedic take on One Flew Over the Cuckoo's Nest is mired in pantomime-quality acting and naive plotting in which old people are never disorientated or distressed, and journalists pay for scores of pensioners to be put up in a country house hotel.I have no idea what Vernon Coleman's novel was like, but it is unlikely that the set decorator who adapted it made many improvements.It made just £16,400 at the British box office. I would be surprised if most of those who parted with their money did not ask for it back.
Jennifer Litchfield
Mrs Caldicot's Cabbage War didn't reap the acclaim and appreciation it deserved upon its cinematic release, which is a shame because it is an enjoyable and comfortable comedy, but it also touches some raw nerves over the treatment of our senior citizens. Even though many audiences will not be able to identify with the aged protagonists, it doesn't take very long before the viewer is rooting for the 'Wrinkly Revolution', as the oldies thumb their noses at the mean-spirited authorities.The leader of the backlash is Thelma Caldicot - a downtrodden housewife who is prematurely dumped in a retirement home by her money-hungry son and daughter-in-law. 'Twilight Years' is run by an obsequious manager and an iron-fisted matron, whose goals are to keep the profits rolling in, and the patients doped up and stuffed full of boiled cabbage. Thelma rebels against this and rallies the rest home residents into a large-scale escape, which becomes national news.There are some lovely character roles; in particular the totally over-the-top rest home management duo, who well deserve whatever just desserts befall them. But was it really necessary to give them a sex scene? Additionally, the love interest for Thelma seems a trifle contrived, and doesn't add to the story at all. Where the narrative really works is when it questions our perceptions of what "old" and "past it" really mean, and that the uncomfortable and embarrassing truth is that it is easier to stuff elderly and confused people full of tranquilisers than it is to genuinely help them. Unfortunately, many of these moving scenes are marred by the overly sentimental score. The bouncy theme tune however is perfect for an occasionally outrageous, very funny, very British comedy that will leave the viewer with a pleasant and upbeat aftertaste.
nhoney1
The best comedy is often based on something real. This gives the audience something it can relate to and can provide a real bite to the comedy. The topic may not be funny, as is the case in this movie about how we can mistreat our elderly. But by finding the humour in the subject and poking fun at it, it makes the audience acknowledge the topic, even if only briefly.The movie is the story of Mrs Caldicot and her fight against bullies for the right to be her own person. It is about the triumph of the 'little woman', that is in the sense of common ordinary folk, although it is also the sort of condescending description that her late unlamented husband may well have used to describe her.The movie is, however, a caricature, with no shades of grey. The bad guys are so completely bad, the rest home is so horrible, and Mrs Caldicot wins so overwhelmingly. She even ends with a romantic interest. The film makers had evidently decided that as the movie had moved well away from reality, much like several of the inmates at the rest home, they felt no need for any restraint in devising a happy ending. The saddest thing about the film is that even though rest homes are not, I hope, as bad as portrayed, we often do not treat our elderly as well as we could, and in real life there is no happy ending.However, the movie does not pretend to be anything but a light-hearted comedy. It was always amusing and at times extremely funny. Who would have thought that seeing one of the characters placing a newspaper over his fac e could have been so funny, and there was a delicious irony in the situation he had found himself in. Many of the people in the audience I shared the theatre with were on the mature side of life (alright, old) and they found the movie highly amusing, perhaps because it had a particular resonance for them. They also laughed at several jokes that went right over my head. Never mind, my time will come soon enough.
