Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Curt Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Tanmay Toraskar I recently watched this movie at the Mumbai Film Festival, this is a wonderful documentary on French director Leos Carax and the films he's made since the past 30 years. Beginning from how the director started with 'Boy Meets Girl' to his current cinematic poetry 'Holy Motors' its an insightful and filling look at a director who earned a small following after making 'Mauvais Sang (Bad Blood)'. The interviewees also range quite well from critics like Richard Brody and Kent Jones to filmmakers Harmony Korine, Kiyoshi Kurosawa to his collaborators Denis Lavant, Caroline Champetier, Mireille Perrier, giving us material from how Carax worked on set, his inventive and imaginative artistry, and his inspiration to a new generation of filmmakers and movie lovers. So many of them praising him to be a romantic poet of cinema.If you do find this documentary playing on a TV channel or anywhere in your theaters, (and of course if you're a fan and love Carax's films) go watch it, a lovely trip into the mind of a contemporary underrated director.