Moscow Does Not Believe in Tears

1980 "The Funniest, Tenderest Love Story of the Year."
8| 2h22m| PG| en| More Info
Released: 11 November 1980 Released
Producted By: Mosfilm
Country: Soviet Union
Budget: 0
Revenue: 0
Official Website:
Synopsis

This is a life story of three girlfriends from youth to autumn ages. Their dreams and wishes, love, disillusions...

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Reviews

Micitype Pretty Good
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
Roedy Green You might say this is a Russian version of American Graffiti. It starts following the lives of a large group of Russian teens in 1958. However, it follows them through the next 20 years as well. The movie gets more and more interesting as the characters evolve to become more serious. The gradual ageing of the players is quite well done, and pangs of nostalgia for how short life is. Nothing too dramatic happens, marriages, divorces, unplanned pregnancies, meddling mothers. It is all in Russian with subtitles. The characters, though often silly, love each other a lot, and stand by each other. Everyone just revels in the joy of hanging out with friends. It makes you wish you were Russian.
wvisser-leusden Vladimir Menshov's well-balanced 'Moscow does not believe in tears' provides a moving story about human warmth. About fortunes and misfortunes that can befell anyone of us -- enabling us to identify easily.This film also is about a very East European female eagerness to hunt after Mr. Right. Pressure is on, for in Communist society failure usually meant a lifelong condemnation to a poor, worried, boring and tiring life in some drab Russian provincial town. With a big possibility that your husband would booze himself up too much.No doubt this film's acting makes its strongest feature. Its uninterrupted, breathtaking quality convincingly carries you back some fifty years in time. To Moscow, the capital of the USSR. Although this Communist society has been gone for a long time, 'Moscow does not believe in tears' will easily get you back there.
bulya2 I've seen this movie many many times. But many times I've noticed some details in the plot which made me estimating again what is really happening there, and what were the writer's main idea in such a plot. The acting is also brilliant, and after seeing this movie several times, each another time makes me thinking again about my and our life, and also about the type of the gender relationships which concerns lies.The story begins in the late 50's, and the first part concerns the lives of the characters at their early 20's. Then, the film jumps about 20 years forward, and the second part concerns the lives of the characters at their late 30's (or early 40's). The first time you see this movie, most of the interest is how did the lives changed over the 20 years, and what kind of an end the movie has. But it turns out that almost every scene and cite play an important role there, and after seeing it a few times I noticed that the movie is not just about the tales of the three girls and how does lives change.For example, each of the parts is built by a pattern where the first half tells about the lives of the three girls, and the second half tells about Katya's (main character's) relationship with a boyfriend. In each of the parts the relationship isn't built in a pure way, since Katya must hide some facts about her (and even lie) to make sure everything will go on (I think this is the reason for making Gosha a macho man, and seeing it again you may find out what makes him behave like that). But in the two parts there are different kind of lies and relationships, and I think that makes the writer to put different endings at the parts. Although the first part has a sad end (what also reflects Katya's life further), in the second part the relationship doesn't break after Katya's boyfriend finds the truth about her.Besides this example, there are many other topics about life which this film concerns. Seeing it enough times makes you sure that Gosha isn't as awful as he seems to be at the first time you see the movie (his past is barley mentioned, but when you find it out, it clears the scene where he meets Nikolay, and what will be afterwards), and therefore the ending may be concerned "good".Again, this film may be watched again and again, in a very entertaining way, and each time telling you more about the plot. I think that such a film is a masterpiece.
Vivaelhotelplaza2005 Films from a Communist nation can be Propaganda, but this is a Fairy Tale and Novella in the idea of so many Mexican Telenovellas that have been shown in Russia. This Film deserved its Oscar, and Vera Alentova as Katya is wonderful, let alone her being a beautiful Lady. The story begins in Moskva "Moscow" in 1958, and Katya is a student who failed her Finals, and her roommates are Lyudmila and Antonia. This story talks about the decisions that they made at a young life and how they haunted them, as Katya came out Pregnant and Lyudmila married a future Drunk who still cling ed on to her even after they divorced. Antonia married and had children, when Katya raised her daughter Alexandra alone, but longed a relationship. She finds it in a man named Gosha, and falls madly in love with him, but they get into a Fight and for a matter of days Katya is desperate to find him. Antonia's husband finds Gosha, and become the finest of friends, with it ending happily for Katya as her Knight in Shining Armor stays with her forever. The songs are wonderful and the actresses of Irina Muravyova { who played Lyudmila} and Raisa Rayazanova{ who played Antonia} were amazing. The Film has many scenes of Moskva in many parts of the residential parts of the city, as well as the countryside. When I think of this Film and as wild as this is, I think of various Bryan Adams songs, for his idea of Songwrighting is romantic and Blues saturated. Russia is a land of Blues through and through, for especially today, Moskva can be as mean as Chicago, and Saint Petersburg is the same, despite their beauty, for Chicago is also beautiful, but cruel; and the trials and tribulations of the three Girls in the story, are a perfect setting for Adams' Songs.