Wordiezett So much average

Platicsco Good story, Not enough for a whole film

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

thinker1691 There are many films which the great actor Clint Walker made and a few became the foundation for the rest. In this film, which is one of his best, called " More Dead than Alive " is directed by Robert Spar and written by George Schench. It relates the unusual story of a multiple murderer, called Cain, (Clint Walker) who has paid the standard price for murdering several men, by serving nearly twenty years in prison. Now that he's out, he finds a job with Dan Ruffalo's (Vincent Price) wild west show. Earning honest money, Clain decides to capitalize on his infamous legacy while at the same time trying to go straight. Unfortunately, Cain's past is slowly creeping in on his peaceful life-style and it only a matter of time before it catches up to him. At the same time, Clain tries to teach Billy Valence an envious and arrogant reputation-seeking gun-slinger (Paul Hampton) not to make the same mistakes he made. The story is a moral one which has influence many a writer and director in the following movie years. For Walker, the least we can add is that this film has become a Classic. ****

moonspinner55 Clint Walker, still trying to find his niche as an actor post-"Cheyenne", plays a reformed gunslinger in 1891 Arizona who is set free after 18 years in jail; unable to find work because of his reputation, he takes a job with a low-rent traveling western show. This is the old plot about the once-legendary, now-rehabilitated killer who is constantly put in harm's way by folks hoping to boost their profiles by challenging him. As a young hotshot with a bitchy-sinister stare, Paul Hampton gives one of the most excruciating performances I've ever seen. His overacting is made all the more noticeable by Walker's solemn, funereal under-playing (as if he were going to the gallows any minute). If you do watch, see if you can figure out why the early jail-break sequence takes place AFTER a group of prisoners have already been hanged. The title, presumably a twist on the old "Wanted-Dead or Alive" ploy, is mildly condescending in this context--although it serves to describe the film's handling accurately. * from ****

The_Void More Dead Than Alive might not do much for a lot of western fans, and the reason for that is that it's so different from the rest of the genre. The western hero is meant to be big, strong, uncaring and a real sharp shooter; and in this film, that is everything that our central character used to be, and now he's going straight. For that reason, it might be more advisable to go into this film expecting more of a drama than a western as that's essentially what it is; a drama set in the once-wild west. Our central character is a man named Cain, who earned the nickname 'Killer Cain' thanks to the twelve notches on his revolver. After eighteen years behind bars, the killer is released but while he's no longer on the run from the law; he faces a different challenge as the West that put him behind bars is not the West that he's being released back into, and he quickly discovers that getting a job with his reputation is not the easiest thing to do. The only man who wants to employ him is circus ringmaster Ruffalo; but Cain lacks practise and the young assistant Billy is a better shot.Aside from provide a different sort of western, the film also tries to do a few other things and unfortunately there just isn't time for it all. There's a romance angle which stems off the main plot and that doesn't get nearly enough time spent on it, while the action sequences we do get feel more like an afterthought. My main reason for seeing this film is undoubtedly the presence of the great Vincent Price, who gives a memorable performance in a supporting role. Clint Walker takes the lead role and while it's not a standout performance and he looks a little young and clean to have been behind bars for eighteen years; he does make for a likable lead. Paul Hampton is a real standout, however, as the cocky young villain of the piece. The film provides good entertainment for the duration and it's not exactly taxing stuff, which ensures that the film is always enjoyable enough. The ending was a bit of a disappointment to me as certain characters were killed by the wrong people; but all in all, this is a memorable film and is recommended if you want a decent hour and a half of entertainment.

Tony Rome This is a most peculiar western film. Clint Walker plays the role of Cain, a man released from prison after a 20 year sentence. The passing of time is touched on when Cain sees many new inventions such as a bicycle. His reputation seems to follow him everywhere he goes, and he can't hold a job very long. His only choice is to exploit his past evil life, and join a wild western shooting show run by a showman named Ruffalo, played by Vincent Price. I would recommend this film to any film fan that enjoys strange or Avant Garde Films. Price seems to believe that he is in one of his American International (AIP) horror roles like House of Usher or Pit and The Pendelum. The acting plays as if each actor believes they are in a different film. The movie was released by United Artists in 1968. It is not available on VHS or DVD, but it does show up on TV from time to time on Encore Westerns. I believe that MGM owns the United Artist catalog. They should restore this film and release it as part of their Avant Garde cinema series. I give the film ***1/2 out ****.