Mole Men Against the Son of Hercules

1961
4.7| 1h34m| en| More Info
Released: 10 October 1961 Released
Producted By: Leone Film
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Synopsis

Maciste arranges for himself and his new friend Bangor to be captured by a mysterious band of white-clad marauders and taken to an underground city. There the two are forced to turn an enormous wheel along with other captives as part of a gold-and-diamonds mining operation. The underground city's queen, Halis Mosab, takes note of the handsome, muscular Maciste and chooses him to be her consort if he can meet such challenges as saving the kidnapped Princess Saliura from a gigantic ape. Maciste kills the ape and carries Saliura back to the aboveground world. The white-clad marauders can't follow them if it means being caught in the sunlight which instantly dissolves them. Maciste then returns to the underground city to save the other captives. Meanwhile, high priest Kahab informs his son, Katar, that their queen is not one of them but, unbeknownst to her, was kidnapped as a small child from the "world above." If Katar can marry her...

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Reviews

Steineded How sad is this?
Pluskylang Great Film overall
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Rainey Dawn Maciste, Son of Hercules is at it again. This time he is fighting his lamest foes yet - The Mole Men. The Mole Men must live underground and not to be caught above ground because if they go out the sunlight will kill them. They are pale with white long (wigs) hair, look like humans.Someone somewhere must have been making a killing off these films... money that is. Italy pumped out several of these in just a few years time, 7 years (1958 to 1965) before the spaghetti westerns took over. Apparently the it didn't matter the story or foes or how well it was filmed, the audiences must have just wanted to look at muscle men on screen doing whatever at that time.Awful movie, one of the worst peplum of the time era.1/10
bkoganbing One of my favorite low budget science fiction films is The Mole People with John Agar and Hugh Beaumont. This team of modern scientists discover an underground albino like people. That film must have inspired this uninspiring peplum epic, Mole Men Against The Son Of Hercules who in some countries is Maciste. Personally I think Hercules should have objected to the billing.One thing Mark Forest might have objected to, Hercules has a friend in Paul Wynter who's actually better built than him. I can't believe the producers let that one go.On his journeys Hercules comes upon a pretty barren countryside where a group of mysterious people make night raids, though mostly in the twilight of dawn, the better for cameras of surrounding villages, killing a few, but dragging the rest off as slaves. They can only operate above ground at night because they dry up and blow away just like The Mole People in the fire of Ishtar in that film.The albinos doing this are ruled by a Queen who doesn't quite have the pasty complexion they do. Of course there's an obvious reason for it, but no one in this film figures out until the very end.I will say this Paul Wynter is quite the total package, he's the best reason for watching Mole Men Against The Son Of Hercules.
Woodyanders The brave and mighty Maciste (brawny hunk Mark Forest) ventures underground into the kingdom of the Mole Men who capture humans and use them as slaves. The evil, yet beautiful Queen Alismoyab (gorgeously voluptuous brunette Moira Orfei) falls hard for Maciste. Naturally, Maciste rebuffs the Queen's advances and instead tries to free the slaves with the help of loyal companion Bangor (the equally muscular Paul Wynter). Boy, does this often uproariously terrible clunker possess all the right wrong stuff to rate highly as a real four-star stinkeroonie: we've got ham-fisted (mis)direction by Antonio Leonviola, erratic stop'n'go pacing, the mole men are played by a bunch of guys sporting pasty make-up and tacky white wigs, an utterly ridiculous Western-style theme song ballad, laughably cruddy dubbing, hopelessly stiff acting (special kudos here to Raffaella Carra as fair maiden Princess Saliura and Enrico Glori as wicked henchman Kahab), a bombastic score by Armando Trovajoli, clumsily staged action scenes, a cornball stentorian narrator, murky cinematography by Alvaro Mancori, and, of course, the inevitable last reel slave revolt. The picture earns bonus points for its inspired oddball touches: Maciste mixes it up with both a savage gorilla (some dude in an obvious ratty ape suit) and a bunch of ferocious lions, one unfortunate mole fellow disintegrates after being exposed to the sun's lethal rays, a godawful huge and deadly wheel contraption that the slaves are forced to push under threat of death, and Maciste being forced to hold up enormous slabs of stone that could crush his friends if he drops them. Moreover, Forest and Wynter make for a genuinely engaging beefcake duo. Entertainingly cheesy rubbish.
b_moviebuff Once again our Italian friends come up with sheer nonsense!,people from underground who are obviously painted white with wigs that seem to have been rescued from a blaxploitation film, the usual bad photography is evident as in most sword and sandal epics, our hero the very handsome and athletic Mark Forest battles gamely against all the odds while no doubt having one eye on his bank account to provide him with an opera singing school, something he still does to this day,if anything he was one of the best muscle men but never really got any decent films to work on in the genre although most were made almost back to back in a production line way you would think at least one or two might have had attention holding qualities.