Wordiezett So much average

Numerootno A story that's too fascinating to pass by...

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

charmadu The only reason to watch Mistral's Daughter is Timothy Dalton who appears in Episodes 2 and 3. He's the reason I'm giving 10 stars. If I could just buy episodes 2 and 3, I would. This man is like a woman's dream come true - he comes across as so sincere, so sexy, so kind, so accepting and so devoid of ego - what woman interested in men, would NOT want to be loved by a man like this? Name another actor with that level of drop dead gorgeous looks, that sumptuous voice, that dazzling charm, acting talent for days and so generous to his fellow actors! I confess envy that Stephanie Powers got to do these scenes with him and honestly, don't know how she didn't keep from jumping his bones for real. When I die, I want to see Timothy Dalton in heaven - please God!!!!

chaoscoyote As a kid I adored Stephanie Powers in Hart To Hart and would watch her in anything..even my childhood favourite; The Bionic Woman (sady, she was in the bigfoot episodes, the equivalent of 'jumping the shark' but I still liked her!) and recently I had a chance to see Mistral's Daughter again. It actually held up well to my now fairly sophisticated movie taste. I don't like to find flaws anyway, so I will leave that to those who enjoy that sort of thing. The cast was a wonderful assortment of talent. Stephanie was so beautiful and played the age range very well. I also found the actress who played Fauve, Philippine Leroy-Beaulieu to be uniquely beautiful as well. Timothy Dalton was appealingly young and handsome though rather slight as compared to my memory of him. Stacy Keach was suitably sexy and intense, a good actor, though hard to feel much attraction to such a selfish character and the hare-lip turned me off. I loved some of the paintings used in the film though! A lot of fun especially for any seasoned TV watcher as you will see a lot of familiar and young faces, Joanna Lumley is a treat, as always. As usual some of the best acting was done by the secondary roles, in this case feature film calibre roles played by; Pierre Malet as Avigdor, who was very good, sometimes heart-wrenchingly so, Stéphane Audran as the selfless Paula and the incredible Lee Remick as the cool master manipulator with a self-destructive passion for Mistral. Sure one can find faults, but why bother? Enjoy yourself!

lindakappa A cozy up to the fire kind of flick for a rainy day blubber-fest. The "mistral" a wild, hot wind that blows for weeks in parts of Greece and Italy, this epic tale blows likewise, with the fiery passion of a true "romantic". Yes, Stephanie Powers is probably the only woman who could have pulled off the age span, and she does it very well.But once Timothy Dalton took over the screen all else paled. Talk about wild and hot, this man could make any woman burn! When Dalton leaves the stage the movie begins to go downhill for those of us who love to look at that gorgeous face! If Judith Krantz knew T.D. would have been playing him, I would like to think she would have kept him around longer. But alas, the plot did not, so to speak. My enthusiasm began to wane even though the heroine's life didn't.Mistral himself comes off as what he is, an egocentric, artistic cad, well done by Stacey Keach. You do begin to despise the man. Loved the story, and the scenery was breath-taking enough to make me want to hop a plane for France, just to travel the countryside and see what Krantz saw when she wrote it.The artworks depicted in the film were striking, and one could almost believe to find them in some gallery in New York or Chicago. All in all, a chick-flick, but one worth re-visiting on a lonely day.

emuir-1 When a hurricane is bearing down, and you can no longer stand the hysteria on the local news channel, but have not the mood for anything requiring mental effort, get a copy of Mistral's daughter and wallow in mindless eye candy - the best of mini-series trash. It is a wonderful antidote to serious issues: a fun wallow in the kind of romantic fiction loved by 14-year-old girls.The story concerns a young French orphan, Maggie, who has run off to Paris to seek her fortune, and who manages to land on her feet from day one, as one wealthy patron after another falls madly in love with her. 18 year old Maggie is played by 40 something Stephanie Powers, under a thick layer of makeup and long luxurious wigs. She shows up in Montparnasse where people with no job skills hire themselves out as artists models. This is the Paris of the 1920's, and Maggie has landed right smack in the centre of where it is all happening.Maggie is immediately discovered by an arrogant, selfish artist, Julian Mistral, who would fall in love with her if he did not love himself more. The world according to Mistral is that other people are placed on earth in order to serve his needs. They move in together, and she supports him until he sells a painting that he had given her. She moves out and is immediately snapped up by a wealthy Irish American, Timothy Dalton, who comes from a prominent Irish Catholic family of the type who always have a Cardinal in tow. He falls madly in love with her and sets her up in grand style. Of course, his wife will not give him a divorce when Maggie becomes pregnant. He goes back to New York and she follows, arriving just as the stock market crashes and he drops dead on the squash court. Not one to waste a moment, Maggie hikes off to a diamond broker to sell her jewels. Despite the crash, the smitten jeweller gets her top dollar for the rocks, enough to set her up in business for herself later. The jeweller recommends her to a fashion house to find work as a model, which she does immediately and makes her entry into society.WWII comes to France; Mistral locks his gates and ignores the plight of everyone around as he wishes to work undisturbed. He collaborates with a German officer in order to get painting supplies and work in peace, and in return turns in a few good men to the Nazis.By the 50's Maggie is running her own modelling agency and her teenage daughter wants in. On assignment in France she meets up with Mistral and it is love at first sight. She moves in with him, his American wife gets the cold shoulder and she gives birth to a daughter, then dies in an accident.We leap ahead and Mistral is establishing a relationship with his daughter, at the expense of his own wife and child. His legitimate daughter has married a snobbish French playboy with an aversion to work. The illegitimate girl then meets up with a young man who is the son of a Jewish art dealer and long time friend whom Mistral had turned his back on during the war. Wife dies, Mistral dies, there is a squabble over the will, the French playboy finds a Princess with better prospects, and young love triumphs.The hilarious part of this mini series is trying to guess who characters are based on in real life. The Irish American catholic family with the Cardinal always on hand; the French playboy who dumps his wife for a Princess; the artist? All this is wrapped up in a gorgeous package, wonderful scenery, lots of costume changes, but unfortunately, an awful cheesy piano and strings "romantic theme" being hammered out and washing over the sound track lest there be any quiet moments. The phony French would not have been so bad if they had not had real French actors whose English sounded like vocal paint-by-numbers. Perhaps they were reading it off phonetic cue cards! whatever, it sounds like the British comedy 'Allo, 'Allo.