Mistaken for Strangers

2014
7.3| 1h15m| NR| en| More Info
Released: 28 March 2014 Released
Producted By: Final Frame
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Mistaken for Strangers follows The National on its biggest tour to date. Newbie roadie Tom (lead singer Matt Berninger’s younger brother) is a heavy metal and horror movie enthusiast, and can't help but put his own spin on the experience. Inevitably, Tom’s moonlighting as an irreverent documentarian creates some drama for the band on the road. The film is a hilarious and touching look at two very different brothers, and an entertaining story of artistic aspiration.

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Reviews

Evengyny Thanks for the memories!
UnowPriceless hyped garbage
Listonixio Fresh and Exciting
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
mountainloafers Now that we know Tom's brother and sister in-law found a dreary, funny, at times embarrassing (until now) cameras view into his wasted, drunken aimless lifestyle while attempting not to have an all out mental break down filming his older brother, Matt and his band, display oodles more uuuum, conviction as the WORK and churn out one fan filled show after the other on a world tour. Luckily for him, Matt and his wife took time and explained to him that this actually enough footage to cover a house full of post it notes about. Only it wasn't the goal to film a documentary about on long held, maybe secret and never spoken jealousy Tom had over Matt for getting his ass out there and seizing life by the nads and putting together, with his band, The National, possibly the most brilliantly underestimated body of work in the history of modern music. Yes, fan boy here, and yes they really are that good, So, now that we know Tom can get off his ass and make a very heartfelt docudramedy about his improving life, can we now get a Documentary that's about The National? Geees, Tom, it's not all about you, ya know? On a side note. It was a great Brothers on a road trip movie. It was good to see you guys made it through and still love each other. Now, study up on "How to Give an Interview for Dummies", Drag out the, I'm sure pretty great concert footage, hop in the editing room and give us the real deal. Some of us are fans of the band too, ya know...For the rest of you that have not been following along, Id say, start by watching Tom's doc, then listen to The Nationals album in reverse, starting with "Trouble Will Find Me" and when you've finished, check out Vincent Knights - The National: A skin, A night, A film. It's another solid 8 out of 10.
I_actually_am_sam Wow, this was not what I expected. I haven't laughed this hard at a documentary since Michael Moore stopped doing them. Briefly, it's loosely based on Matt Berninger's brother Tom's attempts to make a movie about the band.I have to admit, I had to suppress my inner cynic at many points (who's doing all the filming of Tom? Who's idea was it to come on tour really? Is he really that thick??) but whoever came up with the idea of having Tom do this obviously had some idea what the results would be. I mean one meeting with Tom would have indicated that he would not be capable in pulling together some kind of coherent documentary. As they say, it takes a very smart person to act dumb. But then again some people are just dumb.When Tom is behind the camera he is strangely reminiscent of Jack Black at his bratty best. He's disappointed that being on tour with a rock band is actually quite boring. He doesn't really have much interest in any band members other than his brother and he uses these conversations to try and understand his relationship with his brother a bit better. The most arresting scenes are when Matt loses it with Tom - they feel very real and you know you are watching that fraternal relationship that has a lot of history.I love the National but, to be honest, that's of little consequence. Love them or hate them, you will laugh at this (very short) film.
TerryOPants Music docs have a checkered history. Dig! might be the best of the recent bunch, but nobody came out of that looking good, lest of all the people it was intended promote. Spinal Tap and A Mighty Wind were at once far too farcical and far too realistic, and really the whole "rockumentary" genre wasn't left with much wiggle room.This isn't a rockumentary. It certainly doesn't provide much of an insight into the National, although there are the odd interview with the lesser members who look, more often than not, drunk or confused or bored. No, this is about the Berninger boys. It's a study of how an overweight college dropout copes in the presence of his universally adored, alpha-male brother. It's very hard not to come out on Tom's side. Matt is aloof, pretentious and very egotistical (although at times he shows immense sensitivity to his brother's latent depression). Tom wants what Matt has. And this film is his personal journey into that. There's a deeply psychoanalytical element to this, which, intended or no, places it above say, Standing in the Shadows of Motown or Dig, which are straight up music profiles.Two scenes stand out for me. One, a drunken conversation between Tom and Matt's wife, both of whom are drunk. She knows that in most battles the alpha male wins. Look who she picked. The second, when Tom screws up and leaves Werner Herzog locked outside an LA gig.This film is terribly made; the director himself admits this. But in the end, for some reason, he's produced a profoundly moving portrayal of two brothers, and a world in which alpha males win. Fans of the National will be relieved to know that their favourites come across as nothing worse than somewhat humourless - a far cry from The Brian Jonestown Massacre. But fans of the National will appreciate the depressive undertones which are beautifully and subtly brought to the foreground.
truedis Saw this at the premiere/National concert at the Shrine in LA on Tuesday 3/25/2014. This is the story of Matt Berninger, lead singer of the National's younger brother (by 9 years) Tom attempting (and succeeding) to make a documentary of the band on tour. It mostly plays out as a story of brotherly love & jealousy, but always with a good-natured and humorous bent. Tom is a goofy kid-stuck-in-a-man's-body who has a history of quitting things before he's finished them, and Matt seems determined to see him finish this project, even if it means risking the public perception of his band. The audience was in uproarious laughter throughout the whole thing, and everyone seemed surprised at what a genuine portrait it was of not only the band, but of how a regular family's dynamics change when one member is throw into the spotlight. Highly recommended.

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