BootDigest
Such a frustrating disappointment
Pacionsbo
Absolutely Fantastic
Loui Blair
It's a feast for the eyes. But what really makes this dramedy work is the acting.
melvelvit-1
As soon as I saw the thank-you's to Marineland & Mexico in the opening credits, I had a feeling I'd be in for some road show Jacques Cousteau sure to bore the pants off me and I was right. Filmed by a noted underwater photographer, it's certainly nice-looking but still, it's an hour-and-a-half of watching lead mermaid (the aptly named Diane Webber, a former Playboy Playmate) swim around and around -and around- as a marine biologist and a slimy villain search for giant pearls off the coast of Tiburon, an uninhabited Mexican island. On the plus side, it was in color, the three mermaids weren't cheesy, and the bad guy was played by the great Tim Carey but even he couldn't keep me from occasionally nodding off. This was the original version -actually a "DVD extra"- since the film was butchered and re-released with topless mermaids inserted and the waterlogged plot changed ...to what, I don't know because I have no intention of sitting through it again.
Woodyanders
Young marine biologist Dr. Samuel Jamison (a likable performance by director George Rowe in his only acting gig) discovers a bunch of lovely and enticing lady mermaids while searching for buried treasure located deep in the ocean nearby an isolated Mexican island. Writer/director John Lamb gives this simple tale a certain sweet and strangely innocent charm. Moreover, Lamb also maintains a steady pace throughout and brings a sense of genuine awe to the fantastic subject matter. The actresses who portray the titular topless sea sirens are quite attractive and well-endowed; Diane Webber and Gaby Martone in particular are totally ravishing. Popping up in cool supporting roles are the singular Timothy Carey as nasty no-count criminal creep Milo Sangster, Jose Gonzales-Gonzales as excitable Mexican fisherman Pepe Gallardo, and John Mylong as weird old gent Ernst Steinhauer. Lamb's beautiful bright color cinematography offers a wondrous wealth of stunning visuals (the underwater photography is often very striking). Richard La Selle's lush, stirring orchestral likewise hits the melodic spot. An enjoyable little flick.
collegemermaid
The visuals were beautiful. Having different mermaids other than the mermaid queen, made the movie exciting. They were au naturel too, not that I'm trying to be nasty, but that's how one would imagine mermaids to be in their natural habitats. Not wearing silly flower or clam shells. It is really the only real mermaid movie I've seen besides Splash. That movie was very disappointing because there were only couple seconds where she was really a mermaid. I don't know why they call it Aqua Sex, because it says "Mermaids of Tiburon" in the beginning, I have a color version but I cannot enjoy the movie because it has big white letters in the middle of the screen that it is not for public distribution.
mermatt
This is one of those films that gets passed off as a silly fantasy or sci-fi flick. It isn't either of those things. It is a bittersweet story of man's desire for something beyond the ordinary.Like the film on which the mermaid costumes in this film are modeled (namely, MR. PEABODY & THE MERMAID), the story is about a man who meets a mermaid (in fact, a whole pod of mermaids) and thus learns that there is something in life that is invisible but valuable beyond sunken treasure. He learns that there really is a touch of magic and beauty in the world which science and technology have too often harmed.If you see this one, make sure you see the original and not the silly sexed up version which is called AQUA SEX and totally loses the point.
