Karry Best movie of this year hands down!

Raetsonwe Redundant and unnecessary.

Freaktana A Major Disappointment

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

OJT Mercy (Gnade in German, Nåde in Norwegian) is a German/Norwegian co-production about a German family of three living and working in one of the Northern-most cities in the world, Hammerfest. Dad is working in a large gas facility, mom as a nurse. We start following them during the harsh winter time, and they have serious trouble with their Marriage. He is struggling with the dark days during mid winter, and is having an affair, and she works more overtime than she wants to, when suddenly an accident occurs.Sometimes a film's scenery and location is the main component of a film, and so it is in this. The beautiful, but dark and cold scenery plays a role in making afterthought, and makes the film as a whole go up in a greater unity. The film is like a woven quilt dealing with remorse, anger, love and relations but above all reactions to difficult situations, forgiveness and reconciliation - and of course mercy.The film is strong, filmed in beautiful scenery, during the polar nights, when day lights are missing. The light is really something special, and it's used for all what it's worth. Which is quite a big deal. I think the film will be loved by many due to this. Class acting all the way.The film is very atmospheric, suitably slow paced, long, and has a nerve which lies beneath, making this an exciting film, which gives an experience on several levels. The relations, the secret, dignity, the harsh but beautiful nature, and it's also very artistic and a pleasant watch. The film ends in a very special way, adding to the film's strength.I enjoyed the film very much. I tend to like films where the the winter is playing a big part of the story, like in this. If you liked this, you'll also like "Vinterkyss" ("Kissed by winter"), which is thematically very like this one, and equally good. Other great winter films I will recommend is Transsiberian, Nord, Nordwand, The Big White and Fargo.

kosmasp Life is full of decisions we regret. So while the inciting incident in this case seems a bit stretched (considering who was involved and what the person did after it, held up against the job said character has and what that person is generally doing), it is only human. As is error of course and therefor this should be something you should be able to understand.The movie does not take the usual path in some cases (relationship between Vogels character and his wife and others who are interacting with those two) and you may feel a little but cheated in some situations. Overall the drama is not amplified or enhanced whatever the cost may be. You'll either find that a good strategy or weak. The location is a very big part of it all and it plays into the living and everything else in the movie. A drama that is more subtle that you might think, with great performances

Sindre Kaspersen German screenwriter, producer and director Matthias Glasner's seventh feature film which he co-produced and which was written by Danish screenwriter Kim Fupz Aakeson, premiered In competition at the 62nd Berlin International Film Festival in 2012, was shot on location in Hammerfest, Norway and is a Germany-Norway co-production which was produced by German producer Andreas Born and Norwegian producer Kristine Knudsen. It tells the story about a married couple named Niels and Maria who has emigrated with their son named Markus from Kiel, Germany to Hammerfest, Norway where they have bought a farm by the coast and Niels has gotten a job at a gas plant, Maria as a nurse at a hospital and Markus has begun at a new school. Whilst they are all in the process of learning the Norwegian language, Niels and Maria works on their marriage and Markus befriends a boy in his class, but one night when Maria is on her way home from the hospital she hits someone with her car.Distinctly and subtly directed by European filmmaker Matthias Glasner who made a lasting impression with his fifth feature film "The Free Will" (2006) six years ago, this quietly paced fictional tale which is narrated from multiple viewpoints, draws a tangible and engaging portrayal of a German man who has become friendly with a colleague named Linda, his spouse who sings in the local choir and listens attentively to her pregnant boss named Wenche and how their relationship suddenly bursts to life after they decide to keep a severe secret to themselves. While notable for its naturalistic and atmospheric milieu depictions, sterling cinematography by Polish-German cinematographer Jacub Bejnarowich, production design by production designer Claus-Rudolf Amler and use of light, this character-driven and narrative-driven story where the prominent Arctic surroundings is a character in itself which effects the main characters and where the heart of the story revolves around a 16-year-old girl named Mette, depicts several incisive studies of character and contains a great score by Homesweethome.This conversational, modestly romantic, at times humorous, psychological and internal character piece which is set during a winter in a somewhat isolated community inhabited by considerate people in Northern Norway where a son gets himself into a similar situation as his parents at school and his mother has a consequential encounter with the Northern Light, is impelled and reinforced by its cogent narrative structure, substantial character development, subtle continuity, use of music, moral meaningfulness, mysterious undertones, graceful and humane aura and the reverent and involving acting performances by German actor Jürgen Vogel, German actress Birgit Minichmayr, Norwegian actress Ane Dahl Torp, Norwegian actress and singer Iren Reppen and Norwegian actor Stig Henrik Hoff. An acutely reflective, sociological and virtuous drama and a long sought after and appreciated representation of Northern Norway which is not too often depicted in contemporary cinema.

tbk83 European (or at least German) cinema isn't exactly known for its genre blockbusters. Most of it are silly comedies or dead-serious dramas, often historical. These usually come across (to me) as pretentious and unauthentic, screaming to be taken seriously while mostly failing at visual storytelling.This movie seemed to fit right into that category. Surprisingly, it doesn't. While there were some moments in the movie where I thought it was a bit constructed, it felt very honest overall. It takes itself serious, but also its audience and medium. It is real cinema, gripping and atmospheric, but also not over-styled. Desipite it's substance matter it's not a talking-heads movie, but knows when to let the visuals and music talk for themselves.If you have seen the trailer, you probably already know a bit too much. On the other hand, the movie really isn't about any plot-twists or spectacular effects, and it thankfully avoids those and other clichés completely. It should be noted that it is rather slow-paced, and some plot-points are left open, but that's very likely all deliberate and very fitting. The only real complaint I have is the jarring Apple product placement. That was so out of place I wanted to throw up.One more thing: Note that the title is "Mercy". Some critics talk about forgiveness in relation to the story, but without spoiling anything, that is precisely NOT what it is about.