Listonixio Fresh and Exciting

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

alexanderdavies-99382 "Manpower" isn't exactly the kind of film that requires much brain power. It is a case of what you see is what you get. That isn't to say that the film isn't good or entertaining, it is. It is a more undemanding kind of film. It is unfortunate that the two leads didn't work together again at "Warner Bros." Much has been made of the slight tension on the set between Edward G. Robinson and George Raft. It is true that both people had a different style to the way they worked and that was the source of the tension. It is not true that they both engaged in a fist fight. What happened, was that Robinson and Raft exchanged a few words and Raft slightly elbowed his co-star in the ribs. Supporting players Alan Hale and Ward Bond quickly kept them apart and Robinson left the set for a while. The story is about two engineers whose friendship is compromised by the arrival of a woman (Marlene Dietrich). That is all the there is but it's enough. Alan Hale comes out with his usual silly one-liners, as does Frank McHugh. They provide some comic relief which doesn't intrude upon the film. George Raft enjoys a couple of punch ups and they are good enough.

Michael_Elliott Manpower (1941) *** (out of 4) Power company workers Hank (Edward G. Robinson) and Johnny (George Raft) end up falling in love with the same woman (Marlene Dietrich) who not only tears their friendship apart but also threatens a lot more. This Warner B-picture shares a lot in common with TIGER SHARK as well as its remake SLIM so those familiar with either of those films won't find anything too original here but to be honest even if you're not familiar with either of them, you'll probably still find this not too original. With that said, the cast is so good that you really can't blame the film for its short comings and instead you will get caught up in the drama and find yourself having a pretty good time. As with many Walsh pictures, this one here takes the simple story and the director pumps it up with all sorts of loud action including various storms with the men trying to work on power lines and of course one thing after another goes wrong. We also get countless scenes with Robinson and Raft in bars, drinking, smoking and just acting tough like not too many can. Fans of the two stars will certainly want to check this film out even though neither men give one of their greatest performances. Robinson manages to come off very tough but also can handle the softer moments with Dietrich as she begins to rip his heart up. Raft has always been fun even when playing the sidekick and that's true here. Apparently he and Robinson had a few angry moments with each other while filming this and you can tell in a few scenes. Dietrich is pretty good but the screenplay really doesn't do her any favors. Both Robinson and Raft at least had well written characters but the same can't be said for Dietrich. Alan Hale and Frank McHugh add nice support. The screenplay follows all the clichés you'd expect it to and this of course leads up to a very silly ending that really doesn't work too well. With that said, as silly as the film is it's still fun for the cast.

blanche-2 "Manpower" is a 1941 Warner Brothers film directed by Raoul Walsh. Walsh said that Jack Warner used to call him to his office and say, "You have to direct this film for me." Walsh would ask, "Who's in it?" "Oh, I don't know," Warner would moan. One wonders if "Manpower" was one of those films, though it would be pretty hard to forget that you had a film with Marlene Dietrich scheduled.The story is that of a typical love triangle. Hank (Robinson) and Johnny (Raft) are linemen; Hank falls hard for Dietrich, who works at a clip joint. He proposes and though she tells him up front that she doesn't love him, she accepts. Then she finds herself in love with Johnny.Dietrich is stunningly beautiful though I was distracted by a wig that seemed to overpower her face. And when was the last time you heard her described, as Raft does, as "just a dame?" Hardly. She is very good as Fay, who, while she gives it a go with Hank, wants her chance at real happiness. Robinson, who could play pathetic like nobody's business, gives us a pretty pathetic Hank here - injured so that instead of working on the power lines, he's now a manager, unlucky in love and dumpy looking. For a guy who could play mean as dirt, he portrayed these blustery, insecure men very well. Raft is a very dapper Johnny, a nice contrast to Robinson.With the exception of an exciting ending, there really isn't anything exceptional about "Manpower" except the cast and the fact that it rains a lot. Definitely worth seeing for the unique casting.

Brian Washington This is film pretty much has soap opera written all over it. The love triangle between Robinson, Raft and Dietrich has been in every soap from "Guiding Light" to "General Hospital". Robinson really has a good turn as the soft hearted and naive Hank and Raft is great as the sensible Johnny, who tries to show Hank that his marriage to Kay isn't all that it is cracked up to be. Dietrich also puts in a fine performance as Kay. Frank McHugh is his usual wonderful self adding the comic relief to this soap. However, the ending is pretty standard at the end when Johnny and Kay walk off together pretty much to console each other and to start life anew.Also, look for an early performance by Eve Arden. She plays one of the b-girls in the club in the latter scenes of the film.