Mandragora

1997 "He was 15 – an innocent from a small village, soon to be trapped in the erotic underworld of Prague."
6.6| 2h6m| en| More Info
Released: 22 October 1997 Released
Producted By: Hamilton Productions
Country: Czech Republic
Budget: 0
Revenue: 0
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Synopsis

Marek is a 15-year-old from a provincial village who runs away to Prague when he begins to fail at school. He is mugged shortly after arriving in the city and is rescued by Honza with the promise of work. Marek is taken to an apartment, drugged, and becomes a male prostitute. He is a bit smarter than his colleagues and teams up with a friend, David, in order to go after bigger scores – to cash in and get out. They manage to stash away a bit of money, but when it comes time to return home, Marek loses his nerve and is soon back in the city.

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Reviews

SunnyHello Nice effects though.
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Edgar Soberon Torchia After the expectations that Polish filmmaker Wiktor Grodecki created with his documentaries «Not Angels, But Angels» and «Body Without Soul», the melodrama «Mandragora» gave a lackluster conclusion to his trilogy about homosexual prostitution and pornography in Prague. In the story of Marek Nedela (Miroslav Caslavka), the fifteen-year-old boy who arrives in the Czech capital and psychically and physically degrades before turning 16, there are no traces of originality or anything that Grodecki did not show us before, in the two documentaries, with the added value of seeing and hearing the testimonies said by real characters. Here he tells a story by the book, as he follows one by one the steps of Marek's degradation, since the day he arrives at the Prague station and is approached by a pimp (Pavel Skripal), who later sells him to a horny old man. It does not take long before we watch typical scenes: the transvestite cabaret, the rivalry between the little prostitutes, entanglements with the police, beatings, robberies, sessions with a pornographer... This time Grodecki (who wrote the script with the collaboration of David Svec, a teenager who plays Marek's only friend) introduced the figure of a father, Marek's working class father, but his presence provides little more than moments of crying, shouting and beatings.The gimmicky and manipulative aesthetic strategy did not change at all by the third round. For «Mandragora», the director hired the services of German composer Wolfgang Hammerschmid who, at the helm of the Munich symphony orchestra, provided him with music from start to finish. Grodecki did not cast aside, of course, the classics or the little rock and roll numbers here and there. In a strict definition of melodrama, the music almost does not stop in this alarming drama. Like the two documentaries, it has very few moments of silence or exclusive use of the background noise. Like those other two works, "Mandragora" is not without interest, but revels in its own sexist moralism and sensationalism.
leazes69 Great Movie with some great gay interest scenesThis story is about sexual exploitation and drugs with the vicious circle that the two often involve.The DVD cover and description make it quite clear what the film is about, so you are unlikely to watch it thinking it is a family movie or one for a romantic evening with your girlfriend, unless you are both very broadminded. It's sole purpose is not in my opinion to shock people into saying I must go and do whatever I can to help help those poor boys. If that it's sole purpose there would not be scenes of sex and full frontal nudity, there would be careful editing and avoidance of scenes that might upset some viewers. Whilst the storyline portrays under age boys in prostitution, those actors that you see nude or engaged in sex are clearly of legal age.The storyline has similarities to Christiane F, which was a film about a young teenage girl who also has to resort to selling herself for sex to get money for her increasing drug addiction. I think the sole intention of that film (based on the book) was to make people aware of the problem of drug addiction allegedly in the former east Germany at that timeIn this film the interests and sex varies from client to client from vanilla to quite extreme, the film would lack entertainment value and the viewer would loose interest without that in my opinion.As a gay interest film there some scenes which could be viewed by some as quite erotic, one example where the main actor Marek is nude on a rotating pedestal and a game of pool with strip poker like rules.Clearly exploitation of anyone is wrong and I don't condone the storyline to be acceptable, but sex, murder and crime attracts viewers and sells movies and books. The film is very brave in portraying the subject matter that it does and deserves a watch, perhaps more than once.
gradyharp NOTE: According to the dictionary: Mandragora is 1) a plant of nightshade family: a plant with a forked root resembling a human body that was formerly believed to have magical powers and was made into a drug and 2) a 14th century alteration of medieval Latin mandragora, influenced by man, drake "dragon" (from its emetic and narcotic properties).MANDRAGORA, the astonishing film from the Czech Republic written by Wiktor Grodecki (who also directs) and David Svec (who also acts in the film), is aptly named: mandragora is the world of male prostitution that seduces young lads with promises of money and ultimately poisons them with the burning disease of loss of self respect and ultimately of life.Marek (Miroslav Caslavka in a stunning performance) is a beautiful 15-year-old kid from a little village in the Czech Republic who has aligned himself with petty criminals to have better things such as classy clothing, a lad whose single father (Jirí Kodes) demands he stay in school (yet is always in the background to salvage Marek's errant life situations) and who seems to be prepping his son for a better life. Marek hates school, which he sees as merely a path to be a welder like his father. The father and son collide after another crime spree and Marek leaves home for the big city promises of Prague.Once in Prague Marek is observed by the pimp Honza (Pavel Skripal) who follows Marek, knowing that Marek's future in the city is doomed without Honza's 'protection'. Within a day's time Marek's luck with the slot machines dries up and Honza convinces him to be his 'rabbit' - a male prostitute. Marek's first encounter with an American 'john' ends disastrously and the beaten Marek returns to the streets where he encounters a fellow hustler David (David Svec). Together they forge an alliance to escape Honza's compound and begin a life of successful prostitution. They are bonded (the probability of Marek's actually being gay and physically attracted to David is strong) and together they encounter all manner of unseemly characters involved in the underbelly of Prague's male prostitution life.Characters weave in and out of Marek's and David's life, each time leaving scars that grow more visible as does the threat of drug problems and AIDS. They eventually consent to embrace the lowest level of making gay porn where the cruel director forces Marek to be sodomized by David. They are raided by the police and Honza reappears as Marek's nemesis. Through a series of drug-induced hallucinations and dreams Marek envisions what his future holds and his descent is stamped. Yet at this point Marek's father journeys to Prague in search of his son, discovers his life style, is terrified and angry and tangentially passes Marek in a critical final scene that is devastatingly sad.This film is dark, frank, cruel, realistic, and sweats with the evil of the belly of the beast that is Prague's underworld. Yet the direction is so fine and, equally important, the acting by Miroslav Caslavka so sensitive that we as the audience are swept into an overwhelming compassion for these unfortunate lads whose seemingly only hope for a better life is one of humiliating degradation. MANDRAGORA is a no holds barred examination of a dark life that maintains a precarious balance between caricature and character development. Yes, it is lengthy at 126 minutes, in need of editing in areas, has faulty subtitles, and a strange musical score by Wolfgang Hammerschmid who extrapolates Puccini's 'Nessun dorma' and Bach's 'Erbarme dich' and 'Ruhe sanft' from the St Matthew Passion for heavy effects, and very dark cinematography by Vladimír Holomek, but despite these sidebar problems, they only slightly mar the overall impact of a very important film.Grady Harp
zkapil Its a true story. Story is really the most depressing of all the movies i have seen. And its a beautifully made movie.See how human beings can become beasts. I thought there is no God in the world where this can happen.What should i say more u have to see it urself. I saw the movie 3-4 months back but its still very fresh on my mind.Marek (protagnist), age 16, goes to Prague (a big city) where he and so many of his age group from smaller towns end up being prostitutes. People from richer countries of europe and US come there and exploit these poor boys.