Magic Beyond Words: The J.K. Rowling Story

2011
6.6| 1h27m| PG-13| en| More Info
Released: 18 July 2011 Released
Producted By: Lifetime
Country:
Budget: 0
Revenue: 0
Official Website: http://www.mylifetime.com/movies/magic-beyond-words-the-jk-rowling-story
Synopsis

A look at J.K. Rowling from her humble beginnings as an imaginative young girl and awkward teenager, to the loss of her mother and the genesis of the Harry Potter book series.

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Reviews

TinsHeadline Touches You
SpuffyWeb Sadly Over-hyped
Platicsco Good story, Not enough for a whole film
HeadlinesExotic Boring
thebluemarlin565 Possible Spoilers: "Magic Beyond Words" tells the story of J.k. Rowling's life leading to the Harry Potter novels. The overall presentation is nice, giving us some insight on Rowling's life. However, there are many inaccuracies and clichés that makes some of the research questionable. The inaccuracies include incorrect portrayals of many of the settings in the movie like Wyedean School and London itself, some cultural mistakes like having sweet trolleys on English trains, and many more. The clichés include over dramatic portrayals of some life events like her time with her first husband, and some usual clichés like when she says "Do you think we'll ever see Harry Potter in that window display? Not bloody likely". On the other hand, it Poppy Montgomery gives a very charming performance as J.k. Rowling and the film has a rather nice atmosphere when giving telling it's story. In conclusion, it feels like a quick scroll through Wikipedia, giving the main build of Rowling's life but having some frustrating inaccuracies and leaving some crucial parts out like Rowing's dealings with depression. If you want to learn a bit about Rowling's life and can deal with some inaccuracies and clichés then watch this at your own risk, if you don't like inaccuracies or clichés then maybe keep on looking.
SnoopyStyle This is a Lifetime docudrama of JK Rowland's life leading up to the big success of Harry Potter. Is it factual? I can't say. Chances are they took liberties left, right and center. Although there is value to portray her life as a fable that inspired her to the world of Harry Potter. The big events are probably correct, but the little things like the cart on the train is probably added. That is not necessarily dishonest. It is quite expected.The story makes poetic sense. And Poppy Montgomery is quite fitting as Rowland. She's probably too pretty to play the part. But she gets the character in the right space. The production value is limited. They're shooting British Columbia for Britain. Obviously it's not the same. And you can definitely tell.
Kiwi666 OK viewing for a damp winters day when there is nothing else on the box and your DVD player is on the blink. Research is laughable (if it was done at all) Knowing Tutshill, having attended Wyedean and having worked in Edinburgh, this film shows the typical sickly sweet idealistic old fashioned chocolate box view of "little old England" (but at least they recognised that Edinburgh is in Scotland). Maybe I'm being picky, but when making a biopic (authorised or otherwise) surely they should have a far better idea of the locations? It is 8-10 miles from Tutshill to the outer edges of the forest for a start. the uniforms for Wyedean are completely the wrong colours and the badge is a figment of the film makers imagination. All it would have taken was a quick search on Google ...... and don't even get me started on the buildings!!As has already been noted by another reviewer, the linguistic differences between us and our North American cousins are very apparent (although I do note that the lead is played by an Australian) the accents throughout are either the typically clipped accents favoured by North American movie makers and the Scottish accents are woefully inaccurate. The language used is about as inaccurate as you can get whilst still speaking English one example being assistance (benefits) i'm surprised they didn't talk about grade school, high school etc.
GD Cugham This made for television feature caught and held the attention one New Year afternoon for all the wrong reasons. A dramatisation of how Joanne Rowling discovered the idea for Harry Potter then became JK and rose to international fame is filmed like a particularly cheap perfume ad. The director's apparent obsession with flashes of cleavage aside - at times you think you are watching the feature through dirty-old-man-on-tube Cam - the main actor has been cast for her resemblance to Rowling and little else. The director again seems to be at fault for not allowing his star to re-dub her lines but this is perhaps a trait of this rushed-to-shop production. The whole early section, juggling a parental death with Rowling's teaching experience in Portugal, affair with a Latin lover and subsequent pregnancy, makes the Mediterranean hi jinx of 'Mamma Mia' look like Chekov. When Rowling returns to the UK with her daughter the real comedy ensues as the script hangs around the rumours and misdirection Rowling fed press junkets regarding her formative time writing Potter while placing the action in an Edinburgh that makes Diagon Alley look grittily realistic. Canadianisms pervade the whole telling of this section. A single mother doesn't receive "assistance" in Scotland as the film insists, but 'benefits". Rowling's experience as a teacher in Leith Academy is grimly unresearched, with what looks like a Kindergarten in Hobbiton being her workplace. What in real Edinburgh is called "interval" or 'playtime' is erroneously referred to as "recess' by the Mcgonagle-like Headmistress.Even by TV movie standards this is cynical stuff. The creative process is explored in clichéd montage, at once displaying Rowling as a lucky, remotely eloquent Bimbo - her child and relationship with her is laughably never believable - while never exploring the fact that Rowling lightly thieved from Dahl, Tolkein, Rattigan and Lewis in her development of the bespectacled Potter.There are some that may say this insanely chocolate-box representation of Rowling's life and Britain is all she deserves for a biopic. Her vision of Hogwarts and intrinsic social classes in her novels is adolescent in its reflection of UK life and also posits an ideal school system that is rare in the UK and patrician and exclusive where it does exist.That aside, this is camp Lambrini party viewing, provoking unintended laughs and hilarity, especially if you live in the UK. Watchable in that vein!