MacArthur Park

2001
6.2| 1h26m| en| More Info
Released: 21 January 2001 Released
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Synopsis

A portrait of a homeless park community bonded by crack cocaine addiction. In the park's drug-fixated shantytown, Cody is a kind of crackhead father figure who helps his friends when they are in trouble or in desperate need of a "blast." His girlfriend, Alicia, is a romantic who's losing her soul to the drug, and E-Max is a street hustling pimp who is trying to scoop young Linda into his motley legion of harlots. Hoover Blue, earth mother to all the addicts, attempts to pound some knowledge into the starry-eyed Linda while Cody tries to help young P-Air get his hustle on to record a hip hop track and make it big. But when Cody's real son, Terry, tracks him down to tell him his wife has passed away, Cody doesn't even recognize him at first and then can't help him with postmortem affairs. After five years of crack addiction, Cody wants to get straight and do right by Terry, but the harder he struggles to escape the park, the more it closes in on him.

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Reviews

Vashirdfel Simply A Masterpiece
Exoticalot People are voting emotionally.
Beanbioca As Good As It Gets
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
George Parker "MacArthur Park" attempts to build a story around a motley bunch of street people who frequent and/or live in the big downtown Los Angeles park. Once the pride of L.A., the park, named after WWII General Douglas MacArthur, is now a marginally maintained place where street people hang out under the watchful eye of the everpresent LAPD. The film attempts to capture and dramatize some of the goings on in the park but only manages a feeble story at best which focuses mostly on crack users, assorted druggies, and other low-lifes. As the film wears on and eventually wears out it becomes increasingly apparent there's nothing new to be found between the credits. Just another "street" flick with nothing special going for it, this budget conscious indie and apparent pet project of first-time director Wirth is one to pass on. (C)
yourmommi Whats wrong with Hollywood, when films like PootieTang make it to theaters and we cant see films with valid messages. It's a damn shame! Billy Wirth did a phenomenal job, as well as Tyrone Atkins, Tami Anderson, & Miguel Nunez to name a few. People is high positions need to make proper decisions- if not theaters, at least video distribution. The public needs to witness this film.
dcutrell I saw the movie at the Seattle International Film Festival. I thought it was great. I was worried that it would be depressing, but I came away from it with a feeling of hope. It was very exciting, true to life, lots of suspense and even a few laughs.
maxie-14 I saw this film in April 2001 after waiting over two years. Co-running a fanclub site for Billy Wirth, we have been waiting to see this film finally make it to the screen.As a take it or leave it Hip Hop - Rap fan, I was blown away by the soundtrack. I felt the music blended and pulled the movie together, it set the pace and took the viewer on a roller coaster ride.As a heavy duty movie viewer for over 30 years I thought the ensemble cast was extraordinary, with faces many of us will try and place from other films, television, etc.. I was truly amazed to see the performances that Billy got the cast to reveal. It is an intense film and subject matter but with a sense of family, for not giving up on family, or yourself. To see pass the weaknesses that we all share, that with love and faith in each other you can triumph.I am no expert by any sense of the word but the camera work and the way Billy broke the tension more than once to keep the movie viewer from going over the edge was great. I feel Billy Wirth has found his calling behind the camera and am looking forward to what else he has up his writing/directing sleeve.The performances of Thomas Jefferson Byrd, Carlton Wilborn, Keno Deary, Ellen Cleghorn were special to me. I look forward to more work from these gifted actors.I also feel the movie forces the viewer to look inside themselves, to experience another world that many of us don't know and refuse to see. The addict, the homeless, they could all be us. That they do have faces, names, families and souls.

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