Macario

1960 "Macabre, haunting and wonderful"
8.3| 1h31m| en| More Info
Released: 26 September 1961 Released
Producted By: Clasa Films Mundiales
Country: Mexico
Budget: 0
Revenue: 0
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Synopsis

Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

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Reviews

Moustroll Good movie but grossly overrated
Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Frances Farmer This film, set in colonial times, tells the tale of Macario, a destitute woodcutter who stumbles onto a magical source of healing power. He has a series of beautifully photographed adventures curing the sicknesses of the incurable in his tiny farming hamlet and the nearby town. As Macario's fame spreads, his wealth increases but his uncanny powers attract the wrong kind of attention, leading to a tragic denouement.The powerless suffering of the poor, the boundless greed of the rich and of the poor alike, the eternal desire to cheat death and squeeze a few more drops out of this life -- these timeless themes are all operative here to good effect. This is not a subtle movie, and it is rather dated in its characterizations and its moralizing. Even so, the acting is competent and the plot engaging. There are some stunning scenes that combine with the first-rate cinematography to make the film lovely to look at.If this rarely screened movie comes your way, I recommend that you take the opportunity to view it.
jaialai One of the finest Mexican films I have ever seen. The casting is excellent as each character is perfect for the role chosen. The film will leave you feeling that justice eventually does prevail. I am pleased that Ignacio Lopez Tarso is still with us and still acting. It is a real shame that the actress playing his wife left us so soon. The wife's love for her husband is so evident in the film as she is totally unselfish. The actor playing death is superb and will never leave you. I wish I could find the names of the actors that played the members of the Court because I believe they may be from Spain and I would like to look up their other credits. I highly suggest for you to see this film!!!!
valdezlopez It is said that movie's were made to transport us out of our reality and immerse us in a different world.When watching Macario I'm happy to say that kind of magic has endured for this picture since 1960.It has been throughout almost than 45 years, the example of good Mexican cinema. It has a peculiar effect: this movie begins to make some distance from the happy, naive and joyful musical movies made in the Golden Years of Mexica cinema, nonetheless it still lacks the cynicism and irony of later films.Parallel to the main character behavior, beneath that surface of the plot and narrative, lies a fully formed story: Even though Macario speaks little, we know he thinks a reflects a lot.Igancio López Tarso made a classic with is quiet character, and I was amazed to find in Pina Pellicer one of the most beautiful women in Mexican movies.It is sad to see movies like this are no longer made. Mysticism has no place in Mexican cinema right now.(with a few... quite a few, and I mean quite a FEW -near to NONE- exceptions)
Bobs-9 I was grateful for the rare opportunity to see the 1960 Mexican film `Macario.' Without going over the plot again, suffice it to say that it is a spooky, black and white film reminiscent of Bunuel's `Los Olvidados' and Bergman's `The Seventh Seal.' If that sounds appealing, `Macario' is definitely for you. Films with this sort of elemental power, and which tell an enthralling story devoid of marketing strategy, focus-group tweaking, or commercial gloss are increasingly rare. When you find one, it's usually an old film that you stumble upon by accident (as I did with this one). It's always a delight to find an old gem like this one. Great film!