Love Never Dies

2012 "The Sequel to The Phantom of the Opera"
6.7| 2h1m| NR| en| More Info
Released: 08 February 2012 Released
Producted By: Universal Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.loveneverdies.com.au/index.php
Synopsis

Set ten years after the events at the Paris Opera House, the Phantom has fled to New York, where he lives amongst the joyrides and freak shows of Coney Island. He has finally found a place for his music to soar, all that is missing is his love Christine Daaé. In a bid to win back her love, the Phantom lures Christine, her husband Raoul, and their young son Gustave from Manhattan, to the glittering and glorious world of Coney Island... they have no idea what lies in store for them...

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Reviews

BoardChiri Bad Acting and worse Bad Screenplay
Fairaher The film makes a home in your brain and the only cure is to see it again.
Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
maldrianna It was very dissapointing as I was expecting the same actors but then again I would be okay with it had they chosen a better cast. The beautiful and extrvagant costumes were mere distraction from the uncohesive plot and mediocere singing except for Ben Lewis who played the Phantom.
Kayla Wise I thought LND paled in comparison to POTO but what the hell, how could it not. I thought that if they released a sequel to POTO on film, it must be good but wow was I wrong. Phantom is amazing, thrilling and exhilarating... and the LND movie is boring and creepy. It was entirely too predictable, cliché, cheesy, you name it and there was too much of it there... or too little. I found myself fast forwarding through the movie because either the song was horrendous or it was really boring. But I will say, from watching YouTube videos of Ramin Karimloo and Seirra Boggess (illegal? probably, but I didn't do it so I'm gonna take advantage of it)The two (flipping Amazing) actors really made it a lot better. In my opinion they should film a show of Ramin and Seirra and put it up for sale and see what the reviews of that are. Prediction: they would be sky high. just my opinion but seriously if they brought those to back and made a DVD of it I would die of happiness!
TheLittleSongbird Much of the problem that I had watching this was to do with Love Never Dies itself. I am one of those who has appreciated Andrew Lloyd Webber overtime, especially as Phantom of the Opera is so good, but Love Never Dies is my least favourite musical of his by quite some way. Two or three of the songs are nice, Til I Hear You Sing Once More, The Beauty Underneath and Look With Your Heart, but the rest are completely forgettable. The story is also a mess, it is nowhere near as cohesive as Phantom of the Opera, is very bad soap-opera-ish and didn't engage me emotionally. The characters seem off, especially Raoul, and one plot strand(the one revealing when Gustave was conceived) actually distorts them, while the ending is ridiculously anti-climatic. This production is a slight improvement by excising that one plot strand, but other than that it does nothing to change my perception of the musical. The production is certainly not bad, the costume and set designs are just exquisite with beautiful lighting. The orchestral playing, chorus and conducting are also first-rate. And I thought the two leads were fine. Ben Lewis has a magnificent voice, and does his best making Phantom charismatic, edgy and tortured, it's not his fault that Phantom in Love Never Dies is too much of an obsessive businessman with a dark past, a much watered-down version of his former self really. Anna O'Byrne struggles with the title number- hardly surprising seeing as the song itself isn't that good anyway- but her voice is very angelic and rich with an unbelievable range, she also does elegant and diva-ish very well. The rest of the cast aren't as effective, good voices but dull. Well Simon Gleeson does have flashes where he allows Raoul to be dashing, but there is strong emphasis on flashes. It doesn't help that the drama is so overly-melodramatic, dull and emotionally cold, or that the relationship between Phantom and Christine is as tawdry as it is. And if you're struggling to believe that they actually hooked up, I don't blame you. The choreography was well danced but lacked drive and sparkle for my tastes. The camera work was a big, perhaps even the biggest, issue. There are too many close-ups and medium shots that are moved so fast, this approach is the very opposite of intimate(which I believe was intended), further ruined the dramatic flow and actually cried for a more expansive use of the stage and live-performance spontaneity. Overall, lavish but also disappointing. 5/10 Bethany Cox
xristosdomini Okay, so, I watched this reasonably soon after having watched the Phantom of the Opera 25th anniversary performance--so a) it was fresh and b) I might be a little harsh. The camera work was a little...interesting. There was only one shot (before the curtain call) that showed any of the audience, so it was easy to forget you were watching a play in a theater--except that you kept seeing stage lights in shots. Not a bad thing, but not ideal. The music is good, but rather weak in comparison to Phantom. Phantom is soaring and operatic... LND had me asking if Webber composed it in collaboration with Trans-Siberian Orchestra. The big thing for me, however, is the continuity disasters between LND and Phantom that fundamentally change the apparent story in Phantom. Full-disclosure, I think Love Never Dies would be perfectly fine in it's own right, but as a sequel to the awesomeness of Phantom of the Opera... I was a bit disappointed. I did appreciate the sporadic musical references to Phantom of the Opera in the score, however.